THE NUCLEAR FAMILY 1969
WORK DAYS OF GOD
Herbert W Morris D.D.circa 1883
Page 22
"As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."
MARIO AND THE MAGICIANS
THOMAS MANN
1875 - 1955
18
THE
TABLES OF THE LAW
Page 289
"...WITH A HANDFUL OF THESE SIGNS ALL THE WORDS
OF ALL THE LANGUAGES OF ALL THE PEOPLE
COULD, IF NEED BE, BE WRITTEN,..."
LIGHT AND LIFE
Lars Olof Bjorn 1976
Page 197
"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
A |
B |
C |
D |
E |
F |
G |
H |
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
S |
T |
U |
V |
W |
X |
Y |
Z |
I |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
9 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
ME |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
= |
9 |
= |
9 |
= |
9 |
= |
9 |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
"BY WRITING THE 26 LETTERS OF THE
ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
A
HISTORY OF GOD
Karen Armstrong 1993
The God of the Mystics
Page 250
"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically;
the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by
combining the letters with the sacred numbers, rearranging them in
endless configurations, the mystic weaned his mind away from the normal connotations of words."
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF
THE
ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
18 |
First Total |
|
|
|
1+8 |
Add to Reduce |
1+8+9 |
9+0 |
1+8 |
9 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
AT THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET
THE
FAR YONDER SCRIBE
MADE RECORD OF THEIR FALL
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Cycles and Patterns
Page 165
Patterns
"The essence of mathematics is to look for patterns.
Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.
These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!
Searching out patterns is a pure delight.
Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.
And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
A
MAZE
IN
ZAZAZA ENTER AZAZAZ
AZAZAZAZAZAZAZZAZAZAZAZAZAZA
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
FINGERPRINTS OF THE GODS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 /
universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time"
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as
we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"
"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
- |
|
- |
- |
- |
|
THE |
33 |
15 |
|
|
RAINBOW |
82 |
37 |
|
|
LIGHT |
56 |
29 |
|
|
|
|
|
|
1+5 |
|
1+7+1 |
8+1 |
- |
|
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|
THE LIGHT IS RISING RISING IS THE LIGHT
15 |
THE RAINBOW LIGHT |
- |
|
- |
|
THE |
33 |
15 |
|
|
R |
18 |
9 |
|
|
A |
1 |
1 |
|
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I |
9 |
9 |
|
|
N+B+O+W |
54 |
18 |
|
|
L |
12 |
3 |
|
|
I |
9 |
9 |
|
|
G+H+T |
35 |
17 |
|
15 |
THE RAINBOW LIGHT |
171 |
81 |
54 |
1+5 |
|
1+7+1 |
8+1 |
5+4 |
6 |
THE RAINBOW LIGHT |
9 |
9 |
9 |
26 |
|
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1 |
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3 |
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13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
|
3+5+1 |
= |
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|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
|
1+2+6 |
= |
|
26 |
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R |
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9 |
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8 |
9 |
+ |
= |
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1+7 |
= |
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= |
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8 |
9 |
+ |
= |
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1+7 |
= |
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= |
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9 |
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I |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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+ |
= |
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2+8 |
= |
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1+0 |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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+ |
= |
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2+8 |
= |
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1+0 |
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9 |
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I |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
+ |
= |
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4+5 |
= |
|
= |
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|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
+ |
= |
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4+5 |
= |
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= |
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9 |
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1 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
1 |
= |
|
|
- |
2 |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
1 |
= |
|
|
- |
- |
3 |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
1 |
= |
|
|
- |
- |
- |
4 |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
1 |
= |
|
|
- |
- |
- |
- |
5 |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
1 |
= |
|
|
- |
- |
- |
- |
- |
6 |
- |
- |
- |
+ |
= |
|
occurs |
x |
1 |
= |
|
|
- |
- |
- |
- |
- |
- |
7 |
- |
- |
+ |
= |
|
occurs |
x |
1 |
= |
|
|
- |
- |
- |
- |
- |
- |
- |
8 |
- |
+ |
= |
|
occurs |
x |
1 |
= |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
+ |
= |
|
occurs |
x |
1 |
= |
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9 |
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I |
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9 |
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1 |
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7 |
8 |
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4+5 |
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4+5 |
9 |
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I |
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9 |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
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9 |
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I |
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9 |
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R |
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5 |
6 |
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+ |
= |
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1+1 |
= |
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= |
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14 |
15 |
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+ |
= |
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2+9 |
= |
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1+1 |
|
9 |
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R |
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1 |
2 |
3 |
4 |
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7 |
8 |
9 |
+ |
= |
|
3+4 |
= |
|
= |
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10 |
11 |
12 |
13 |
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16 |
17 |
18 |
+ |
= |
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9+7 |
= |
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1+6 |
|
9 |
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R |
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10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
+ |
= |
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1+2+6 |
= |
|
= |
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|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
+ |
= |
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4+5 |
= |
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= |
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9 |
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R |
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1 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
1 |
= |
|
|
- |
2 |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
1 |
= |
|
|
- |
- |
3 |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
1 |
= |
|
|
- |
- |
- |
4 |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
1 |
= |
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|
- |
- |
- |
- |
5 |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
1 |
= |
|
|
- |
- |
- |
- |
- |
6 |
- |
- |
- |
+ |
= |
|
occurs |
x |
1 |
= |
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|
- |
- |
- |
- |
- |
- |
7 |
- |
- |
+ |
= |
|
occurs |
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1 |
= |
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- |
- |
- |
- |
- |
- |
- |
8 |
- |
+ |
= |
|
occurs |
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1 |
= |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
+ |
= |
|
occurs |
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1 |
= |
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9 |
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R |
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9 |
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10 |
11 |
12 |
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ADVENT TENSQUARE ADVENT
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1+0 |
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9 |
1+9 |
2+0 |
2+1 |
2+2 |
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2+4 |
2+5 |
2+6 |
ME |
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1+8 |
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ME |
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ME |
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1 |
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ME |
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1 |
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1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
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- |
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DAILY MAIL
Thursday, December 1, 2005
James Mills
HAS THIS MAN SOLVED THE GREAT TENSQUARE TEASER?
Ted Clarke within a whisker of Immortality
The ultimate in word weaving . . . but 'nonsevent' could make it a non event
" IT is, more fiendish t.han any
Countdown conundrum, more
rriind-bogglingly frustrating than
the most cryptic of crosswords.
The idea is to fill a grid with ten
words, each containing ten letters,
which read the same across as down.
Known as a tensquare, the puzzle has been around for centuries and has stumped anyone who has ever tried to solve it - even those armed with a computer program.
But now a retired aircraft design engineer from Cornwall claims to have cracked it well, almost.
Ted Clarke, 79, has come up with a solution which - by his own admission - is not
perfect,.but comes closer than. any other that has so far been found.
He has achieved it by including one word - nonesevent- which is now the subject, of a heated-debate among word puzzle experts around the world.
Mr Clarke, says nonesevent means an event occurring on. the nones - the ninth day before the Ides of March in the
ancient Roman calendar.
Unfortunately, it does.not;appear in any
dictionary. 'Finding the perfect tensquare is so extraordinarily difficult that it is widely accepted that the boundaries of. language liave to be stretched a little,'
Mr Clarke said yesterday.
'They. say that anyone who comes with the perfect solution will be immortalised.
'Well I don't. claim to have made nyself immortal, but I think I have come withiin a whisker of it - and certainly closer than
anyone else',
'Others have done it by pushing
together names such. as Kevin Brown, or
repeating .the same words twice.. But no one has ever created a tensquare using ten different recognisable words, and possibly they never will.
'Not perfect, but it's the best yet'
Ross Eckler, editor of Word Ways magazine,in the United States, and New Zealander Jeff Grant, a Scrabble fanatic who has spent the past 30 years trying to crack the problem, have accepted all Mr Clarke's words besides nonesevent.
Six of the words can be found in various dictionaries. These are discussing; incantator, scarlatina, carnitines, unlikeness and itinerates.
Two others - satinweave and grassnest - are technically two words, but are often
used as one these days. Satinweave is a
type of fabric and grassnest is a bird's
nest made of grass.
The remaining word, statewren, is also a little dubious. According'to Mr Clarke, it refers to a number of wrens which are
the symbols of American states, such as South Carolina.
Puzzle expert Tony Augarde, who compiled the Oxford Guide to Word Games, said Mr Clarke's is the best tensquare he has ever seen. 'It's not .perfect, but it's the best yet,' he added.
'Some of the words in Mr Clarke's square are not well known -put it. depend,s on your definition of what language is.'Mr Clarke has pushed the boundaries
of language, but who is to say what is a word and what isn't?'
The first word squares were constructed in ancient Greece as far back as 600BC and are the forerunners of the modern crossword.
A five-word square was found carved, on stone in the ruins of Pompeii, dating from tlie first century AD.
The game was developed in England in the19th Century to include 'across' clues an in 1913 the first crossword was published in the New York World newspaper, Word squares using more than six letter words are extremely difficult to construct. . . . . . . . . . . . . . . A numberof seven-word squares using recognisable 'Words have been created, but squares using eight or nine-letter words. require the use of obscure or
archaic words and a computer program.
Other tensquares have been created in the past, but have fallen short of the ideal that foreign words should not be used in an English-language puzzle.
Thus, one tensquare that used the French phrase ses tunnels - with the words run together - and the German verb amputieren, was frowned upon.
Another possible disqualification in the eyes of purists is that words must not be
too tortuously contrived.
Mr Clarke, who has four grandchildren and two great grandchildren, lives with his 74-year-old wife Margaret in the village of Mawgan Porth, near Newquay.
He has been a fan of word puzzles since he was a boy and over the past decade has built up a computer database of more than 70,000 words.
He uses a spiecal program to search the millions of combinations for possible solutions.
Once he finds one that comes close, he tries to find obscure words that might fill in the gaps.
John Simpson, chief editor of the Oxford English Dictionary, said: 'As far as
I can see, all potential tensquares have a few wobbly words in them. This seems to
be no exception, but I'm not a word square expert.
Many of the words in the
puzzle above, such as 'discussing' and
'unlikeliness' need no
explanation. But some of the others may be a little
less familiar...
INCANTATOR: Person who ritually recites magic words or sounds
SCARLATINA: Technical name for scarlet fever
CARNITINES: A nutrient found in the liver and muscle
STATESWREN: According to Mr Clarke, it refers to a number of wrens which are sy mbols of American states
SATINWEAVE: Type of fabric
ITINERATES: Verb meaning to move from place to place
GRASSNESTS: Birds nests
made,of grass
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I |
N |
E |
R |
A |
T |
E |
S |
|
O |
N |
E |
S |
E |
V |
A |
N |
T |
|
R |
A |
S |
S |
N |
E |
S |
T |
S |
"Can you come up with the perfect tensquare"
?
1 |
D |
= |
4 |
10 |
DISCUSSING |
124 |
43 |
7 |
2 |
I |
= |
9 |
10 |
INCANTATOR |
115 |
43 |
7 |
3 |
S |
= |
1 |
10 |
SCARLATINA |
98 |
35 |
8 |
4 |
C |
= |
3 |
10 |
CARNITINES |
|
|
|
5 |
U |
= |
3 |
10 |
UNLIKENESS |
129 |
39 |
7 |
6 |
S |
= |
1 |
10 |
STATESWREN |
144 |
36 |
7 |
7 |
S |
= |
1 |
10 |
SATINWEAVE |
119 |
38 |
3 |
8 |
I |
= |
9 |
10 |
ITINERATES |
|
|
|
9 |
N |
= |
5 |
10 |
NONSEVENT |
|
|
|
10 |
G |
= |
7 |
10 |
GRASSNESTS |
|
|
|
55 |
- |
- |
43 |
100 |
First Total |
1235 |
407 |
56 |
5+5 |
- |
- |
4+3 |
1+0+0 |
Add to Reduce |
1+2+3+5 |
4+0+7 |
5+6 |
10 |
- |
- |
7 |
1 |
Second Total |
11 |
11 |
11 |
1+0 |
- |
- |
- |
- |
Reduce to Deduce |
1+1 |
1+1 |
1+1 |
1 |
- |
- |
7 |
1 |
Essence of Number |
|
|
|
THE TIMES
Saturday December 3 2005
It's still beating the best brains, but can you crack world's most difficult puzzle?
By Simon de Bruxelles
"COMPUTERS and the internet have transformed the world of word puzzles, turning a previously solitary pastime into a communal brainstorming activity.
But computers were no use to Ted Clarke, a retired engineer from Cornwall, whose ten-square acrostic word puzzle, published in The Times on Thursday, took seven years to compile using pencil and paper. Described as the world's most fiendish puzzle, as addictive as the most cryptic crossword, it is the ideal companion for the numerical Su Doku.
Since Mr Clarke's word square, the largest in any language, was published he has been inundated with e-mails of congratulations from around the world. Although some experts dispute at least one of the words, most agree that it is the "best attempt" yet at a tenletter word square.
One expert in word' games has estimated that 900 nine-letter word squares have been compiled, but Mr Clarke's is the first with ten that does not include proper names or foreign words. Mr Clarke, 79, said: "For me getting it published in the The Times was better than winning the lottery."
Readers who enjoyed the challenge of trying to fill in the blanks now have the chance to have another go. We have gathered a selection of word squares ranging in size from three by three to eight by eight against which to test your wits.
To give you a helping hand we have left some of the letters in situ. On Monday we will be publishing a nine-letter square. For the largest square we have also provided some crossword clues."
Samurai Su Doku, Books, page 28
6 |
|
91 |
19 |
|
9 |
|
134 |
44 |
|
10 |
|
153 |
45 |
|
THE TIMES
Thursday December 1 2005
NEWS
Page 3
'Su Doku' word game that baffled Ancient Greeks took an expert 7 years to crack - you've got 10 minutes (and a little help}
A Cornish engineer claims to have completed the 10-letter acrostic that foxed a computer
A BRITISH engineer claims to have solved a puzzle that has counfounded some of the world's best brains since the time of the Ancient. Greeks.
Ted Clarke, 79, believes that he has devised the largest acrostic square - ten letters by ten, spelling out the same words
horizontally and vertically in the English language.
However, his claim to have come up with the "best yet" solution to the conundrum of the ten-square puzzle does not satisfy some experts. They say that because one of his words does not appear in any dictionary it should be disallowed.
Like the immensely popular numbers puzzle, Su Doku, which The Times introduced to Britain, the. acrostic word square is based on a grid. The words must read the same horizontally and vertically and there must be no misspellings or leftover letters.
One of the most famous acrostics was found scratched on a wall in the ruins of Pompeii: It reads:
ROTAS
OPERA
TENET
AREPO
SATOR
" It is unique in that it not only reads the same up .and down and left to right, it also spells out a passable Latin sentence translated as "the sower Arepo holds the wheels at work".
Mr Clarke, a retired aircraft engineer from Mawgan Porth, Cornwall, has been fascinated by word puzzles since he was a boy. He made.thec::laim to have completed the ten-word acrostic in Word'sWorth, the puzzle magazine that he publishes.
He said: "Over the years people have been trying to construct bigger and bigger squares. People have made them from fantastic words that no one could find. Some have done it using names of cities and people names. These have been eschewed."
Mr Clarke is still seeking the "perfect" solution using noncompound words, but says that may be impossible. "Most experts agree that it can't be done, but this is the closest we' ve got to it so far."
The challenge proved too much for a crossword-solving computer program, so he completed his square "by hand". He said: "1' d leave it running all night looking for ten-letter words that would fit, but 1'd come down in the morning and it wouldn't have one."
His claim to have constructed the world's first ten-letter square is supported by Tony Augarde, author of the Oxford Guide toWord Games. Mr Augarde said; "It's not perfect but it's the best I've seen. Previous attempts used words that no one one had heard of or tautonyms, words that repeat the same sound like orang-utan, which made it easier.
"Some of the words in Ted Clarke's square are not well known and he has pushed the boundaries of language, but who is to say what is a word and what isn't?"
Other experts believe that Mr Clarke has "pushed the boundaries" too far with the word nonesevent. According to Mr Clarke the word, perhaps more correctly nones-event, is an event that takes place during a period of the month known as the nones by the Ancient Romans, rather like the Ides of March.
Ross Eckler, an expert from New Jersey, and Jeff Grant, an Australian who has spent the past 30 years trying to crack the problem, say that the puzzle is still waiting to be solved.
Roger Millington, author of The Strange World of Crosswords, who has traced the origins of the acrostic to Ancient Greece, wrote that the creator of the first accepted ten-letter square would achieve "a lifetime of immortality". Mr Clarke said: "I am not claiming immortality yet, but this is the closest we've got to solving this puzzle."
O |
= |
6 |
- |
3 |
OUT |
56 |
11 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
Z |
= |
8 |
- |
4 |
ZERO |
64 |
28 |
1 |
C |
= |
3 |
- |
6 |
COMETH |
64 |
28 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
|
|
29 |
|
18 |
|
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|
14 |
- |
- |
2+9 |
- |
1+8 |
- |
2+3+9 |
9+5 |
1+4 |
- |
- |
|
- |
|
- |
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- |
- |
1+1 |
- |
- |
- |
1+4 |
1+4 |
- |
- |
- |
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- |
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- |
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- |
- |
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- |
- |
6 |
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6 |
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8 |
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6 |
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6 |
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8 |
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6 |
5 |
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5+1 |
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- |
- |
15 |
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15 |
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26 |
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15 |
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15 |
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8 |
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15 |
14 |
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1+2+3 |
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= |
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- |
- |
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- |
- |
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3 |
2 |
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6 |
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5 |
9 |
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3 |
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4 |
5 |
2 |
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5 |
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4+4 |
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= |
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- |
- |
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21 |
20 |
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6 |
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5 |
18 |
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3 |
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13 |
5 |
20 |
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5 |
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1+1+6 |
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= |
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- |
- |
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- |
- |
15 |
21 |
20 |
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15 |
6 |
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26 |
5 |
18 |
15 |
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3 |
15 |
13 |
5 |
20 |
8 |
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15 |
14 |
5 |
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2+3+9 |
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1+4 |
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- |
- |
6 |
3 |
2 |
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6 |
6 |
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8 |
5 |
9 |
6 |
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3 |
6 |
4 |
5 |
2 |
8 |
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6 |
5 |
5 |
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9+5 |
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1+4 |
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18 |
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- |
- |
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- |
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- |
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- |
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- |
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- |
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- |
- |
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- |
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2 |
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- |
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- |
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- |
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2 |
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- |
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occurs |
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= |
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= |
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- |
3 |
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- |
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- |
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3 |
- |
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- |
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occurs |
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= |
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= |
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- |
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- |
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- |
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- |
4 |
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- |
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occurs |
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= |
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= |
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- |
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- |
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- |
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- |
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- |
5 |
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occurs |
x |
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= |
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2+0 |
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6 |
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occurs |
x |
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= |
36 |
3+6 |
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- |
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- |
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- |
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- |
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- |
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- |
- |
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8 |
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8 |
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occurs |
x |
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= |
16 |
1+6 |
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- |
- |
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- |
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occurs |
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9 |
= |
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1+8 |
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6 |
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3+7 |
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1+8 |
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9+5 |
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4+1 |
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- |
6 |
3 |
2 |
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6 |
6 |
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8 |
5 |
9 |
6 |
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3 |
6 |
4 |
5 |
2 |
8 |
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6 |
5 |
5 |
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1+0 |
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- |
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1+4 |
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- |
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- |
- |
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- |
6 |
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6 |
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8 |
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6 |
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6 |
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8 |
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6 |
5 |
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5+1 |
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- |
15 |
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15 |
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26 |
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15 |
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15 |
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8 |
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15 |
14 |
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1+2+3 |
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= |
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- |
- |
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- |
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3 |
2 |
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6 |
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5 |
9 |
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3 |
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4 |
5 |
2 |
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5 |
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4+4 |
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= |
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- |
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21 |
20 |
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6 |
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5 |
18 |
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3 |
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13 |
5 |
20 |
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5 |
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1+1+6 |
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= |
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- |
- |
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- |
15 |
21 |
20 |
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15 |
6 |
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26 |
5 |
18 |
15 |
|
3 |
15 |
13 |
5 |
20 |
8 |
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15 |
14 |
5 |
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2+3+9 |
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1+4 |
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- |
6 |
3 |
2 |
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6 |
6 |
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8 |
5 |
9 |
6 |
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3 |
6 |
4 |
5 |
2 |
8 |
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6 |
5 |
5 |
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9+5 |
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1+4 |
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18 |
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- |
- |
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- |
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2 |
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- |
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- |
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- |
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2 |
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- |
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occurs |
x |
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= |
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= |
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- |
3 |
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- |
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- |
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3 |
- |
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- |
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occurs |
x |
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= |
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= |
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- |
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- |
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- |
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- |
4 |
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- |
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occurs |
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= |
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= |
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- |
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- |
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- |
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- |
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- |
5 |
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occurs |
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2+0 |
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6 |
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occurs |
x |
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= |
36 |
3+6 |
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8 |
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8 |
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occurs |
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16 |
1+6 |
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- |
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- |
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occurs |
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9 |
= |
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1+8 |
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6 |
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3+7 |
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1+8 |
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9+5 |
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4+1 |
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- |
6 |
3 |
2 |
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6 |
6 |
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8 |
5 |
9 |
6 |
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3 |
6 |
4 |
5 |
2 |
8 |
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6 |
5 |
5 |
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1+0 |
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- |
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1+4 |
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- |
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- |
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S |
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- |
- |
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- |
- |
8 |
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6 |
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6 |
5 |
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- |
9 |
1 |
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1+5 |
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- |
- |
26 |
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15 |
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15 |
14 |
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- |
9 |
19 |
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9+8 |
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1+7 |
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- |
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S |
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- |
- |
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- |
- |
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5 |
9 |
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5 |
- |
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1+9 |
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1+0 |
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- |
- |
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5 |
18 |
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5 |
- |
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2+8 |
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1+0 |
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- |
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S |
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- |
- |
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- |
- |
26 |
5 |
18 |
15 |
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15 |
14 |
5 |
- |
9 |
19 |
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1+2+6 |
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- |
- |
8 |
5 |
9 |
6 |
|
6 |
5 |
5 |
- |
9 |
1 |
|
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|
5+4 |
|
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|
9 |
|
|
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- |
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- |
- |
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|
- |
|
- |
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occurs |
x |
|
= |
|
= |
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- |
|
- |
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TWO |
2 |
|
- |
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- |
|
- |
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- |
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- |
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- |
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- |
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|
- |
|
- |
5 |
|
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occurs |
x |
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= |
|
1+5 |
|
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occurs |
x |
|
= |
12 |
1+2 |
|
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- |
|
- |
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- |
- |
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8 |
|
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occurs |
x |
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= |
8 |
= |
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occurs |
x |
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= |
18 |
1+8 |
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- |
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- |
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- |
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- |
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2+9 |
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5+4 |
|
2+7 |
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- |
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8 |
5 |
9 |
6 |
|
6 |
5 |
5 |
- |
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1 |
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1+1 |
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- |
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- |
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- |
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- |
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S |
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- |
- |
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- |
8 |
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6 |
|
6 |
5 |
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- |
9 |
1 |
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|
1+5 |
|
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|
- |
26 |
|
|
15 |
|
15 |
14 |
|
- |
9 |
19 |
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|
9+8 |
|
|
1+7 |
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- |
|
S |
|
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- |
- |
|
- |
|
5 |
9 |
|
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|
5 |
- |
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|
1+9 |
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|
1+0 |
|
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- |
|
5 |
18 |
|
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|
5 |
- |
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|
2+8 |
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|
1+0 |
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- |
|
S |
|
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- |
- |
|
- |
26 |
5 |
18 |
15 |
|
15 |
14 |
5 |
- |
9 |
19 |
|
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|
1+2+6 |
|
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|
- |
8 |
5 |
9 |
6 |
|
6 |
5 |
5 |
- |
9 |
1 |
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|
5+4 |
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|
9 |
|
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- |
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- |
- |
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- |
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- |
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occurs |
x |
|
= |
|
= |
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|
|
|
|
- |
|
- |
5 |
|
|
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|
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occurs |
x |
|
= |
|
1+5 |
|
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|
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|
|
|
|
|
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|
occurs |
x |
|
= |
12 |
1+2 |
|
|
8 |
|
|
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occurs |
x |
|
= |
8 |
= |
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|
occurs |
x |
|
= |
18 |
1+8 |
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- |
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- |
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- |
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- |
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|
2+9 |
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|
5+4 |
|
2+7 |
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- |
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8 |
5 |
9 |
6 |
|
6 |
5 |
5 |
- |
|
1 |
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|
1+1 |
|
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- |
|
- |
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- |
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1 6 3 8 1836 8 3 6 1
|
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S |
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|
- |
- |
|
- |
8 |
|
|
6 |
6 |
5 |
|
9 |
1 |
|
|
|
1+5 |
|
|
|
|
|
|
- |
26 |
|
|
15 |
15 |
14 |
|
9 |
19 |
|
|
|
9+8 |
|
|
1+7 |
|
|
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|
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|
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|
S |
|
|
|
|
|
|
|
- |
- |
|
- |
|
5 |
9 |
|
|
|
5 |
|
|
|
|
|
1+9 |
|
|
1+0 |
|
|
|
- |
|
5 |
18 |
|
|
|
5 |
|
|
|
|
|
2+8 |
|
|
1+0 |
|
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|
|
|
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|
|
S |
|
|
|
|
|
|
|
- |
- |
|
- |
26 |
5 |
18 |
15 |
15 |
14 |
5 |
9 |
19 |
|
|
|
1+2+6 |
|
|
|
|
|
|
- |
8 |
5 |
9 |
6 |
6 |
5 |
5 |
9 |
1 |
|
|
|
5+4 |
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|
9 |
|
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- |
- |
|
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|
- |
- |
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|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
- |
- |
5 |
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
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|
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|
|
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|
|
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|
|
|
- |
- |
|
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|
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|
2+9 |
|
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|
5+4 |
|
2+7 |
|
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|
|
|
|
8 |
5 |
9 |
6 |
6 |
5 |
5 |
|
1 |
|
|
1+1 |
|
|
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|
- |
|
- |
|
|
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|
|
|
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
8 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
Z |
= |
8 |
- |
4 |
ZERO |
64 |
28 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
- |
- |
39 |
|
14 |
First Total |
|
|
|
- |
- |
3+9 |
- |
1+4 |
Add to Reduce |
1+8+0 |
8+1 |
1+8 |
- |
- |
12 |
- |
|
Second Total |
|
|
|
- |
- |
1+2 |
- |
- |
Reduce to Deduce |
- |
- |
- |
- |
- |
3 |
- |
|
Essence of Number |
|
|
|
- |
ZERO IS ONE |
- |
- |
- |
- |
ZERO |
- |
- |
- |
|
Z |
26 |
8 |
|
|
E |
5 |
5 |
|
|
R |
18 |
9 |
|
|
O |
15 |
6 |
|
4 |
ZERO |
64 |
28 |
28 |
- |
IS |
- |
- |
- |
|
I |
9 |
9 |
|
|
S |
19 |
10 |
|
2 |
IS |
28 |
19 |
10 |
- |
ONE |
- |
- |
- |
|
O |
15 |
6 |
|
|
N |
14 |
5 |
|
|
E |
5 |
5 |
|
3 |
ONE |
34 |
16 |
16 |
9 |
ZERO IS ONE |
126 |
63 |
54 |
- |
- |
1+2+6 |
6+3 |
5+4 |
9 |
ZERO I S ONE |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
8 |
|
|
6 |
|
|
|
1+4 |
|
|
|
|
- |
- |
26 |
|
|
15 |
|
|
|
4+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
5 |
9 |
|
|
|
|
1+4 |
|
|
|
|
- |
- |
|
5 |
18 |
|
|
|
|
2+3 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
26 |
5 |
18 |
15 |
|
|
|
6+4 |
|
|
1+0 |
|
- |
- |
8 |
5 |
9 |
6 |
|
|
|
2+8 |
|
|
1+0 |
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
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|
|
|
- |
|
|
|
|
|
- |
|
|
|
TWO |
2 |
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
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|
|
- |
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
- |
|
|
8 |
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
2+8 |
|
|
|
|
2+8 |
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
8 |
5 |
9 |
6 |
|
|
1+0 |
|
|
|
|
1+0 |
|
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|
|
|
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|
|
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|
|
|
|
- |
- |
8 |
|
|
6 |
|
|
|
1+4 |
|
|
|
|
- |
26 |
|
|
15 |
|
|
|
4+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
5 |
9 |
|
|
|
|
1+4 |
|
|
|
|
- |
|
5 |
18 |
|
|
|
|
2+3 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
26 |
5 |
18 |
15 |
|
|
|
6+4 |
|
|
1+0 |
|
- |
8 |
5 |
9 |
6 |
|
|
|
2+8 |
|
|
1+0 |
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
8 |
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
2+8 |
|
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|
2+8 |
|
|
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|
|
|
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|
|
|
|
|
8 |
5 |
9 |
6 |
|
|
1+0 |
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1+0 |
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|
KEEPER OF GENESIS
A
QUEST
FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock
1996
Return to the Beginning
Page 283
I stand before the masters who witnessed the genesis, who were the authors of their own forms, who walked the dark, circuitous passages of their own becoming. . .
I stand before the masters who witnessed the transformation of the body of a man into the body in spirit, who were witnesses to resurrection when the corpse of Osiris entered the mountain and the soul of Osiris walked out shining. . . when he came forth from death, a shining thing, his face white with heat. . .
I stand before the masters who know the histories of the dead, who decide which tales to hear again, who judge the books of lives as either full or empty, who are themselves authors of truth. And they are Isis and Osiris, the divine intelligences. And when the story is written and the end is good and the soul of a man is perfected, with a shout they lift him into heaven. . .'
Ancient Egyptian Book of the Dead (Norrnandi Ellis translation)
THE LIGHT IS RISING NOW RISING IS THE LIGHT
0 |
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
45 |
|
- |
- |
42 |
- |
40 |
Add |
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
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|
|
|
|
|
|
|
0 |
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
|
|
|
|
4 |
|
|
|
|
|
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
45 |
|
- |
- |
42 |
- |
40 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
45 |
|
- |
- |
34 |
- |
36 |
Add |
|
|
|
4+5 |
|
- |
|
3+4 |
|
3+6 |
Reduce |
4+5+8 |
1+9+7 |
4+4 |
9 |
- |
- |
|
|
|
|
Deduce |
|
|
|
|
|
- |
|
- |
|
|
Produce |
1+7 |
1+7 |
- |
9 |
- |
- |
- |
7 |
- |
9 |
Essence |
|
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|
|
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
|
|
|
|
4 |
|
|
|
|
|
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
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|
45 |
|
- |
- |
34 |
- |
36 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
- |
|
3+4 |
|
3+6 |
Reduce |
4+5+8 |
1+9+7 |
4+4 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
9 |
- |
- |
|
|
|
|
Deduce |
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- |
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- |
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|
Produce |
1+7 |
1+7 |
- |
|
|
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|
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9 |
- |
- |
- |
7 |
- |
9 |
Essence |
|
|
|
|
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0 |
- |
4 |
|
8 |
5 |
9 |
6 |
- |
= |
28 |
2+8 |
= |
10 |
1+0 |
1 |
1 |
- |
3 |
|
6 |
5 |
5 |
- |
- |
= |
16 |
1+6 |
= |
7 |
- |
7 |
2 |
- |
3 |
|
2 |
5 |
6 |
- |
- |
= |
13 |
1+3 |
= |
4 |
- |
4 |
3 |
- |
5 |
|
2 |
8 |
9 |
5 |
5 |
= |
29 |
2+9 |
= |
11 |
1+1 |
2 |
4 |
- |
4 |
|
6 |
6 |
3 |
9 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
5 |
- |
4 |
|
6 |
9 |
4 |
5 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
6 |
- |
3 |
|
1 |
9 |
6 |
- |
- |
= |
16 |
1+6 |
= |
7 |
- |
7 |
7 |
- |
5 |
|
1 |
5 |
4 |
5 |
5 |
= |
20 |
2+0 |
= |
2 |
- |
2 |
8 |
- |
5 |
|
5 |
9 |
7 |
8 |
2 |
= |
31 |
3+1 |
= |
4 |
- |
4 |
9 |
- |
4 |
|
5 |
9 |
5 |
5 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
45 |
- |
40 |
Add |
42 |
70 |
58 |
43 |
12 |
- |
225 |
- |
- |
63 |
- |
45 |
4+5 |
- |
4+0 |
- |
4+2 |
7+0 |
5+8 |
4+3 |
1+2 |
- |
2+2+5 |
- |
- |
6+3 |
- |
4+5 |
9 |
- |
4 |
Reduce |
6 |
7 |
13 |
7 |
3 |
- |
9 |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
1+3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
4 |
Deduce |
6 |
7 |
4 |
7 |
3 |
- |
9 |
- |
- |
9 |
- |
9 |
3 |
THE |
33 |
15 |
6 |
7 |
PERFECT |
73 |
37 |
1 |
6 |
NUMBER |
73 |
28 |
1 |
2 |
OF |
21 |
12 |
3 |
4 |
GODS |
45 |
27 |
9 |
7 |
LETTERS |
99 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
TEN |
39 |
12 |
3 |
2 |
SQUARE |
81 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
ELEVEN |
63 |
27 |
9 |
5 |
SEVEN |
65 |
29 |
2 |
3 |
ONE |
34 |
16 |
7 |
3 |
TWO |
58 |
13 |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
WORD |
60 |
24 |
6 |
5 |
WORDS |
79 |
34 |
7 |
8 |
LANGUAGE |
68 |
32 |
5 |
9 |
LANGUAGES |
87 |
42 |
6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
ENGLISH |
74 |
38 |
2 |
8 |
LANGUAGE |
68 |
32 |
5 |
15 |
- |
142 |
70 |
7 |
NUMBERS OF LETTERS LETTERS OF NUMBERS
THE DEATH OF GODS IN ANCIENT EGYPT
Jane B. Sellars 1992
Page 204
"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:
Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10
Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.
Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.
The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.
A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the /Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)
If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.
This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.
Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.
But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a
trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he
gave figures of 45" to 46" a year, while the truer precessional
lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less
than the figure of 25,920.
With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, Incorrect by a difference of from 2,397.9 years to 3,024.
Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'
AN IMPORTANT POSTSCRIPT
Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.
Page 206
Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12
This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.
Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.
Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe
was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.
Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13
Page 207
"...Feniusa Farsa, Graves equates this hero with Dionysus Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials
We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14
Graves did not know why this number was necessary, but he points
out that he understands Frazer's Golden Bough to be a a book hinting
that 'the secret involves the truth that the Christian
dogma, and rituals, are the refinement of a great body of
primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15
Frances A. Yates, historian of Renaissance hermetisma tells, us
the cabala had 72 angels through which the sephiroth (the powers
of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident
there are seventy-two of Pico's Cabalist conclusions, for the
conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16
In Hamlet's Mill de Santillarta adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss
(60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)
Thee Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted
mounted in Genesis for the lifetimes of patriarchs from
the Flood also contained the needed secret numbers. (He showed that in the 1,656.years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.)
In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, .multiply this by 2 and again we have.the necessary 432 digits.
Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as.- the interest-
ing number of AD.432.18
Whatever one may think-of some of these number coincidences, it becomes. difficult to escape the suspicion that many signs (number and otherwise) -indicate that early man observed the results.. of the movement of Precession . and that the-.transmission of this information was .considered of prime importance.
'With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would
have constituted the construction-of a 'Unified Field Theory' for nothing .less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.
XXXXXXXXX
But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced.,that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':
"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two,four.Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radiusekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the
strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up. his piece of striped and striped wallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.
So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
OF TIME AND STARS
Arthur C. Clarke 1972
FOREWORD
"'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000.
3 |
|
33 |
15 |
|
4 |
|
42 |
24 |
|
7 |
|
73 |
37 |
|
5 |
|
52 |
16 |
|
2 |
|
21 |
12 |
|
3 |
|
26 |
17 |
|
|
- |
|
|
|
|
- |
2+4+7 |
1+2+1 |
3+1 |
|
- |
|
|
|
|
- |
1+3 |
- |
|
|
|
|
|
|
Page 15
The Nine Billion Names of God
'This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as I know, it's the first time anyone's been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a machine. Could you explain just what you intend to do with it?'
'Gladly,' replied the lama, readjusting his silk robes and carefully putting away the slide rule he had been using far currency conversions. 'Your Mark V Computer can carry out any routine mathematical operation involving up to ten digits. However, for our work we are interested in letters, not numbers. As we wish you to modify the output circuits, the machine will be printing words, not columns of figures.'
'I don't quite understand. . .'
'This is a project on which we have been working for the last three centuries - since the lamasery was founded, in fact. It is somewhat alien to your way of thought, so I hope you will listen with an open mind while I explain it.'
'Naturally.'
'It is really quite simple. We have been compiling a list which shall contain all the possible names of God.'
'I beg your pardon?'
Page16
'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.'
'And you have been doing this for three centuries?'
'Yes: we expected it would take us about fifteen thousand years to complete the task.'
'Oh,' Dr Wagner looked a little dazed. 'Now I see why you wanted to hire one of our machines. But what exactly is the purpose of this project?'
The lama hesitated for a fraction of a second, and Wagner wondered if he had offended him. If so, there was no trace of annoyance in the reply.
'Call it ritual, if you like, but it's a fundamental part of our belief. All the many names of the Supreme Being - God Jehova, Allah, and so on - they are only man-made labels. There is a philosophical problem of some difficulty here, which I do not propose to discuss, but somewhere among all the possible combinations of letters that can occur are what one may call the real names of God. By systematic permutation of letters, we have been trying to list them all.'
'I see. You've been starting at AAAAAAA . . . and working up to ZZZZZZZZ . . .'
'Exactly - though we use a special alphabet of our own. Modifying the electromatic typewriters to deal with this is, of course, trivial. A rather more interesting problem is that of devising suitable circuits to eliminate ridiculous combinations. For example, no letter must occur more than three times in succession.'
,'Three? Surely you mean two.'
'Three is correct: I am afraid it would take too long to explain why, even if you understood our language.' "
I = 9 9 = I
R = 9 9 = R
OF
T9ME AND STA9S
A9thu9 C. Cla9ke,1972
Page 15
THE N9NE B9LL9ON NAMES OF GOD
'Th9s 9s a sl9ghtly unusual 9equest,'sa9d D9 Wagne9, w9th what he hoped was commendable 9est9a9nt.' As fa9 as 9 know, 9t's the f99st t9me anyone's been asked to supply a T9betan monaste9y with an Automat9c Sequence Compute9. 9 don't w9sh to be 9nqu9s9t9ve, but 9 should ha9dly have thought that you9- ah - establ9shment had much use for such a mach9ne.Could you expla9n just what you 9ntend to do w9th 9t?'
'Gladly,' 9epl9ed the lama, 9eadjust9ng h9s s9lk 9obes and ca9efully putting away the sl9de 9ule he had been us9ng fo9 cu99ency conve9s9ons. 'You9 Ma9k V Compute9 can ca99y out any 9out9ne mathemat9cal ope9at9on 9nvolv9ng up to ten d9g9ts. Howeve9, for ou9 work we are 9nte9ested 9n lette9s, not numbe9s. As we w9sh you to mod9fy the output c9rcu9ts,the mach9ne w9ll be p99nt9ng wo9ds not columns of f9gu9es.'
'9 dont qu9te unde9stand…'
'Th9s 9s a p9oject on wh9ch we have been work9ng fo9 the last th9ee centu99es - s9nce the lamase9y was founded, 9n fact.9t 9s somewhat al9en to you9 way of thought, so9 hope you w9ll l9sten with an open m9nd wh9le 9 expla9n 9t
'Natu9ally.'
'9t 9s 9eally qu9te s9mple.We have been comp9l9ng a l9st wh9ch shall conta9n all the poss9ble names of God'
'9 beg you9 pa9don?' / Page16 / 'We have 9eason to bel9eve' cont9nued the lama 9mpe9tu9bably, ' that all such names can be w99tten with not mo9e than n9ne lette9s 9n an alphabet we have dev9sed,'
'And you have been do9ng th9s for three centu99es?
'Yes: we expected9t would take us about f9fteen thousand years to complete the task.'
'Oh, Dr Wagne9 looked a l9ttle dazed. 'Now9 see why you wanted to h99e one of ou9 mach9nes. But what exactly9s the pu9pose of th9s p9oject ?
'The lama hes9tated fo9 a f9act9on of a second, and Wagne9 wonde9ed9f he had offended h9m.9f so the9e was no t9ace of annoyance9n the 9eply.
'Call9t 99tual, 9f you l9ke, but 9t's a fundamental pa9t of ou9 bel9ef. All the many names of the Sup9eme Be9ng - God , Jehova , Allah , and so on - they a9e only man made labels. The9e 9s a ph9losoph9cal p9oblem of some d9ff9culty he9e, wh9ch9 do not p9opose to d9scuss, but somewhe9e among all the poss9ble comb9nat9ons of lette9s that can occu9 a9e what one may call the 9eal names of God. By systemat9c pe9mutat9on of lette9s, we have been t9y9ng to l9st them all'
9 see. You've been sta9t9ng at AAAAAAA… and wo9k-9ng up to ZZZZZZZZ …'
'Exactly - though we use a spec9al alphabet of ou9 own. Mod9fy9ng the elect9omat9c typew99te9s to deal w9th th9s 9s of cou9se t99v9al. A 9athe9 mo9e 9nte9est9ng p9oblem 9s that of dev9s9ng su9table c99cu9ts to el9m9nate 9 9d9culous comb9nat9ons. Fo9 example, no lette9 must occu9 mo9e than th9ee t9mes 9n sucess9on.'
'Th9ee? Su9ely you mean two.'
'Th9ee 9s co99ect; 9 am af9a9d 9t would take too long to expla9n why , even 9f you unde9stood ou9 language.'/ Page 17 / '9'm su9e 9t would,' sa9d Wagne9 hast9ly. 'Go on.'
'Luck9ly, 9t w9ll be a s9mple matte9 to adapt you9 Automat9c Sequence Compute9 fo9 th9s wo9k, s9nce once 9t has been p9og9ammed p9ope9ly 9t w9ll pe9mute each lette9 9n tu9n and p99nt the 9esult. What would have taken us f9fteen thousand years 9t w9ll be able to do 9n a hund9ed days.'
'Dr Wagne9 was sca9cely consc9ous of the fa9nt sounds f9om the Manhatten st9eets fa9 below. He was 9n a d9ffe9ent wo9ld, a wo9ld of natu9al, not man-made mounta9ns. H9gh up 9n the99 9emote ae99es these monks had been pat9ently at wo9k gene9at9on afte9 gene9at9on, comp9l9ng the99 l9sts of mean9ngless wo9ds. Was the9e any l9m9ts to the foll9es of mank9nd ? St9ll, he must g9ve no h9nt of h9s 9nne9 thoughts. The custome9 was always 99ght…"
Page 68
Into the Comet
"Pickett's fingers danced over the beads, sliding them up and down the wires with lightning speed. There were twelve wires in all, so that the abacus could handle numbers up to 999,999,999,999 - or could be divided into separate sections where several independent calculations could be carried out simultaneously.
'374072,' said Pickett, after an incredibly brief interval of time. 'Now see how long you take to do it, with pencil and paper.'
There was a much longer delay before Martens, who like most mathematicians was poor at arithmetic, called out '375072'. A hasty check soon confirmed that Martens had taken at least three times as long as Pickett to arrive at the wrong answer.
The atronomer's face was a study in mingled chagrin, astonishment, and curiosity.
'Where did you learn that trick?' he asked. 'I thought those things could only add and subtract.'
'Well - multiplication's only repeated addition, isn't it? All I did was to add 856 seven times in the unit column, three times in the tens column, and four times in the hundreds column. You do the same thing when you use pencil and paper. Of course, there are some short cuts, but if you think I'm fast, you should have seen my granduncle. He used to work in a Yokohama bank, and you couldn't see his fingers / Page 69 / when he was going at speed"
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Abacus - Wikipedia
https://en.wikipedia.org/wiki/Abacus
The abacus (plural abaci or abacuses), also called a counting frame, is a calculating tool that was in use in Europe, China and Russia, centuries before the adoption of the written Hindu–Arabic numeral system. The exact origin of the abacus is still unknown.
The abacus (plural abaci or abacuses), also called a counting frame, is a calculating tool that was in use in Europe, China and Russia, centuries before the adoption of the written Hindu–Arabic numeral system. The exact origin of the abacus is still unknown. Today, abaci are often constructed as a bamboo frame with beads sliding on wires, but originally they were beans or stones moved in grooves in sand or on tablets of wood, stone, or metal.
Abaci come in different designs. Some designs, like the bead frame consisting of beads divided into tens, are used mainly to teach arithmetic, although they remain popular in the post-Soviet states as a tool. Other designs, such as the Japanese soroban, have been used for practical calculations even involving several digits. For any particular abacus design, there usually are numerous different methods to perform a certain type of calculation, which may include basic operations like addition and multiplication, or even more complex ones, such as calculating square roots. Some of these methods may work with non-natural numbers (numbers such as 1.5 and ?3/4).
Although today many use calculators and computers instead of abaci to calculate, abaci still remain in common use in some countries. Merchants, traders and clerks in some parts of Eastern Europe, Russia, China and Africa use abaci, and they are still used to teach arithmetic to children.[1] Some people who are unable to use a calculator because of visual impairment may use an abacus.
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I
SAY
THREAD THAT THREAD
THREAD READ DEATH DEATH READ THREAD
THREAD R DEATH DEATH R THREAD
THREAD READ DEAR THREAD
THE NEW ELIZABETHAN
REFERENCE DICTIONARY
An up-to-date vocabulary of the living English language
Circa 1900
FOURTH EDITION
Page 1472
thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.
THE NEW ELIZABETHAN
REFERENCE DICTIONARY
An up-to-date vocabulary of the living English language
FOURTH EDITION
Circa 1900
Page 1472
thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.
l
isle t
hread: l
isle t
hread
A strong tightly twisted cotton thread (usually made of long-staple cotton) - lisle. Derived forms: lisle threads. Type of: cotton. Nearest ... www.wordwebonline.com/en/LISLETHREAD
Definition - of Lisle from Dictionary.net
Lisle thread, a hard twisted cotton thread, originally produced at Lisle.
Source: Webster's Revised Unabridged Dictionary (1913) ... www.dictionary.net/lisle - 9k
CASSELL'S ENGLISH DICTIONARY
1974
Lisle thread (lil thred) [ town in France, now Lille], n, A fine, hard thread orig. made at Lille.
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THE TIBETAN BOOK OF THE DEAD
Or
The After Death Experience on the Bardo Plane,
according to Lama Kazi Dawa-Samdup's English Rendering
Compiled and edited Edited by W. Y. Evans-Wentz 1960
Facing Preface To The Paperback Edition
'Thou shalt understand that it is a science most profitable, and passing all other sciences, for to learn to die. For a man to know that he shall die, that is common to all men; as much as there is no man that may ever live or he hath hope or trust thereof; but thou shalt find full few that have this callning to learn to die. . . . I shall give thee the mystery of this doctrine; the which shall profit thee greatly to the beginning of ghostly health, and to a stable fundament of all virtues. '- OrologiumSapientiae.
'Against his will he dieth that hath not learned to die. Learn to die and thou shalt learn to live, for there shall none learn to live that hath not learned to die.'-Toure of all Toures: and Teacheth a Man for to Die.
The Book of the Craft of Dying (Comper's Edition).
'\Vhatever is here, that is there; what is there, the same is here. He who seeth here as different, meeteth death after death.
'By mind alone this is to be realized, and [then] there is no difference here. From death to death he goeth, who seeth as if there is dificrence here.'-Katha Upanishad, iv. 10-11 (Swami Sharvanallda's Translation)"
Facing Preface to the Second Edition
BONDAGE TO REBIRTH
"As a man's desire is, so is his destiny. For as his desire is, so is his will; and as his will is, so is his deed; and as his deed is, so is his reward, whether good or bad.
' A man acteth according to the desires to which he clingeth. After death he goeth to the next world bearing in his mind the subtle impressions of his deeds; and, after reaping there the harvest of his deeds, he returneth again to this world of action. Thus he who hath desire continueth subject to rebirth.' "
Brihadaranyaka Upanishad
FREEDOM FROM REBIRTH
'He who lacketh discrimination, whose mind is unsteady and whose heart is impure, never reacheth the goal, but is born again and again. But he who hath discrimination, whose mind is steady and whose heart is pure, reacheth the goal, and having reached it is born no more.'
Katha U panishad.
(Swami Prabhavananda's and Frederick
Manchester's Translations).
Page xi
SRI KRISHNA'S REMEMBERING
'Many lives Arjuna, you and I have lived.
I remember them all but thou dost not.'
Bhagavad Gita, iv, 5., iv, 5.
Page xx
"......... Denison........."
INCARNATION
THE DEAD RETURN
Daniel Easterman 1998
Page 99
"........David........."
Page 3
"The old man's name was Dennison"
THE
PATH OF PTAH
THE SELF CRUCIFIXION OF THE CRUCIFIXION OF THE SELF
THE
VIRGIN BIRTH IS TO BE REBORN OF WATER
AND
SPIRIT GODS HOLY SPIRIT
AFTER
HAVING ENDURED
THE DEATH OF THE
I ME EGO SELF I SELF EGO ME I
WEIGHED IN THE BALANCE AND NOT FOUND WANTING
EVOLVE THEE THAT THOU OF LOVE LOVE LOVE OF THOU THAT THEE EVOLVE
ISISIS
THE RESURRECTION AND THE LIFE
UNLESS THAT HE AZIN SHE THAT IS THEE
IZ
BORN AGAIN AGAIN BORN
THOU CANST NOT ENTER THE KINGDOM OF EVEN
T |
|
2 |
|
3 |
THE |
33 |
15 |
6 |
C |
|
3 |
- |
8 |
CHRISTOS |
111 |
39 |
3 |
|
|
5 |
|
11 |
Add to Reduce |
|
|
9 |
- |
|
- |
- |
1+1 |
Reduce to Deduce |
1+6+2 |
9+0 |
- |
- |
|
5 |
- |
2 |
Essence of Number |
|
|
|
C HeRe IS The RISH
|
CHRIST |
- |
- |
- |
- |
C |
3 |
3 |
|
- |
RISH |
54 |
27 |
|
- |
T |
20 |
2 |
|
6 |
CHRIST |
77 |
32 |
14 |
- |
- |
7+7 |
3+2 |
1+4 |
6 |
CHRIST |
14 |
5 |
5 |
4 |
ISIS |
56 |
20 |
2 |
6 |
OSIRIS |
89 |
35 |
8 |
6 |
VISHNU |
93 |
30 |
3 |
5 |
SHIVA |
59 |
59 |
5 |
7 |
KRISHNA |
80 |
35 |
8 |
7 |
SHRISTI |
102 |
39 |
3 |
5 |
RISHI |
63 |
36 |
9 |
4 |
ISHI |
45 |
27 |
9 |
6 |
CHRIST |
77 |
32 |
5 |
ISIS OSIRIS VISHNU SHIVA SHRI KRISHNA SHRISTI RISHI ISHI CHRIST
SING A SONG OF NINES OF NINES A SONG SING
- |
SHRISTI |
- |
- |
- |
|
SH |
27 |
18 |
9 |
|
R |
18 |
9 |
9 |
|
I |
9 |
9 |
|
|
ST |
39 |
12 |
|
|
I |
9 |
9 |
|
7 |
SHRISTI |
102 |
32 |
14 |
- |
- |
7+7 |
3+2 |
1+4 |
7 |
SHRISTI |
14 |
5 |
5 |
GOD IS PERFCECT
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
- |
7 |
15 |
4 |
9 |
19 |
16 |
5 |
18 |
6 |
5 |
3 |
20 |
|
|
|
1+2+7 |
|
|
1+0 |
|
- |
7 |
6 |
4 |
9 |
1 |
7 |
5 |
9 |
6 |
5 |
3 |
2 |
|
|
|
6+4 |
|
|
1+0 |
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
- |
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
7+2 |
= |
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
3 |
|
|
|
|
6+3 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
5 |
|
|
|
|
|
4+5 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
6 |
|
|
|
|
|
|
9+6 |
= |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
9 |
|
|
|
|
|
|
|
1+9 |
= |
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
5 |
|
|
|
- |
|
|
|
|
7+5 |
= |
|
1+2 |
|
THE LIGHT IS RISING RISING IS THE LIGHT
2 |
IS |
28 |
10 |
1 |
9 |
UNIVERSAL |
121 |
40 |
4 |
4 |
MIND |
40 |
22 |
4 |
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
33 |
First Total |
|
|
|
3+3 |
Add to Reduce |
3+7+8 |
1+6+2 |
2+7 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
9 |
UNIVERSAL |
121 |
40 |
4 |
4 |
MIND |
40 |
22 |
4 |
2 |
IS |
28 |
10 |
1 |
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
33 |
First Total |
|
|
|
3+3 |
Add to Reduce |
3+7+8 |
1+6+2 |
2+7 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
E |
= |
5 |
- |
2 |
EX |
11 |
2 |
2 |
U |
= |
3 |
- |
6 |
UMBRIS |
82 |
28 |
1 |
E |
= |
5 |
- |
2 |
ET |
25 |
7 |
7 |
I |
= |
9 |
|
10 |
IMAGINIBUS |
104 |
50 |
5 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
V |
= |
4 |
- |
9 |
VERITATEM |
113 |
41 |
5 |
- |
- |
|
- |
31 |
First Total |
|
|
|
- |
- |
3+5 |
- |
3+1 |
Add to Reduce |
3+5+8 |
1+4+2 |
2+5 |
- |
- |
|
- |
4 |
Second Total |
|
|
|
- |
- |
- |
- |
|
Reduce to Deduce |
1+6 |
- |
- |
- |
- |
|
- |
4 |
Essence of Number |
|
|
|
O |
= |
6 |
- |
3 |
OUT |
56 |
11 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
S |
= |
1 |
- |
7 |
SHADOWS |
89 |
26 |
8 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
P |
= |
7 |
|
9 |
PHANTASMS |
111 |
30 |
3 |
I |
= |
9 |
- |
4 |
INTO |
58 |
22 |
4 |
T |
= |
2 |
- |
5 |
TRUTH |
87 |
24 |
6 |
- |
- |
|
- |
33 |
Add to Reduce |
|
|
|
- |
- |
3+2 |
- |
3+3 |
Reduce to Deduce |
4+4+1 |
1+3+5 |
2+7 |
- |
- |
|
- |
6 |
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
5 |
|
|
9 |
|
|
|
9 |
|
8 |
|
1 |
|
|
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
|
14 |
|
|
9 |
|
|
|
9 |
|
8 |
|
19 |
|
|
|
|
= |
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
- |
- |
|
|
|
5 |
3 |
5 |
3 |
2 |
9 |
|
|
4 |
1 |
7 |
|
5 |
2 |
|
3 |
|
3 |
|
7 |
|
2 |
|
|
|
|
|
= |
|
|
|
|
|
|
|
5 |
12 |
5 |
3 |
20 |
18 |
|
|
13 |
1 |
7 |
|
5 |
20 |
|
3 |
|
12 |
|
7 |
|
20 |
|
|
|
|
|
= |
|
|
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|
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|
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|
|
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|
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|
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|
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|
|
|
|
|
|
|
- |
- |
|
|
|
5 |
12 |
5 |
3 |
20 |
18 |
15 |
|
13 |
1 |
7 |
14 |
5 |
20 |
9 |
3 |
|
12 |
9 |
7 |
8 |
20 |
19 |
|
|
|
|
= |
|
|
|
|
|
|
|
5 |
3 |
5 |
3 |
2 |
9 |
6 |
|
4 |
1 |
7 |
5 |
5 |
2 |
9 |
3 |
|
3 |
9 |
7 |
8 |
2 |
1 |
|
|
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|
= |
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|
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- |
- |
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|
- |
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
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|
occurs |
x |
|
= |
|
= |
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|
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occurs |
x |
|
= |
|
= |
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|
- |
|
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|
|
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occurs |
x |
|
= |
|
= |
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occurs |
x |
|
= |
|
= |
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- |
|
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|
- |
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occurs |
x |
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= |
|
= |
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- |
|
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|
- |
|
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occurs |
x |
|
= |
|
= |
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|
- |
|
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|
- |
|
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occurs |
x |
|
= |
|
= |
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|
- |
|
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|
- |
|
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occurs |
x |
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= |
|
= |
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|
-9 |
|
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occurs |
x |
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= |
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= |
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|
4+5 |
|
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|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
- |
- |
2+1 |
- |
9+9 |
- |
4+5 |
|
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5 |
3 |
5 |
3 |
2 |
9 |
6 |
|
4 |
1 |
7 |
5 |
5 |
2 |
9 |
3 |
|
3 |
9 |
7 |
8 |
2 |
1 |
|
|
|
|
|
|
- |
1+8 |
- |
|
|
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18 |
|
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S |
|
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|
S |
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
|
|
6 |
|
6 |
1 |
|
|
|
9 |
|
|
6 |
|
6 |
1 |
|
|
|
|
3+5 |
|
|
|
|
|
|
- |
- |
|
|
|
|
15 |
|
15 |
19 |
|
|
|
9 |
|
|
15 |
|
15 |
19 |
|
|
|
|
1+0+7 |
|
|
|
|
|
|
|
18 |
|
A |
|
|
|
|
|
S |
|
- |
|
|
|
|
|
|
|
S |
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
4 |
1 |
3 |
9 |
|
3 |
|
|
4 |
- |
4 |
|
3 |
9 |
|
3 |
|
|
4 |
|
|
|
4+7 |
|
|
1+1 |
|
|
|
- |
- |
13 |
1 |
3 |
18 |
|
3 |
|
|
13 |
- |
13 |
|
3 |
18 |
|
3 |
|
|
13 |
|
|
|
1+0+1 |
|
|
|
|
|
|
|
18 |
|
A |
|
|
|
|
|
S |
|
- |
|
|
|
|
|
|
|
S |
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
13 |
1 |
3 |
18 |
15 |
3 |
15 |
19 |
13 |
- |
13 |
9 |
3 |
18 |
15 |
3 |
15 |
19 |
13 |
|
|
|
2+0+8 |
|
|
1+0 |
|
|
|
- |
- |
4 |
1 |
3 |
9 |
6 |
3 |
6 |
1 |
4 |
- |
4 |
9 |
3 |
9 |
6 |
3 |
6 |
1 |
4 |
|
|
|
8+2 |
|
|
1+0 |
|
|
|
|
18 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
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|
|
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|
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|
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|
occurs |
x |
|
= |
3 |
|
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|
|
occurs |
x |
|
= |
12 |
1+2 |
|
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|
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|
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|
|
|
|
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|
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|
|
|
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
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|
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|
|
|
|
|
- |
- |
|
|
|
- |
6 |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
6 |
- |
- |
|
|
|
occurs |
x |
|
= |
24 |
2+4 |
|
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
9 |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
27 |
2+7 |
|
22 |
18 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+2 |
1+8 |
|
- |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
2+3 |
|
|
1+8 |
|
8+2 |
|
2+8 |
4 |
9 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
1 |
3 |
9 |
6 |
3 |
6 |
1 |
4 |
- |
4 |
|
3 |
|
6 |
3 |
6 |
1 |
4 |
|
|
|
|
|
- |
|
1+0 |
|
1+0 |
4 |
9 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
MACROCOSM MICROCOSM
18 |
|
|
|
|
|
|
|
S |
|
|
|
|
|
|
|
|
|
S |
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
6 |
|
6 |
1 |
|
|
|
9 |
|
|
6 |
|
6 |
1 |
|
|
|
|
3+5 |
|
|
|
|
|
|
- |
|
|
|
|
15 |
|
15 |
19 |
|
|
|
9 |
|
|
15 |
|
15 |
19 |
|
|
|
|
1+0+7 |
|
|
|
|
|
|
18 |
|
A |
|
|
|
|
|
S |
|
- |
|
|
|
|
|
|
|
S |
|
|
|
|
|
|
|
|
- |
|
|
- |
4 |
1 |
3 |
9 |
|
3 |
|
|
4 |
- |
4 |
|
3 |
9 |
|
3 |
|
|
4 |
|
|
|
4+7 |
|
|
1+1 |
|
|
|
- |
13 |
1 |
3 |
18 |
|
3 |
|
|
13 |
- |
13 |
|
3 |
18 |
|
3 |
|
|
13 |
|
|
|
1+0+1 |
|
|
|
|
|
|
18 |
|
A |
|
|
|
|
|
S |
|
- |
|
|
|
|
|
|
|
S |
|
|
|
|
|
|
|
|
- |
|
|
- |
13 |
1 |
3 |
18 |
15 |
3 |
15 |
19 |
13 |
- |
13 |
9 |
3 |
18 |
15 |
3 |
15 |
19 |
13 |
|
|
|
2+0+8 |
|
|
1+0 |
|
|
|
- |
4 |
1 |
3 |
9 |
6 |
3 |
6 |
1 |
4 |
- |
4 |
9 |
3 |
9 |
6 |
3 |
6 |
1 |
4 |
|
|
|
8+2 |
|
|
1+0 |
|
|
|
18 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
|
|
|
|
- |
6 |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
6 |
- |
- |
|
|
|
occurs |
x |
|
= |
24 |
2+4 |
|
|
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
9 |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
27 |
2+7 |
|
18 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
- |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
2+3 |
|
|
1+8 |
|
8+2 |
|
2+8 |
9 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
4 |
1 |
3 |
9 |
6 |
3 |
6 |
1 |
4 |
- |
4 |
|
3 |
|
6 |
3 |
6 |
1 |
4 |
|
|
|
|
|
- |
|
1+0 |
|
1+0 |
9 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
|
|
6 |
|
|
9 |
|
|
6 |
|
|
|
2+1 |
|
|
|
|
|
|
- |
- |
|
|
|
|
15 |
|
|
9 |
|
|
15 |
|
|
|
3+9 |
|
|
1+2 |
|
|
|
|
18 |
|
A |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
4 |
1 |
3 |
9 |
|
- |
4 |
|
3 |
9 |
|
|
|
|
3+3 |
|
|
1+1 |
|
|
|
- |
- |
13 |
1 |
3 |
18 |
|
- |
13 |
|
3 |
18 |
|
|
|
|
6+9 |
|
|
1+5 |
|
|
|
|
18 |
|
A |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
13 |
1 |
3 |
18 |
15 |
- |
13 |
9 |
3 |
18 |
15 |
|
|
|
1+0+8 |
|
|
|
|
|
|
- |
- |
4 |
1 |
3 |
9 |
6 |
- |
4 |
9 |
3 |
9 |
6 |
|
|
|
5+4 |
|
|
|
|
|
|
|
18 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
1 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
6 |
- |
- |
- |
- |
- |
6 |
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
- |
- |
- |
- |
- |
9 |
- |
- |
- |
9 |
- |
9 |
- |
|
|
|
occurs |
x |
|
= |
27 |
2+7 |
|
22 |
10 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
10 |
|
|
|
|
2+2 |
1+0 |
|
- |
|
|
|
- |
|
|
|
|
|
|
|
2+3 |
|
|
1+0 |
|
5+4 |
|
2+7 |
4 |
1 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
- |
- |
4 |
1 |
3 |
9 |
6 |
- |
4 |
|
3 |
|
6 |
|
|
|
|
|
- |
|
- |
|
- |
4 |
1 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
MACRO MICRO MACRO MICRO
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
6 |
|
|
9 |
|
|
6 |
|
|
|
2+1 |
|
|
|
|
|
|
- |
|
|
|
|
15 |
|
|
9 |
|
|
15 |
|
|
|
3+9 |
|
|
1+2 |
|
|
|
10 |
|
A |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
4 |
1 |
3 |
9 |
|
- |
4 |
|
3 |
9 |
|
|
|
|
3+3 |
|
|
1+1 |
|
|
|
- |
13 |
1 |
3 |
18 |
|
- |
13 |
|
3 |
18 |
|
|
|
|
6+9 |
|
|
1+5 |
|
|
|
10 |
|
A |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
13 |
1 |
3 |
18 |
15 |
- |
13 |
9 |
3 |
18 |
15 |
|
|
|
1+0+8 |
|
|
|
|
|
|
- |
4 |
1 |
3 |
9 |
6 |
- |
4 |
9 |
3 |
9 |
6 |
|
|
|
5+4 |
|
|
|
|
|
|
10 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
1 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
- |
6 |
- |
- |
- |
- |
- |
6 |
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
- |
- |
- |
9 |
- |
- |
- |
9 |
- |
9 |
- |
|
|
|
occurs |
x |
|
= |
27 |
2+7 |
|
10 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
10 |
|
|
|
|
1+0 |
|
- |
|
|
|
- |
|
|
|
|
|
|
|
2+3 |
|
|
1+0 |
|
5+4 |
|
2+7 |
1 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
- |
4 |
1 |
3 |
9 |
6 |
- |
4 |
|
3 |
|
6 |
|
|
|
|
|
- |
|
- |
|
- |
1 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
DAILY STAR
Monday, October 13 2008
Page 15
ALIENS WILL LAND HERE TOMORROW EXPERTS SAY THAT PROOF IS OUT THERE
by Gemma Wheatley
ALIENS are set to land on Earth tomorrow to prove to humans that there really is life out there. Extra-terrestrials will make- a grand entrance to our planet by flying across our skies in a space craft that will be visible for three days, experts said.
The internet was buzzing with claims that the strange alien aircraft could even land after it appears over the American desert.
So many people reckon the rumour is true, bookies have stopped takin. bets on the UFO prediction after an unprecedented rush.
William Hill spokesman Rupert Adams said: "This is the first time that an internet phenotnenon has affected our business."
American psychic Blossom Goodchild sparked the frenzy after claiming aliens informed her of their plans.
Bookies are set to lose militoris of pounds if E.T.'s pals do approach our planet. Mr Adams added: "We now have seven-figure liabilities if the ship does appear and we have decided to duck any more big bets until October 14 has passed, hopefully without incident."
Blossom claimed that aliens have announced that one of their craft will appear in our skies tomorrow as a way of proving to us the existence of other life forms in the universe.
She said they
"come in love to help us and our planet move to a new higher vibration of love". And one UFO blogger wrote: "Stockpile some foods, water and first aid supplies. Be ready to welcome our visitors.
"Be kind to your neighbours who may not understand.
"Be welcoming and greet the visitors with love. What an exciting time."
The news comes as a leading European UFO expert claims he is about to reveal the most significant alien proof ever recorded, filmed over the last six months in Turkey
Haknua Attogan, from the.Sirius UFO Space Science Research Center said:"The images captured are expected to have a tremendous impact throughout the world and could he listed as the most important UFO and extra-terrestrial images ever filmed in all the world"
Akdogan will reveal the footage at the UFO Data Magazine Annual Conference at the end of the month. For details visit ufodata.co.uk.
WAKEFIELD HOSPICE ART EXHIBITION
A charity exhibition by Yorkshire artists Queen Elizabeth Grammar School Northgate Wakefield
Friday 17th October 2008
7.30pm - 9.30 pm
"WAKEFIELD UFO ENCOUNTER"
£360
Sam Burton
(image omitted)
P |
|
7 |
- |
6 |
PORTAL |
82 |
28 |
1 |
T |
|
2 |
- |
2 |
TO |
35 |
8 |
8 |
A |
|
1 |
- |
7 |
ANOTHER |
81 |
36 |
9 |
W |
|
5 |
- |
5 |
WORLD |
72 |
27 |
9 |
- |
- |
15 |
|
20 |
First Total |
|
|
|
- |
- |
1+5 |
|
2+0 |
Add to Reduce |
2+7+0 |
9+9 |
2+7 |
Q |
- |
6 |
|
|
Second Total |
|
18 |
9 |
- |
- |
- |
|
- |
Reduce to Deduce |
- |
1+8 |
-`` |
- |
- |
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
- |
|
|
R |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
6 |
|
|
|
|
|
|
6 |
|
|
5 |
|
|
8 |
|
|
- |
|
|
|
|
|
|
|
|
3+7 |
|
|
1+0 |
|
|
|
|
|
|
15 |
|
|
|
|
|
|
15 |
|
|
14 |
|
|
8 |
|
|
- |
|
|
|
|
|
|
|
|
8+2 |
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
- |
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
9 |
2 |
1 |
3 |
|
2 |
|
|
1 |
|
|
2 |
|
5 |
9 |
- |
5 |
|
9 |
|
|
|
|
|
6+2 |
|
|
= |
|
|
|
|
|
16 |
|
18 |
20 |
1 |
12 |
|
20 |
|
|
1 |
|
|
20 |
|
5 |
18 |
- |
23 |
|
18 |
|
|
|
|
|
1+8+8 |
|
|
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
- |
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
15 |
18 |
20 |
1 |
12 |
|
20 |
15 |
|
1 |
14 |
6 |
20 |
8 |
5 |
18 |
- |
23 |
15 |
18 |
12 |
4 |
|
|
|
2+7+0 |
|
|
= |
|
|
|
|
|
7 |
6 |
9 |
2 |
1 |
3 |
|
2 |
6 |
|
1 |
5 |
6 |
2 |
8 |
5 |
9 |
- |
5 |
6 |
9 |
3 |
4 |
|
|
|
9+9 |
|
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|
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|
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- |
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|
|
|
|
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- |
- |
|
|
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|
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|
|
1 |
|
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|
occurs |
x |
|
= |
2 |
= |
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|
occurs |
x |
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= |
6 |
= |
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3 |
|
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|
occurs |
x |
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= |
6 |
= |
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occurs |
x |
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= |
4 |
= |
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occurs |
x |
|
= |
15 |
1+5 |
|
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|
occurs |
x |
|
= |
24 |
2+4 |
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|
7 |
|
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|
occurs |
x |
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= |
7 |
= |
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occurs |
x |
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= |
8 |
= |
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- |
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occurs |
x |
|
= |
27 |
2+7 |
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- |
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|
4+5 |
2+0 |
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|
4+5 |
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|
2+0 |
|
9+9 |
|
5+4 |
9 |
2 |
|
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|
|
|
|
- |
|
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|
9 |
|
|
2 |
|
18 |
|
9 |
|
|
7 |
6 |
|
2 |
1 |
3 |
|
2 |
6 |
|
5 |
5 |
6 |
2 |
8 |
5 |
|
- |
5 |
6 |
|
3 |
4 |
|
|
|
|
|
|
|
1+8 |
- |
|
9 |
2 |
|
|
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|
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- |
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|
9 |
|
|
2 |
|
9 |
|
9 |
OF TIME AND STARS
Arthur C. Clarke 1972
Page 81
'If I forget thee, Oh Earth . . .'
"He stared into the west, away from the blinding splendour of the sun - and there were the stars, as he had been told but never quite believed. He gazed at them for a long time, marvelling that anything could be so bright and yet so tiny. They were intense unscintillating, and suddenly he remembered a rhyme he had once read in one of his father's books:
Twinkle, twinkle, little star,
How I wonder what you are.
Well, he knew what the stars were. Whoever asked that question must have been very stupid. And what did they mean by 'twinkle'? You could see at a glance that all the stars shone with the same steady, unwavering light."
|
|
|
|
7 |
|
94 |
31 |
|
|
|
|
|
7 |
|
94 |
31 |
|
|
|
|
|
6 |
|
78 |
24 |
|
|
|
|
|
4 |
|
58 |
13 |
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
2+4 |
Add to Reduce |
3+2+4 |
9+9 |
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
1+8 |
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
3 |
|
46 |
19 |
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
6 |
|
79 |
34 |
|
|
|
|
|
4 |
|
52 |
16 |
|
|
|
|
|
3 |
|
61 |
16 |
|
|
|
|
|
3 |
|
24 |
15 |
|
|
|
|
|
|
First Total |
|
|
|
|
|
3+5 |
|
2+0 |
Add to Reduce |
2+7+1 |
1+0+9 |
3+7 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
Essence of Number |
|
|
|
TWINKLE TWINKLE LITTLE STAR HOW I WONDER WHAT YOU ARE
|
|
|
|
7 |
|
94 |
31 |
|
|
|
|
|
7 |
|
94 |
31 |
|
|
|
|
|
7 |
|
60 |
42 |
|
|
|
|
|
4 |
|
58 |
13 |
|
|
|
|
|
3 |
|
46 |
19 |
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
6 |
|
79 |
34 |
|
|
|
|
|
4 |
|
52 |
16 |
|
|
|
|
|
3 |
|
61 |
16 |
|
|
|
|
|
3 |
|
24 |
15 |
|
|
|
|
|
|
First Total |
|
|
|
|
|
4+3 |
|
4+4 |
Add to Reduce |
5+9+5 |
2+0+8 |
5+5 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
|
|
|
|
|
Third Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
8 |
|
- |
1 |
|
|
|
- |
|
6 |
|
|
|
|
1+5 |
|
|
- |
|
- |
- |
|
8 |
|
- |
19 |
|
|
|
- |
|
15 |
|
|
|
|
4+2 |
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
- |
- |
- |
2 |
|
5 |
- |
|
2 |
1 |
9 |
- |
7 |
|
4 |
|
|
|
3+0 |
|
|
- |
|
- |
- |
20 |
|
5 |
- |
|
20 |
1 |
18 |
- |
7 |
|
4 |
|
|
|
7+5 |
|
|
1+2 |
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
- |
- |
- |
20 |
8 |
5 |
- |
19 |
20 |
1 |
18 |
- |
7 |
15 |
4 |
|
|
|
1+7+1 |
|
|
|
|
- |
- |
2 |
8 |
5 |
- |
1 |
2 |
1 |
9 |
- |
7 |
6 |
4 |
|
|
|
4+5 |
|
|
|
|
|
10 |
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
|
|
|
1 |
|
|
|
|
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|
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|
occurs |
x |
|
= |
|
|
|
|
- |
|
|
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|
occurs |
x |
|
= |
|
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|
- |
|
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|
|
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|
|
- |
|
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|
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|
occurs |
x |
|
= |
4 |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
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|
occurs |
x |
|
= |
5 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
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|
8 |
|
|
|
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|
|
|
|
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|
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|
occurs |
x |
|
= |
8 |
|
|
|
- |
|
|
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|
|
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|
occurs |
x |
|
= |
9 |
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
- |
- |
|
- |
|
|
|
|
- |
|
|
|
|
|
4+2 |
|
|
1+0 |
|
4+5 |
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
2 |
8 |
5 |
- |
1 |
2 |
1 |
9 |
- |
7 |
6 |
4 |
|
|
- |
|
|
- |
|
- |
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
6 |
|
- |
|
6 |
|
|
|
|
|
|
|
|
14 |
1+4 |
|
= |
|
= |
|
- |
|
|
15 |
|
- |
|
15 |
|
|
|
|
|
|
|
|
6+8 |
= |
|
1+4 |
|
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
- |
|
7 |
|
4 |
- |
7 |
|
4 |
4 |
5 |
|
|
|
|
|
3+1 |
= |
|
= |
|
= |
|
- |
|
7 |
|
4 |
- |
7 |
|
4 |
4 |
5 |
|
|
|
|
|
3+1 |
= |
|
= |
|
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
- |
|
7 |
15 |
4 |
- |
7 |
15 |
4 |
4 |
5 |
19 |
19 |
|
|
|
9+9 |
= |
|
1+8 |
|
= |
|
- |
|
7 |
6 |
4 |
- |
7 |
6 |
4 |
4 |
5 |
1 |
1 |
|
|
|
6+3 |
= |
|
= |
|
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
``- |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
14 |
= |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
``- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
22 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+2 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
2+3 |
- |
- |
1+0 |
- |
4+5 |
- |
1+8 |
4 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
7 |
6 |
4 |
- |
7 |
6 |
4 |
4 |
5 |
1 |
1 |
|
|
|
6+3 |
= |
|
= |
|
= |
|
4 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
6 |
|
- |
|
6 |
|
|
|
|
|
|
|
|
14 |
1+4 |
|
= |
|
= |
|
- |
|
|
15 |
|
- |
|
15 |
|
|
|
|
|
|
|
|
6+8 |
= |
|
1+4 |
|
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
- |
|
7 |
|
4 |
- |
7 |
|
4 |
4 |
5 |
|
|
|
|
|
3+1 |
= |
|
= |
|
= |
|
- |
|
7 |
|
4 |
- |
7 |
|
4 |
4 |
5 |
|
|
|
|
|
3+1 |
= |
|
= |
|
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
- |
|
7 |
15 |
4 |
- |
7 |
15 |
4 |
4 |
5 |
19 |
19 |
|
|
|
9+9 |
= |
|
1+8 |
|
= |
|
- |
|
7 |
6 |
4 |
- |
7 |
6 |
4 |
4 |
5 |
1 |
1 |
|
|
|
6+3 |
= |
|
= |
|
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
= |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
14 |
= |
|
22 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
2+2 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
2+3 |
- |
- |
1+0 |
- |
4+5 |
- |
1+8 |
4 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
7 |
6 |
4 |
- |
7 |
6 |
4 |
4 |
5 |
1 |
1 |
|
|
|
6+3 |
= |
|
= |
|
= |
|
4 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
- |
|
|
I |
|
|
|
|
- |
|
I |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
- |
- |
|
|
9 |
5 |
|
|
|
- |
|
|
9 |
5 |
|
|
|
- |
|
9 |
|
|
|
|
- |
1 |
|
|
|
|
|
|
3+8 |
|
|
1+1 |
|
= |
|
- |
- |
|
|
9 |
14 |
|
|
|
- |
|
|
9 |
14 |
|
|
|
- |
|
9 |
|
|
|
|
- |
19 |
|
|
|
|
|
|
7+4 |
|
|
1+1 |
|
= |
|
|
|
|
|
I |
|
|
|
|
- |
|
|
I |
|
|
|
|
- |
|
I |
|
|
|
|
- |
|
|
|
|
|
|
|
- |
|
|
|
- |
|
- |
- |
- |
2 |
5 |
|
|
2 |
3 |
5 |
- |
2 |
5 |
|
|
2 |
3 |
5 |
- |
3 |
|
2 |
2 |
3 |
5 |
- |
|
2 |
1 |
9 |
|
|
|
6+1 |
|
|
= |
|
= |
|
- |
- |
20 |
23 |
|
|
11 |
12 |
5 |
- |
20 |
23 |
|
|
11 |
12 |
5 |
- |
12 |
|
20 |
20 |
12 |
5 |
- |
|
20 |
1 |
18 |
|
|
|
7+5 |
|
|
= |
|
1+2 |
|
|
|
|
|
I |
|
|
|
|
- |
|
|
I |
|
|
|
|
- |
|
I |
|
|
|
|
- |
|
|
|
|
|
|
|
- |
|
|
|
- |
|
- |
- |
- |
20 |
23 |
9 |
14 |
11 |
12 |
5 |
- |
20 |
23 |
9 |
14 |
11 |
12 |
5 |
- |
12 |
9 |
20 |
20 |
12 |
5 |
- |
19 |
20 |
1 |
18 |
|
|
|
3+2+4 |
|
|
= |
|
= |
|
- |
- |
2 |
5 |
9 |
5 |
2 |
3 |
5 |
- |
2 |
5 |
9 |
5 |
2 |
3 |
5 |
- |
3 |
9 |
2 |
2 |
3 |
5 |
- |
1 |
2 |
1 |
9 |
|
|
|
9+9 |
|
|
1+8 |
|
= |
|
|
24 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
- |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
- |
|
|
|
|
3 |
|
|
- |
|
|
|
|
3 |
|
|
3 |
|
|
|
3 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
3 |
|
|
- |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
- |
5 |
|
5 |
|
|
|
|
- |
5 |
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
35 |
3+5 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
- |
9 |
|
|
|
|
|
|
- |
9 |
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
36 |
3+6 |
9 |
|
|
|
|
I |
|
|
|
|
- |
|
|
I |
|
|
|
|
- |
|
I |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+5 |
2+4 |
- |
5 |
|
5 |
|
|
|
|
- |
5 |
|
5 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
2+0 |
|
|
2+4 |
|
9+9 |
|
2+7 |
|
|
|
|
I |
|
|
|
|
- |
|
|
I |
|
|
|
|
- |
|
I |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
2 |
5 |
9 |
5 |
2 |
3 |
5 |
- |
2 |
5 |
9 |
5 |
2 |
3 |
5 |
- |
3 |
9 |
2 |
2 |
3 |
5 |
- |
1 |
2 |
1 |
9 |
|
|
- |
|
|
- |
|
1+8 |
|
- |
|
|
|
|
I |
|
|
|
|
- |
|
|
I |
|
|
|
|
- |
|
I |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
- |
|
|
I |
|
|
|
|
- |
|
I |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
- |
|
|
9 |
5 |
|
|
|
- |
|
|
9 |
5 |
|
|
|
- |
|
9 |
|
|
|
|
- |
1 |
|
|
|
|
|
|
3+8 |
|
|
1+1 |
|
= |
|
- |
|
|
9 |
14 |
|
|
|
- |
|
|
9 |
14 |
|
|
|
- |
|
9 |
|
|
|
|
- |
19 |
|
|
|
|
|
|
7+4 |
|
|
1+1 |
|
= |
|
|
|
|
I |
|
|
|
|
- |
|
|
I |
|
|
|
|
- |
|
I |
|
|
|
|
- |
|
|
|
|
|
|
|
- |
|
|
|
- |
|
- |
- |
2 |
5 |
|
|
2 |
3 |
5 |
- |
2 |
5 |
|
|
2 |
3 |
5 |
- |
3 |
|
2 |
2 |
3 |
5 |
- |
|
2 |
1 |
9 |
|
|
|
6+1 |
|
|
= |
|
= |
|
- |
20 |
23 |
|
|
11 |
12 |
5 |
- |
20 |
23 |
|
|
11 |
12 |
5 |
- |
12 |
|
20 |
20 |
12 |
5 |
- |
|
20 |
1 |
18 |
|
|
|
7+5 |
|
|
= |
|
1+2 |
|
|
|
|
I |
|
|
|
|
- |
|
|
I |
|
|
|
|
- |
|
I |
|
|
|
|
- |
|
|
|
|
|
|
|
- |
|
|
|
- |
|
- |
- |
20 |
23 |
9 |
14 |
11 |
12 |
5 |
- |
20 |
23 |
9 |
14 |
11 |
12 |
5 |
- |
12 |
9 |
20 |
20 |
12 |
5 |
- |
19 |
20 |
1 |
18 |
|
|
|
3+2+4 |
|
|
= |
|
= |
|
- |
2 |
5 |
9 |
5 |
2 |
3 |
5 |
- |
2 |
5 |
9 |
5 |
2 |
3 |
5 |
- |
3 |
9 |
2 |
2 |
3 |
5 |
- |
1 |
2 |
1 |
9 |
|
|
|
9+9 |
|
|
1+8 |
|
= |
|
24 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
- |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
|
|
|
|
3 |
|
|
- |
|
|
|
|
3 |
|
|
3 |
|
|
|
3 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
3 |
|
- |
5 |
|
5 |
|
|
|
|
- |
5 |
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
35 |
3+5 |
8 |
|
|
- |
9 |
|
|
|
|
|
|
- |
9 |
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
36 |
3+6 |
9 |
|
|
|
I |
|
|
|
|
- |
|
|
I |
|
|
|
|
- |
|
I |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+4 |
- |
5 |
|
5 |
|
|
|
|
- |
5 |
|
5 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
2+0 |
|
|
2+4 |
|
9+9 |
|
2+7 |
|
|
|
I |
|
|
|
|
- |
|
|
I |
|
|
|
|
- |
|
I |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
2 |
5 |
9 |
5 |
2 |
3 |
5 |
- |
2 |
5 |
9 |
5 |
2 |
3 |
5 |
- |
3 |
9 |
2 |
2 |
3 |
5 |
- |
1 |
2 |
1 |
9 |
|
|
- |
|
|
- |
|
1+8 |
|
- |
|
|
|
I |
|
|
|
|
- |
|
|
I |
|
|
|
|
- |
|
I |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
GOD |
26 |
17 |
8 |
2 |
GO |
22 |
13 |
4 |
2 |
DO |
19 |
10 |
1 |
4 |
GOOD |
41 |
23 |
5 |
|
Add to Reduce |
|
|
|
1+1 |
Reduce to Deduce |
1+0+8 |
6+3 |
1+8 |
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
- |
|
|
6 |
|
|
|
6 |
|
|
6 |
|
|
6 |
6 |
|
|
|
|
3+0 |
= |
|
= |
|
= |
|
- |
|
|
15 |
|
|
|
15 |
|
|
15 |
|
|
15 |
15 |
|
|
|
|
7+5 |
= |
|
1+2 |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
|
- |
|
7 |
|
4 |
|
7 |
|
|
4 |
|
|
7 |
|
|
4 |
|
|
|
3+3 |
= |
|
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
|
- |
|
7 |
15 |
4 |
|
7 |
15 |
|
4 |
15 |
|
7 |
15 |
15 |
4 |
|
|
|
1+0+8 |
= |
|
= |
|
= |
|
- |
|
7 |
6 |
4 |
|
7 |
6 |
|
4 |
6 |
|
7 |
6 |
6 |
4 |
|
|
|
6+3 |
= |
|
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
``- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
- |
= |
- |
= |
- |
= |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
``- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
= |
- |
= |
- |
= |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
= |
- |
= |
- |
= |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
``- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
- |
= |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
30 |
3+0 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
21 |
2+1 |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
``- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+8 |
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+7 |
- |
- |
1+1 |
- |
6+3 |
- |
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
- |
7 |
6 |
4 |
|
7 |
6 |
|
4 |
6 |
|
7 |
6 |
6 |
4 |
|
|
|
- |
- |
- |
- |
- |
- |
- |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
|
|
6 |
|
|
|
6 |
|
|
6 |
|
|
6 |
6 |
|
|
|
|
3+0 |
= |
|
= |
|
= |
|
|
|
15 |
|
|
|
15 |
|
|
15 |
|
|
15 |
15 |
|
|
|
|
7+5 |
= |
|
1+2 |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
|
|
7 |
|
4 |
|
7 |
|
|
4 |
|
|
7 |
|
|
4 |
|
|
|
3+3 |
= |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
|
|
7 |
15 |
4 |
|
7 |
15 |
|
4 |
15 |
|
7 |
15 |
15 |
4 |
|
|
|
1+0+8 |
= |
|
= |
|
= |
|
|
7 |
6 |
4 |
|
7 |
6 |
|
4 |
6 |
|
7 |
6 |
6 |
4 |
|
|
|
6+3 |
= |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
30 |
3+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
21 |
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+7 |
- |
- |
1+1 |
- |
6+3 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
7 |
6 |
4 |
|
7 |
6 |
|
4 |
6 |
|
7 |
6 |
6 |
4 |
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
GOOD |
41 |
23 |
|
2 |
GOD |
26 |
17 |
|
2 |
GODDESS |
73 |
28 |
|
4 |
GOODNESS |
98 |
35 |
|
|
Add to Reduce |
|
|
|
1+1 |
Reduce to Deduce |
2+3+8 |
1+0+3 |
2+2 |
|
Essence of Number |
|
|
|
- |
Reduce to Deduce |
1+3 |
1+0+3 |
2+2 |
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
- |
|
|
6 |
6 |
|
|
|
6 |
|
|
|
6 |
|
|
|
|
|
|
|
6 |
6 |
|
5 |
|
|
|
|
|
|
4+5 |
= |
|
= |
|
= |
|
- |
|
|
15 |
15 |
|
|
|
15 |
|
|
|
15 |
|
|
|
|
|
|
|
15 |
15 |
|
14 |
|
|
|
|
|
|
1+8+0 |
= |
|
1+2 |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
|
- |
|
7 |
|
|
4 |
|
7 |
|
4 |
|
7 |
|
4 |
4 |
5 |
|
|
|
7 |
|
|
4 |
|
5 |
|
|
|
|
|
5+8 |
= |
|
1+3 |
|
= |
|
- |
|
7 |
|
|
4 |
|
7 |
|
4 |
|
7 |
|
4 |
4 |
5 |
|
|
|
7 |
|
|
4 |
|
5 |
|
|
|
|
|
5+8 |
= |
|
1+3 |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
|
- |
|
7 |
15 |
15 |
4 |
|
7 |
15 |
4 |
|
7 |
15 |
4 |
4 |
5 |
19 |
19 |
|
7 |
15 |
15 |
4 |
14 |
5 |
19 |
19 |
|
|
|
2+3+8 |
= |
|
1+3 |
|
= |
|
- |
|
7 |
6 |
6 |
4 |
|
7 |
6 |
4 |
|
7 |
6 |
4 |
4 |
5 |
1 |
1 |
|
7 |
6 |
6 |
4 |
5 |
5 |
1 |
1 |
|
|
|
1+0+3 |
= |
|
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
|
- |
- |
1 |
occurs |
x |
|
= |
4 |
= |
4 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
``- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
2 |
|
|
|
|
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
3 |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
20 |
2+0 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
5 |
|
|
|
- |
- |
5 |
occurs |
x |
|
= |
15 |
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
36 |
3+6 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
28 |
2+8 |
10 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
``- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+2 |
2+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
- |
- |
2+2 |
- |
1+0+3 |
- |
3+1 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
4 |
|
|
7 |
|
|
4 |
|
7 |
6 |
4 |
|
7 |
6 |
4 |
4 |
5 |
1 |
1 |
|
7 |
|
|
4 |
5 |
5 |
1 |
1 |
|
|
|
- |
- |
|
- |
- |
- |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
- |
|
|
|
6 |
6 |
|
|
|
6 |
|
|
|
6 |
|
|
|
|
|
|
|
6 |
6 |
|
5 |
|
|
|
|
|
|
4+5 |
= |
|
= |
|
= |
|
= |
|
|
|
15 |
15 |
|
|
|
15 |
|
|
|
15 |
|
|
|
|
|
|
|
15 |
15 |
|
14 |
|
|
|
|
|
|
1+8+0 |
= |
|
1+2 |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
|
|
|
|
7 |
|
|
4 |
|
7 |
|
4 |
|
7 |
|
4 |
4 |
5 |
|
|
|
7 |
|
|
4 |
|
5 |
|
|
|
|
|
5+8 |
= |
|
1+3 |
|
= |
|
= |
|
|
7 |
|
|
4 |
|
7 |
|
4 |
|
7 |
|
4 |
4 |
5 |
|
|
|
7 |
|
|
4 |
|
5 |
|
|
|
|
|
5+8 |
= |
|
1+3 |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
|
|
|
|
7 |
15 |
15 |
4 |
|
7 |
15 |
4 |
|
7 |
15 |
4 |
4 |
5 |
19 |
19 |
|
7 |
15 |
15 |
4 |
14 |
5 |
19 |
19 |
|
|
|
2+3+8 |
= |
|
1+3 |
|
= |
|
= |
|
|
7 |
6 |
6 |
4 |
|
7 |
6 |
4 |
|
7 |
6 |
4 |
4 |
5 |
1 |
1 |
|
7 |
6 |
6 |
4 |
5 |
5 |
1 |
1 |
|
|
|
1+0+3 |
= |
|
= |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
|
- |
- |
1 |
occurs |
x |
|
= |
4 |
= |
4 |
= |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
20 |
2+0 |
|
= |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
5 |
|
|
|
- |
- |
5 |
occurs |
x |
|
= |
15 |
1+5 |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
36 |
3+6 |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
28 |
2+8 |
10 |
1+0 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
- |
- |
2+2 |
- |
1+0+3 |
- |
3+1 |
- |
2+2 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
4 |
|
4 |
|
7 |
|
|
4 |
|
7 |
6 |
4 |
|
7 |
6 |
4 |
4 |
5 |
1 |
1 |
|
7 |
|
|
4 |
5 |
5 |
1 |
1 |
|
|
|
- |
- |
|
- |
- |
- |
|
- |
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
4 |
|
4 |
I ME EGO EGOCENTRIC I ME I CENTRICEGO EGO ME I
YOU
I ME EGO EGOCENTRIC I ME I CENTRICEGO EGO ME I
YOU
I I I I I I LOVE YOU SO I I I I I I LOVE YOU VERY MUCH I I I I I I LOVE YOU SO.
I
ME YOU ME
CREATORS GODS CREATORS
THOU ART THAT THAT THAT ART THOU
GOD SPIRIT ART THOU THOU ART GOD SPIRIT
MIND MATTER SPIRIT GOD SPIRIT MATTER MIND
THOU ART UNIVERSAL MIND GODS UNIVERSAL MIND ART THOU
I
KNOW
A
MAN WHAT MAN
A
MAN
OF
POWER WHAT POWER
THE
POWER
OF
VOODOO VOODOO
WHO DO I DO WHAT KNOW
A
MAN
5 |
HAITI |
- |
- |
- |
|
H+A |
9 |
9 |
|
|
I |
9 |
9 |
|
|
T |
20 |
2 |
|
|
I |
9 |
9 |
|
5 |
HAITI |
47 |
29 |
29 |
- |
|
4+7 |
2+9 |
2+9 |
5 |
HAITI |
11 |
11 |
11 |
- |
|
1+1 |
1+1 |
1+1 |
5 |
HAITI |
2 |
2 |
2 |
5 |
VOODOO |
- |
- |
- |
|
V |
22 |
4 |
|
|
O |
15 |
6 |
|
|
O |
15 |
6 |
|
|
D |
4 |
4 |
|
|
O |
15 |
6 |
|
|
O |
15 |
6 |
|
5 |
VOODOO |
86 |
32 |
26 |
- |
- |
7+1 |
3+2 |
2+6 |
5 |
VOODOO |
8 |
8 |
8 |
|
|
V |
O |
O |
D |
O |
O |
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
6 |
6 |
- |
6 |
6 |
|
|
|
|
= |
|
|
|
|
|
|
|
- |
15 |
15 |
- |
15 |
15 |
|
|
|
|
= |
|
|
|
|
|
|
|
V |
O |
O |
D |
O |
O |
|
|
|
|
|
|
|
- |
- |
|
|
|
4 |
- |
- |
4 |
- |
- |
|
|
|
|
= |
|
|
|
|
|
|
|
22 |
- |
- |
4 |
- |
- |
|
|
|
|
= |
|
|
|
|
|
|
|
V |
O |
O |
D |
O |
O |
|
|
|
|
|
|
|
- |
- |
|
|
|
22 |
15 |
15 |
4 |
15 |
15 |
|
|
|
|
= |
|
|
|
|
|
|
|
4 |
6 |
6 |
4 |
6 |
6 |
|
|
|
|
= |
|
|
|
|
|
|
|
V |
O |
O |
D |
O |
O |
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
4 |
- |
- |
4 |
- |
1 |
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
- |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
6 |
6 |
- |
6 |
6 |
|
|
|
occurs |
x |
|
= |
24 |
1+8 |
|
|
- |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
|
|
- |
- |
|
|
|
|
|
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|
- |
- |
|
|
- |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
V |
O |
O |
D |
O |
O |
|
|
10 |
|
|
|
|
|
|
|
3+5 |
|
|
6 |
6 |
- |
6 |
6 |
|
|
1+0 |
- |
- |
- |
- |
3+2 |
- |
1+4 |
|
|
V |
O |
O |
D |
O |
O |
|
|
1 |
|
|
|
|
|
|
|
- |
|
4 |
6 |
6 |
4 |
6 |
6 |
|
|
|
|
|
|
|
- |
- |
|
|
|
V |
O |
O |
D |
O |
O |
|
|
1 |
|
|
|
|
|
|
|
O
SUCH A TO DOO AT THE VOODOO YOU DO
DV OOOO VD VD OOOO DV
VD OOOO DV VD OOOO VD
VOODOO THAT VOODOO
THAT DO WHO DO THAT
THAT BOO U DONT SCARE ME I ME SCARE DONT U BOO THAT
THAT VOODOO THAT
DO YOU DO THAT VOODOO THAT DO YOU DO
THAT
O
YOU
MEAN YOU MEAN
THAT
VOODOO
OF
THAT THAT THAT
I
AM
THAT VOODOO THAT THAT THAT VOODOO THAT
THAT YES THAT
ALWAYS YES AND NO ALWAYS NO AND YES ALWAYS
DIVINE THOUGHT BALANCING CREATORS BALANCING THOUGHT DIVINE
STRAIGHT ANSWERS TO STRAIGHT QUESTIONS
ASK ME ANOTHER I ANOTHER ME ASK
STARLIGHT ANSWERS TO STARLIGHT QUESTIONS
GOLD OF THE OLD OF THE OLD OF THE GOLD
I AM GODS PERFECT LOVE ALWAYS LOVE PERFECT GODS AM I
I AM THAT I THAT AM I
|
V |
O |
O |
D |
O |
O |
|
|
|
|
|
|
|
- |
- |
|
|
- |
6 |
6 |
- |
6 |
6 |
|
|
|
|
= |
|
|
|
|
|
|
- |
15 |
15 |
- |
15 |
15 |
|
|
|
|
= |
|
|
|
|
|
|
V |
O |
O |
D |
O |
O |
|
|
|
|
|
|
|
- |
- |
|
|
4 |
- |
- |
4 |
- |
- |
|
|
|
|
= |
|
|
|
|
|
|
22 |
- |
- |
4 |
- |
- |
|
|
|
|
= |
|
|
|
|
|
|
V |
O |
O |
D |
O |
O |
|
|
|
|
|
|
|
- |
- |
|
|
22 |
15 |
15 |
4 |
15 |
15 |
|
|
|
|
= |
|
|
|
|
|
|
4 |
6 |
6 |
4 |
6 |
6 |
|
|
|
|
= |
|
|
|
|
|
|
V |
O |
O |
D |
O |
O |
|
|
|
|
|
|
|
- |
- |
|
|
4 |
- |
- |
4 |
- |
1 |
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
- |
6 |
6 |
- |
6 |
6 |
|
|
|
occurs |
x |
|
= |
24 |
1+8 |
SIX |
|
V |
O |
O |
D |
O |
O |
|
|
10 |
|
|
|
|
|
|
|
|
|
6 |
6 |
- |
6 |
6 |
|
|
1+0 |
- |
- |
- |
- |
3+2 |
- |
1+4 |
|
V |
O |
O |
D |
O |
O |
|
|
1 |
|
|
|
|
|
|
|
|
4 |
6 |
6 |
4 |
6 |
6 |
|
|
|
|
|
|
|
- |
- |
|
|
V |
O |
O |
D |
O |
O |
|
|
1 |
|
|
|
|
|
|
|
5 |
TABOO |
53 |
17 |
8 |
6 |
TABOOS |
72 |
18 |
9 |
|
|
|
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|
I |
|
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|
I |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
8 |
|
|
|
|
|
9 |
5 |
|
|
9 |
6 |
5 |
1 |
|
|
|
4+3 |
|
|
- |
7 |
|
|
- |
- |
8 |
|
|
|
|
|
9 |
14 |
|
|
9 |
15 |
14 |
19 |
|
|
|
8+8 |
|
|
1+6 |
7 |
|
|
|
|
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|
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|
I |
|
|
|
I |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
1 |
3 |
3 |
3 |
3 |
|
|
1 |
2 |
|
|
|
|
|
|
|
1+6 |
|
|
- |
|
|
|
- |
- |
|
1 |
12 |
12 |
21 |
3 |
|
|
1 |
20 |
|
|
|
|
|
|
|
7+0 |
|
|
- |
7 |
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
I |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
8 |
1 |
12 |
12 |
21 |
3 |
9 |
14 |
1 |
20 |
9 |
15 |
14 |
19 |
|
|
|
1+5+8 |
|
|
1+4 |
5 |
|
|
- |
- |
8 |
1 |
3 |
3 |
3 |
3 |
9 |
5 |
1 |
2 |
9 |
6 |
5 |
1 |
|
|
|
5+9 |
|
|
1+4 |
|
|
|
|
14 |
|
|
|
|
|
|
I |
|
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|
I |
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- |
- |
|
|
|
- |
|
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|
1 |
|
|
|
occurs |
x |
|
= |
3 |
- |
|
|
|
|
- |
|
|
|
|
|
|
- |
2 |
|
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|
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|
occurs |
x |
|
= |
2 |
- |
|
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|
3 |
|
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|
occurs |
x |
|
= |
12 |
1+2 |
|
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|
- |
|
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|
|
|
- |
|
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|
|
|
- |
- |
|
- |
- |
- |
|
|
|
- |
- |
|
|
|
|
|
5 |
- |
|
|
|
5 |
|
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
|
|
- |
- |
|
|
|
|
|
|
- |
|
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|
|
|
|
|
|
occurs |
x |
|
= |
6 |
- |
|
|
|
- |
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
- |
|
- |
- |
- |
- |
- |
- |
- |
|
9 |
|
- |
- |
9 |
|
|
- |
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
11 |
14 |
H |
A |
|
|
|
|
I |
|
A |
|
I |
|
|
|
|
|
|
|
|
|
|
|
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|
1+1 |
1+4 |
- |
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
3+4 |
|
|
1+4 |
|
5+9 |
|
3+2 |
2 |
5 |
H |
A |
|
|
|
|
I |
|
A |
|
I |
|
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|
|
|
|
- |
- |
8 |
1 |
3 |
3 |
3 |
3 |
|
5 |
1 |
2 |
|
6 |
5 |
1 |
|
|
- |
|
|
- |
|
1+4 |
|
- |
2 |
5 |
H |
A |
|
|
|
|
I |
|
A |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
HALLOWEEN |
|
|
- |
|
H+A |
9 |
9 |
9 |
1 |
L |
12 |
3 |
3 |
2 |
L+O |
27 |
9 |
9 |
4 |
WEEN |
47 |
20 |
2 |
|
HALLOWEEN |
|
|
|
|
|
9+5 |
4+1 |
2+3 |
|
|
|
|
|
|
|
1+4 |
|
|
|
-HALLOWEEN- |
|
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|
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|
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|
|
|
|
|
- |
- |
|
- |
- |
8 |
|
|
|
6 |
|
|
|
5 |
|
|
|
1+9 |
|
|
1+0 |
1 |
|
|
- |
- |
8 |
|
|
|
15 |
|
|
|
14 |
|
|
|
3+7 |
|
|
1+0 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
1 |
3 |
3 |
|
5 |
5 |
5 |
|
|
|
|
2+2 |
|
|
- |
|
|
|
- |
- |
|
1 |
12 |
12 |
|
23 |
5 |
5 |
|
|
|
|
5+8 |
|
|
1+3 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
8 |
1 |
12 |
12 |
15 |
23 |
5 |
5 |
14 |
|
|
|
1+5+8 |
|
|
1+4 |
5 |
|
|
- |
- |
8 |
1 |
3 |
3 |
6 |
5 |
5 |
5 |
5 |
|
|
|
5+9 |
|
|
1+4 |
|
|
|
|
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
|
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|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
1 |
= |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
- |
- |
|
|
|
5 |
5 |
5 |
5 |
|
|
|
occurs |
x |
|
= |
20 |
2+0 |
|
|
|
- |
- |
|
|
6 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
9 |
- |
- |
- |
- |
- |
|
- |
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
|
22 |
9 |
H |
A |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
2+2 |
- |
- |
- |
|
|
|
5 |
5 |
5 |
5 |
|
|
2+3 |
|
|
- |
|
4+1 |
|
2+3 |
4 |
9 |
H |
A |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
- |
- |
8 |
1 |
3 |
3 |
6 |
5 |
5 |
5 |
5 |
|
|
- |
|
|
- |
|
- |
|
- |
4 |
9 |
H |
A |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
8 |
|
|
|
6 |
|
|
|
5 |
|
|
|
1+9 |
|
|
1+0 |
1 |
|
|
- |
- |
8 |
|
|
|
15 |
|
|
|
14 |
|
|
|
3+7 |
|
|
1+0 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
1 |
3 |
3 |
|
5 |
5 |
5 |
|
|
|
|
2+2 |
|
|
- |
|
|
|
- |
- |
|
1 |
12 |
12 |
|
23 |
5 |
5 |
|
|
|
|
5+8 |
|
|
1+3 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
8 |
1 |
12 |
12 |
15 |
23 |
5 |
5 |
14 |
|
|
|
1+5+8 |
|
|
1+4 |
5 |
|
|
- |
- |
8 |
1 |
3 |
3 |
6 |
5 |
5 |
5 |
5 |
|
|
|
5+9 |
|
|
1+4 |
|
|
|
|
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
1 |
= |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
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|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
- |
- |
|
|
|
5 |
5 |
5 |
5 |
|
|
|
occurs |
x |
|
= |
20 |
2+0 |
|
|
|
- |
- |
|
|
6 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
9 |
- |
- |
- |
- |
- |
|
- |
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
|
22 |
9 |
H |
A |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
2+2 |
- |
- |
- |
|
|
|
5 |
5 |
5 |
5 |
|
|
2+3 |
|
|
- |
|
4+1 |
|
2+3 |
4 |
9 |
H |
A |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
- |
- |
8 |
1 |
3 |
3 |
6 |
5 |
5 |
5 |
5 |
|
|
- |
|
|
- |
|
- |
|
- |
4 |
9 |
H |
A |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
I
ME
YOU MEN YOU WOMEN YOU MEN YOU
THAT HE AZIN SHE THAT SHE AZIN HE THAT
ISISIS THAT THAT THAT ISISIS
THAT IS THEE I ME I THEE IS THAT
BLESSED AND BLESSED
ART THOU WARRIORS OF LIGHT ART THOU
GODS LIGHT AND LOVE THEE I ME I THEE LOVE AND LIGHT GODS
CREATORS LOVETH PERFECTION GODS PERFECTION LOVETH CREATORS
GODS DIVINE BALANCING THOUGHT O THOUGHT BALANCING DIVINE GODS
HOLY BIBLE
REVELATION
Chapter 21 V 1-7
Page 1351
A New Heaven and a New Earth
1And I saw a new heaven and a new earth: for the first heaven and the first earth were passed away; and there was no more sea. 2And I John saw the holy city, new Jerusalem, coming down from God out of heaven, prepared as a bride adorned for her husband. 3And I heard a great voice out of heaven saying, Behold, the tabernacle of God is with men, and he will dwell with them, and they shall be his people, and God himself shall be with them, and be their God. 4And God shall wipe away all tears from their eyes; and there shall be no more death, neither sorrow, nor crying, neither shall there be any more pain: for the former things are passed away.
5And he that sat upon the throne said, Behold, I make all things new. And he said unto me, Write: for these words are true and faithful. 6And he said unto me, It is done. I am Alpha and Omega, the beginning and the end. I will give unto him that is athirst of the fountain of the water of life freely. 7He that overcometh shall inherit all things; and I will be his God, and he shall be my son.
FOR SON ALSO READ DAUGHTER FOR DAUGHTER ALSO READ SON.
JOSEPH AND HIS BROTHERS
Thomas Mann
1875 - 1955
JOSEPH THE PROVIDER
Page 967
ALL TOO BLISSFUL
"But I am King, and teacher; I may not think what I cannot teach. Whereas such a one very soon learns not even to think the unteachable."
Here Tiy, his mother, cleared her throat, rattled her ornaments, and said, looking ahead of her into space:
"Pharaoh is to be praised when he practises statesmanship in matters of religious belief and spares the simplicity of the many. That is why I warned him not to wound the popular attachment to Usir, king of the lower regions. There is no contradiction between knowing and sparing, in this connection; and the office of teacher need not darken knowledge. Never have priests taught the multitude all they themselves know. They have told them what was wholesome, and wisely left in the realm of the mysteries what was not beneficial. Thus knowledge and wisdom are together in the world, truth and forbearance. The mother recommends that it so remain."
"Thank you, Mama," said Amenhotep, with a deprecating bow. "Thank you for the contribution. It is very valuable and will for / Page 968 / eternal ages be held in honour. But we are speaking of two different things. My Majesty speaks of the fetters which the teaching puts upon the thoughts of God; yours refers to priestly statecraft, which divides teaching and knowledge. But Pharaoh would not be arrogant, and there is no greater arrogance than such a division. No, there
is no arrogance in the world greater than that of dividing the children of our Father into initiate and uninitiate and teaching double words: all-knowingly for the masses, knowingly in the inner circle. No, we must speak what we know, and witness what we have seen. Pharaoh wants to do nothing but improve the teaching, even though it be made hard for him by the teaching.
JESUS AND THE GODDESS
THE SECRET TEACHINGS OF THE ORIGINAL CHRISTIANS
Page 203
The one moving surface of /page 204/ the water represents universal psyche. Individual psyches are the individual waves. We are unique movements on the shared still depths of Consciousness.
THE EVOLVING COSMOS
To know itself the Mystery arises as the primal syzygy subject and object - which results in partial Gnosis and partial ignorance. As subjective Consciousness it knows its Self, but as psyche it mistakes its self for its many objective self-images.47 As a continuation of the initial impulse towards self-knowledge, that part of Consciousness which has become identified with each psyche-body is in the process of completing the journey of Gnosis by progressively awakening to its true nature.
We can understand this fundamental duality by seeing how it manifests in each of us. We appear to be an evolving psyche-body on a journey of awakening, but our essential nature is ineffable Consciousness. Knowing our essential nature is the realization of Gnosis, because as Consciousness we already exist permanently in the state of Gnosis. Whilst we identify with the psyche-body, however, we experience only relative states of ignorance.
Plato describes these two states as 'being' and 'becoming'.48 Consciousness is being. We experience this as the sense of I AM. It is unchanging, qualityless presence, It is what we area Psyche, on the other is- what we experience. It is an unfolding succession of changing appearances. It is impermanence. It is perpetually in the process of becoming something else. The Mystery as Consciousness is being what it is. Consciousness witnesses itself as a psyche-body in the process of becoming /page 204/ aware of what is. We are witnessing becoming.
- |
- |
- |
- |
- |
MEA CULPA |
- |
- |
- |
M |
= |
4 |
- |
3 |
MEA |
19 |
10 |
1 |
C |
= |
3 |
- |
5 |
CULPA |
53 |
26 |
8 |
- |
- |
7 |
- |
8 |
-MEA CULPA |
|
|
|
- |
- |
- |
- |
- |
- |
7+2 |
3+6 |
|
- |
- |
7 |
- |
8 |
MEA CULPA- |
|
|
|
Mea culpa - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Mea_culpa
Mea culpa is a Latin phrase that translates into English as "through my fault". It is repeated three times in the prayer of confession at the Catholic Mass:
Mea culpa
From Wikipedia, the free encyclopedia
This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2014)
Mea culpa is a Latin phrase that translates into English as "through my fault". It is repeated three times in the prayer of confession at the Catholic Mass: mea culpa, mea culpa, mea maxima culpa — "through my fault, through my fault, through my most grievous fault". The three phrases are in the ablative case, which gives the instrumental meaning "through"
- |
- |
7 |
- |
8 |
-MEA CULPA |
|
|
|
- |
- |
7 |
- |
8 |
-MEA CULPA |
|
|
|
- |
- |
7 |
- |
8 |
-MEA CULPA |
|
|
|
- |
- |
7 |
- |
24 |
- |
|
|
|
- |
- |
- |
- |
2+4 |
- |
2+1+6 |
1+0+8 |
2+7 |
- |
- |
7 |
- |
|
- |
|
|
|
mea culpa, mea culpa, mea maxima culpa through my fault, through my fault, through my most grievous fault.
- |
- |
- |
- |
14 |
MEA MAXIMA CULPA |
- |
- |
- |
M |
= |
4 |
- |
3 |
MEA |
19 |
10 |
1 |
M |
= |
4 |
- |
6 |
MAXIMA |
61 |
25 |
7 |
C |
= |
3 |
- |
5 |
CULPA |
53 |
26 |
8 |
- |
- |
7 |
- |
|
MEA MAXIMA CULPA |
|
|
|
- |
- |
- |
- |
1+6 |
- |
1+3+3 |
6+1 |
1+6 |
- |
- |
7 |
- |
|
MEA MAXIMA CULPA |
|
|
|
en.wikipedia.org/wiki/Measure_for_Measure
Measure for Measure is a play by William Shakespeare, believed to have been written in 1603 or 1604. It was (and continues to be) classified as comedy, but its ...
Measure for Measure
From Wikipedia, the free encyclopedia
Facsimile of the title page of Measure for Measure from the First Folio, published in 1623
Measure for Measure is a play by William Shakespeare, believed to have been written in 1603 or 1604. It was (and continues to be) classified as comedy, but its mood defies those expectations. As a result and for a variety of reasons, some critics have labelled it as one of Shakespeare's problem plays. Originally published in the First Folio of 1623 (where it was first labelled as a comedy), the play's first recorded performance was in 1604. The play deals with the issues of mercy, justice, and truth and their relationship to pride and humility: "Some rise by sin, and some by virtue fall".
M |
= |
4 |
- |
7 |
MEASURE |
82 |
28 |
1 |
F |
= |
6 |
- |
3 |
FOR |
39 |
21 |
3 |
M |
= |
4 |
- |
7 |
MEASURE |
82 |
28 |
1 |
- |
- |
|
- |
|
First Total |
|
|
|
- |
- |
1+4 |
- |
1+7 |
Add to Reduce |
2+0+3 |
7+7 |
|
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
|
1+4 |
|
- |
- |
|
- |
|
Essence of Number |
|
|
|
To Kill a Mockingbird - Wikipedia
https://en.wikipedia.org/wiki/To_Kill_a_Mockingbird
To Kill a Mockingbird is a novel by Harper Lee published in 1960. It was immediately successful, winning the Pulitzer Prize, and has become a classic of modern American literature. The plot and characters are loosely based on Lee's observations of her family, her neighbors and an event that occurred near her hometown ...
To Kill a Mockingbird by Harper Lee. The unforgettable novel of a childhood in a sleepy Southern town and the crisis of conscience that rocked it, To Kill A Mockingbird became both an instant bestseller and a critical success when it was first published in 1960
TO KILL A MOCKINGBIRD
|
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|
|
|
|
|
|
|
|
|
5 |
|
7 |
8 |
|
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
|
|
|
|
|
|
|
|
8 |
|
K |
= |
2 |
- |
4 |
KILL |
44 |
17 |
8 |
|
|
|
|
|
|
|
|
8 |
|
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
- |
7 |
MOCKING |
72 |
36 |
9 |
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
- |
4 |
BIRD |
33 |
24 |
6 |
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
18 |
First Total |
|
|
|
|
|
|
|
|
5 |
|
7 |
|
|
- |
- |
1+1 |
- |
1+8 |
Add to Reduce |
1+8+5 |
8+6 |
3+2 |
|
|
|
|
|
|
|
|
1+6 |
|
- |
- |
|
- |
|
Second Total |
|
|
|
|
|
|
|
|
5 |
|
7 |
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+4 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
5 |
|
7 |
7 |
|
|
|
|
|
7 |
MOCKING |
|
|
|
|
|
|
|
|
|
|
|
|
|
M |
|
|
1 |
1 |
M |
|
4 |
|
|
- |
|
|
|
|
|
|
|
|
O |
|
|
2 |
1 |
O |
15 |
6 |
|
|
|
|
- |
|
|
|
|
|
|
C |
|
|
3 |
1 |
C |
3 |
3 |
|
|
|
|
3 |
|
|
|
|
|
|
K |
|
|
4 |
1 |
K |
11 |
2 |
|
|
- |
|
|
|
|
|
|
|
|
I |
|
|
5 |
1 |
I |
|
|
|
|
|
- |
|
|
|
|
|
|
|
N |
|
|
6 |
1 |
N |
14 |
5 |
|
|
|
|
- |
|
|
|
|
|
|
G |
|
|
7 |
1 |
G |
7 |
7 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
7 |
MOCKING |
72 |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
3+6 |
|
- |
- |
7+2 |
3+6 |
3+6 |
- |
- |
|
- |
|
|
|
|
|
|
|
|
|
|
7 |
MOCKING |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
MOCKING |
|
|
|
|
|
|
|
|
|
|
|
|
|
M |
|
|
1 |
1 |
M |
|
4 |
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
2 |
1 |
O |
15 |
6 |
|
|
|
|
- |
|
|
|
|
|
|
C |
|
|
3 |
1 |
C |
3 |
3 |
|
|
|
|
3 |
|
|
|
|
|
|
K |
|
|
4 |
1 |
K |
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
5 |
1 |
I |
|
|
|
|
|
- |
|
|
|
|
|
|
|
N |
|
|
6 |
1 |
N |
14 |
5 |
|
|
|
|
- |
|
|
|
|
|
|
G |
|
|
7 |
1 |
G |
7 |
7 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
7 |
MOCKING |
72 |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
3+6 |
|
- |
- |
7+2 |
3+6 |
3+6 |
- |
- |
|
- |
|
|
|
|
|
|
|
|
|
|
7 |
MOCKING |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
MOCKING |
|
|
|
|
|
|
|
|
|
|
|
|
|
K |
|
|
4 |
1 |
K |
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
C |
|
|
3 |
1 |
C |
3 |
3 |
|
|
|
|
3 |
|
|
|
|
|
|
M |
|
|
1 |
1 |
M |
|
4 |
|
|
|
|
|
|
|
|
|
|
|
N |
|
|
6 |
1 |
N |
14 |
5 |
|
|
|
|
- |
|
|
|
|
|
|
O |
|
|
2 |
1 |
O |
15 |
6 |
|
|
|
|
- |
|
|
|
|
|
|
G |
|
|
7 |
1 |
G |
7 |
7 |
|
|
|
|
|
- |
|
|
|
|
|
I |
|
|
5 |
1 |
I |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
7 |
MOCKING |
72 |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
3+6 |
|
- |
- |
7+2 |
3+6 |
3+6 |
- |
- |
|
- |
|
|
|
|
|
|
|
|
|
|
7 |
MOCKING |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
MOCKING |
|
|
|
|
|
|
|
|
|
|
|
K |
|
|
4 |
1 |
K |
11 |
2 |
|
|
|
|
|
|
|
|
|
C |
|
|
3 |
1 |
C |
3 |
3 |
|
|
|
3 |
|
|
|
|
|
M |
|
|
1 |
1 |
M |
|
4 |
|
|
|
|
|
|
|
|
|
N |
|
|
6 |
1 |
N |
14 |
5 |
|
|
|
- |
|
|
|
|
|
O |
|
|
2 |
1 |
O |
15 |
6 |
|
|
|
- |
|
|
|
|
|
G |
|
|
7 |
1 |
G |
7 |
7 |
|
|
|
|
- |
|
|
|
|
I |
|
|
5 |
1 |
I |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
7 |
MOCKING |
72 |
|
|
- |
|
|
|
|
|
|
|
|
|
3+6 |
|
- |
- |
7+2 |
3+6 |
3+6 |
- |
|
- |
|
|
|
|
|
|
|
|
|
7 |
MOCKING |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
7 |
8 |
|
A |
= |
1 |
- |
7 |
ANOTHER |
81 |
36 |
9 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
- |
5 |
BITES |
55 |
19 |
1 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
|
4 |
DUST |
64 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
First Total |
|
|
|
|
|
|
|
|
5 |
|
7 |
8 |
|
- |
- |
1+5 |
- |
2+2 |
Add to Reduce |
2+6+7 |
9+6 |
2+4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
Second Total |
|
|
|
|
|
|
|
|
5 |
|
7 |
8 |
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+5 |
1+5 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
5 |
|
7 |
8 |
|
"Whom the Gods would destroy they first make mad." ..... have been conditioned to seek and welcome their destruction, to regard those who would save them as ... www.racialcompact.com/whomgodsdestroy.html
"When falls on man the anger of the gods, first from his mind they banish understanding." Lycurgus
"When divine power plans evil for a man, it first injures his mind."
Sophocles
"Those whom God wishes to destroy, he first deprives of their senses." Euripides
"Whom God wishes to destroy he first makes mad."
Seneca
"For those whom God to ruin has design'd, He fits for fate, and first destroys their mind."
John Dryden
"Whom the Gods would destroy they first make mad." Henry Wadsworth Longfellow
T |
= |
2 |
- |
5 |
THOSE |
67 |
22 |
4 |
W |
= |
5 |
- |
4 |
WHOM |
59 |
23 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
- |
4 |
GODS |
45 |
18 |
9 |
S |
= |
1 |
- |
4 |
SEEK |
40 |
13 |
4 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
D |
= |
4 |
- |
7 |
DESTROY |
106 |
34 |
7 |
T |
= |
2 |
- |
4 |
THEY |
58 |
22 |
4 |
F |
= |
6 |
- |
5 |
FIRST |
72 |
27 |
9 |
M |
= |
4 |
- |
4 |
MAKE |
30 |
12 |
3 |
M |
= |
4 |
- |
3 |
MAD |
18 |
9 |
9 |
- |
- |
39 |
- |
45 |
First Total |
|
|
|
- |
- |
3+9 |
- |
4+5 |
Add to Reduce |
5+6+3 |
2+0+3 |
6+8 |
Q |
- |
12 |
- |
9 |
Second Total |
|
|
|
- |
- |
1+2 |
- |
|
Reduce to Deduce |
1+4 |
- |
1+4 |
- |
- |
3 |
- |
|
Essence of Number |
|
|
|
Shakespeare Quote: Cry “havoc!”and let loose the dogs of war, That this foul deed shall smell ... William Shakespeare's Julius Caesar is first performed ... www.enotes.com/famous-quotes/cry-havoc-and-let-loose-the-dogs-of-war-that-this
"Cry “havoc!” and let loose the dogs of war,
That this foul deed shall smell above the earth
With carrion men, groaning for burial."
C |
= |
3 |
- |
3 |
CRY |
46 |
19 |
1 |
H |
= |
8 |
- |
5 |
HAVOC |
49 |
22 |
4 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
L |
= |
3 |
- |
3 |
LET |
37 |
10 |
1 |
L |
= |
3 |
- |
5 |
LOOSE |
66 |
21 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
D |
= |
4 |
- |
4 |
DOGS |
45 |
18 |
9 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
W |
= |
5 |
- |
3 |
WAR |
42 |
15 |
6 |
- |
- |
38 |
- |
31 |
First Total |
|
|
|
- |
- |
3+8 |
- |
3+1 |
Add to Reduce |
3+5+8 |
1+4+2 |
3+4 |
- |
- |
11 |
- |
4 |
Second Total |
|
|
|
- |
- |
1+1 |
- |
|
Reduce to Deduce |
1+6 |
- |
- |
- |
- |
2 |
- |
|
Essence of Number |
|
|
|
C |
= |
3 |
- |
3 |
CRY |
46 |
19 |
1 |
H |
= |
8 |
- |
5 |
HAVOC |
49 |
22 |
4 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
L |
= |
3 |
- |
3 |
LET |
37 |
10 |
1 |
L |
= |
3 |
- |
5 |
LOOSE |
66 |
21 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
D |
= |
4 |
- |
4 |
GODS |
45 |
18 |
9 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
W |
= |
5 |
- |
3 |
WAR |
42 |
15 |
6 |
- |
- |
38 |
- |
31 |
First Total |
|
|
|
- |
- |
3+8 |
- |
3+1 |
Add to Reduce |
3+5+8 |
1+4+2 |
3+4 |
- |
- |
11 |
- |
4 |
Second Total |
|
|
|
- |
- |
1+1 |
- |
|
Reduce to Deduce |
1+6 |
- |
- |
- |
- |
2 |
- |
|
Essence of Number |
|
|
|
DEDICATED TO THE MEMORIES OF HUMAN LIFE THROUGHOUT THE AGES
THAT HAVE DIED IN THE SCOURGE THAT IS HUMAN INHUMANITY TO HUMAN
SUNDAY NOVEMBER 9TH 2008 11-00 AM
WANDERERS LOST IN FORM IN AND IN FORM IN LOST WANDERERS
BURY MY HEART AT WOUNDED KNEE.
An Indian History of the American West.
Dee Brown.
First Published in Vintage 1991.
"I did not know then how much was ended. When I look back now from the high hill of my old age, I can still see the butchered women and children lying heaped and scattered all along the crooked gulch as plain as when I saw them with eyes still young. And I can see that something else died there in the blood and mud, and was buried in the blizzard. A peoples dream died there. It was a beautiful dream…the nations hoop is broken and scattered. There is no centre any longer, and the sacred tree is dead.
Black Elk
IS IT FOR THIS THE CLAY GREW TALL
In Flanders Fields the poppies blow
Between the crosses row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.
By: Lieutenant Colonel John McCrae, MD (1872-1918)
Canadian Army
DAILY MAIL
Friday, October 17, 2008
THE SOLDIERS WAR
by Richard Van Emden
Iron dicipline and rat-stripped corpses
Soldiering on: Troops during World War One at the Battle of Broodseinde
(photograph omitted)
Critic's choice
by Peter Lewis
"HERE we go
again.. As the 9Oth anniversary of the Armistice
approaches, the books documentaries and battlefield tours only increase as the Great War
recedes into history.
And now the veterans are all gone, bar three. Only Harry Patch, the last Tommy, aged 112, can recall what it was like in the trenches.
But here, in this remarkably distressing yet uplifting book, are others to plenty, in their own never-before-published words written in diaries, lett xs•bome and recorded interviews.
They are not celebrated names-Sassoons or,Owens-but privates, corporals, sergeants and junior officers driven by harsh emotion to describe their barely endurable experiences. And here are their never- published snaps taken with vest- pocket Kodak cameras in the trenches, some, even in the heat of battle.
They may be a bit foggy but, unlike official phoyographs, they bring to life the daily domestic business of soldiering.
Here are men taking off their shirts searching for lice, cooking, eating, sleeping, bathing, playing cards in the midst of mud and squalor.
Some photos are from German trenches. The men on both sides look: at the camera unsmiling, with expressions unfathomable to outsiders. You can only wonder what they've seen.
RICHARD van Emden provides a year-by-year summary of the
action on the Western
Front. But there are no baffling
maps or military detail. This is psychological. history.
He is out to discover what troops were really thinking and feeling about each other and the enemy only a few hundred yards away. They spent most of their time waiting for something to happen. When it did, these descriptions from a Tommy's eye view have a gut wrenching immediacy.
But they are balanced by the humdrum, everyday endurance of war, when they had time to admire the sunset or even go fishing. The overwhelming endurance was of shellfire, the biggest killer by far: relentless deafening, screaming and obliterating shells that left no-man's-land a desolation of craters lip-to-lip, filled with rain and floating bodies. Barrages went on for days and nights shattering nerves.
Overall hung the almost sweet hut acrid smell of decaying flesh. That was. why rats were a protected species, not to be shot. They performed a necesaary duty in stripping unburied corpses to skeletons.
In hoit weather, the bodies of horse or man would explode in three days.
The excitement of the early rush to volunteer — hurry, or you'll miss it — was soon over.
What kept soldiers going was pure comradeship You fought for your comrades, unit, regiment — not for patriotism, let alone democracy. 'Patriotism was rarely known, and never understood in the front line. Iron discipline took its place, which meted out death if not rigidly observed.'
A member of the firing squad leaves an unforgettable description, of the execution of a deserter. `There were many tear-filled eyes on that parade.'
Hatred of the. Hun, the Boche, Fritz, was the exception, not
the rule. The famous 1914 Christmas truce when the two sides fraternised in no-man's-land exchanging gifts and jokes 'makes one realise what a senseless thing war is. Tomorrow we shall be plugging away at each other again'.
Snipers aimed at the other side's periscopes peeping above the parapets — and signalled a 'miss' to the enemy by waving a spade, as if on a firing range. One morning, a note was found on the barbed wire inviting the British to meet them at noon halfway across to exchange souvenirs and periodicals', as the French had done before them.
Fear, like death, was omnipresent, but you were under pressure never to show that you were 'windy'. Officers, especially, had to keep up a front. One tells of the nightly mess bridge game with shells whistling overhead. 'Bit close, that one — two hearts.'
No one wanted to be the first to leave. We hear from the subaltern who couldn't stop his teeth chattering being given tea by his tactful sergeant: 'Cold, isn't it, sir?'
Officers' chances of being killed were twice those of other ranks. Some of them were only 17.
Men often foretold their: coming deaths. But one found an enemy shell fuse with his Army number on it. 'I was safe
now! Mine had been fired.'
Death was so commonplace that, in one trench, two men were seen playing cards by candlelight. 'Their table was the back of a dead soldier half- buried in the mud.'
During battle, an officer addressed a soldier sitting on the edge of a shell hole doing up his puttee. He didn't reply. Neither did the next one leaning on a parapet. He looked again. They were dead.
SOLDIERS on leave caught trains to Victoria — and caught them back again a fortnight later. The great majority returned on time.
`Leave was not exactly happy. I feel that it's not my place. Fighting leaves you with a malady without a name.'
So, in 1918, did the Armistice. `Everyone took it quietly.' They went back to pick up the threads of their lives, amazed to have had the luck to come through.
`Seeing Ypres again, all smashed up, a voice in the truck asked: "What was it for? What have we got for it — or anyone else?"
There was no answer.
Wilfred Owen (1893 - 1918) Strange Meeting
It seemed that out of battle I escaped
Down some profound dull tunnel, long since scooped
Through granites which titanic wars had groined.
Yet also there encumbered sleepers groaned,
Too fast in thought or death to be bestirred.
Then ,as I probed them, one sprang up, and stared
With piteous recognition in fixed eyes,
Lifting distressful hands, as if to bless.
And by his smile, I knew that sullen hall, -
By his dead smile I knew we stood in Hell.
With a thousand pains that vision's face was grained;
Yet no blood reached there from the upper ground,
And no guns thumped, or down the flues made moan.
'Strange friend,' I said, 'here is no cause to mourn.'
'None,' said that other, 'save the undone years,
The hopelessness. Whatever hope is yours,
Was my life also; I went hunting wild
After the wildest beauty in the world,
Which lies not calm in eyes, or braided hair,
But mocks the steady running of the hour,
And if it grieves, grieves richlier than here.
For by my glee might many men have laughed,
And of my weeping something had been left,
Which must die now. I mean the truth untold,
The pity of war, the pity war distilled.
Now men will go content with what we spoiled,
Or, discontent, boil bloody, and be spilled.
They will be swift with swiftness of the tigress.
None will break ranks, though nations trek from progress.
Courage was mine, and I had mystery,
Wisdom was mine, and I had mastery:
To miss the march of this retreating world
Into vain citadels that are not walled.
Then, when much blood had clogged their chariot-wheels,
I would go up and wash them from sweet wells,
Even with truths that lie too deep for taint.
I would have poured my spirit without stint
But not through wounds; not on the cess of war.
Foreheads of men have bled where no wounds were.
I am the enemy you killed, my friend.
I knew you in this dark: for so you frowned
Yesterday through me as you jabbed and killed.
I parried; but my hands were loath and cold.
Let us sleep now...'
WHEN YOU GO HOME TELL THEM OF US AND SAY FOR YOUR TOMORROWS WE GAVE OUR TODAY
AT THE GOING DOWN OF THE SUN AND IN THE MORNING WE WILL REMEMBER THEM
R |
= |
9 |
- |
3 |
RAW |
42 |
15 |
6 |
W |
= |
5 |
- |
3 |
WAR |
42 |
15 |
6 |
S |
- |
|
|
|
Add |
|
|
|
- |
- |
1+4 |
- |
- |
Reduce |
3+0 |
3+0 |
1+2 |
S |
- |
5 |
|
6 |
Essence |
|
|
|
- |
|
R |
|
|
- |
|
|
R |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
9 |
1 |
5 |
- |
5 |
1 |
9 |
|
|
|
3+0 |
= |
|
|
|
|
|
- |
- |
18 |
1 |
23 |
- |
23 |
1 |
18 |
|
|
|
8+4 |
= |
|
1+2 |
|
|
|
- |
|
R |
|
|
- |
|
|
R |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
9 |
1 |
5 |
- |
5 |
1 |
9 |
|
|
|
3+0 |
= |
|
|
|
|
|
- |
- |
18 |
1 |
23 |
- |
23 |
1 |
18 |
|
|
|
8+4 |
= |
|
1+2 |
|
|
|
- |
|
R |
|
|
- |
|
|
R |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
18 |
1 |
23 |
- |
23 |
1 |
18 |
|
|
|
8+4 |
= |
|
1+2 |
|
|
|
- |
- |
9 |
1 |
5 |
- |
5 |
1 |
9 |
|
|
|
3+0 |
= |
|
|
|
|
|
- |
|
R |
|
|
- |
|
|
R |
|
|
|
|
|
|
|
- |
- |
|
-- |
|
|
1 |
|
- |
|
1 |
|
|
|
|
occurs |
x |
|
= |
|
= |
|
2 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
3 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
4 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
5 |
- |
5 |
|
|
|
|
|
occurs |
x |
|
= |
|
1+0 |
|
6 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
7 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
9 |
|
- |
- |
- |
|
9 |
|
|
|
occurs |
x |
|
= |
|
1+8 |
9 |
30 |
|
R |
|
|
- |
|
|
R |
|
|
|
|
|
|
|
|
|
|
3+0 |
- |
|
|
|
- |
|
|
|
|
|
1+5 |
- |
|
|
- |
3+0 |
- |
1+2 |
3 |
|
R |
|
|
- |
|
|
R |
|
|
6 |
|
|
|
|
|
|
|
- |
|
9 |
1 |
5 |
- |
5 |
1 |
9 |
|
- |
|
- |
|
|
- |
|
|
- |
3 |
|
R |
|
|
- |
|
|
R |
|
|
6 |
|
|
|
|
|
|
|
|
R |
|
|
- |
|
|
R |
|
|
|
|
|
|
|
- |
- |
|
- |
9 |
1 |
5 |
- |
5 |
1 |
9 |
|
|
|
3+0 |
= |
|
|
|
|
|
- |
18 |
1 |
23 |
- |
23 |
1 |
18 |
|
|
|
8+4 |
= |
|
1+2 |
|
|
|
|
R |
|
|
- |
|
|
R |
|
|
|
|
|
|
|
- |
- |
|
- |
9 |
1 |
5 |
- |
5 |
1 |
9 |
|
|
|
3+0 |
= |
|
|
|
|
|
- |
18 |
1 |
23 |
- |
23 |
1 |
18 |
|
|
|
8+4 |
= |
|
1+2 |
|
|
|
|
R |
|
|
- |
|
|
R |
|
|
|
|
|
|
|
- |
- |
|
- |
18 |
1 |
23 |
- |
23 |
1 |
18 |
|
|
|
8+4 |
= |
|
1+2 |
|
|
|
- |
9 |
1 |
5 |
- |
5 |
1 |
9 |
|
|
|
3+0 |
= |
|
|
|
|
|
|
R |
|
|
- |
|
|
R |
|
|
|
|
|
|
|
- |
- |
|
|
|
1 |
|
- |
|
1 |
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
5 |
- |
5 |
|
|
|
|
|
occurs |
x |
|
= |
|
1+0 |
|
|
9 |
|
- |
- |
- |
|
9 |
|
|
|
occurs |
x |
|
= |
|
1+8 |
9 |
|
R |
|
|
- |
|
|
R |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
|
1+5 |
- |
|
|
- |
3+0 |
- |
1+2 |
|
R |
|
|
- |
|
|
R |
|
|
6 |
|
|
|
|
|
|
|
|
9 |
1 |
5 |
- |
5 |
1 |
9 |
|
- |
|
- |
|
|
- |
|
|
- |
|
R |
|
|
- |
|
|
R |
|
|
6 |
|
|
|
|
|
|
|
|
R |
|
|
|
|
R |
|
|
|
|
|
|
|
- |
- |
|
- |
9 |
1 |
5 |
5 |
1 |
9 |
|
|
|
3+0 |
= |
|
|
|
|
|
- |
18 |
1 |
23 |
23 |
1 |
18 |
|
|
|
8+4 |
= |
|
1+2 |
|
|
|
|
R |
|
|
|
|
R |
|
|
|
|
|
|
|
- |
- |
|
- |
9 |
1 |
5 |
5 |
1 |
9 |
|
|
|
3+0 |
= |
|
|
|
|
|
- |
18 |
1 |
23 |
23 |
1 |
18 |
|
|
|
8+4 |
= |
|
1+2 |
|
|
|
|
R |
|
|
|
|
R |
|
|
|
|
|
|
|
- |
- |
|
- |
18 |
1 |
23 |
23 |
1 |
18 |
|
|
|
8+4 |
= |
|
1+2 |
|
|
|
- |
9 |
1 |
5 |
5 |
1 |
9 |
|
|
|
3+0 |
= |
|
|
|
|
|
|
R |
|
|
|
|
R |
|
|
|
|
|
|
|
- |
- |
|
|
|
1 |
|
|
1 |
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
5 |
5 |
|
|
|
|
|
occurs |
x |
|
= |
|
1+0 |
|
|
9 |
|
- |
- |
|
9 |
|
|
|
occurs |
x |
|
= |
|
1+8 |
9 |
|
R |
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
1+5 |
- |
|
|
- |
3+0 |
- |
1+2 |
|
R |
|
|
|
|
R |
|
|
6 |
|
|
|
|
|
|
|
|
9 |
1 |
5 |
5 |
1 |
9 |
|
- |
|
- |
|
|
- |
|
|
- |
|
R |
|
|
|
|
R |
|
|
6 |
|
|
|
|
|
|
|
W |
= |
5 |
- |
3 |
WAR |
42 |
15 |
6 |
R |
= |
9 |
- |
3 |
RAW |
42 |
15 |
6 |
W |
= |
5 |
- |
3 |
WAR |
42 |
15 |
6 |
S |
- |
|
|
|
First Total |
|
|
|
- |
- |
1+9 |
- |
- |
Add to Reduce |
1+2+6 |
4+5 |
1+8 |
S |
- |
10 |
|
9 |
Second Total |
|
|
|
- |
- |
1+0 |
- |
- |
Reduce to Deduce |
|
|
- |
S |
- |
1 |
|
9 |
Essence of Number |
|
|
|
S |
= |
1 |
- |
5 |
SHOCK |
56 |
20 |
2 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
A |
= |
1 |
- |
3 |
AWE |
29 |
11 |
2 |
R |
= |
9 |
- |
3 |
RAW |
42 |
15 |
6 |
W |
= |
5 |
- |
3 |
WAR |
42 |
15 |
6 |
S |
- |
17 |
|
17 |
First |
|
|
|
- |
- |
1+7 |
-`` |
1+7 |
Add |
1+8+8 |
7+1 |
1+7 |
S |
- |
8 |
|
8 |
Reduce |
17 |
|
|
- |
- |
- |
- |
- |
Deduce |
1+7 |
- |
- |
S |
- |
8 |
|
8 |
Essence |
8 |
|
|
S |
= |
1 |
- |
5 |
SHOCK |
56 |
20 |
2 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
A |
= |
1 |
- |
3 |
AWE |
29 |
11 |
2 |
R |
= |
9 |
- |
3 |
RAW |
42 |
15 |
6 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
W |
= |
5 |
- |
3 |
WAR |
42 |
15 |
6 |
S |
- |
26 |
|
19 |
First |
|
|
|
- |
- |
2+6 |
-`` |
1+9 |
Add |
2+1+6 |
7+2 |
1+8 |
S |
- |
8 |
|
10 |
Reduce |
|
|
|
- |
- |
- |
-`` |
1+0 |
Deduce |
- |
- |
- |
S |
- |
8 |
|
1 |
Essence |
|
|
|
ARMISTICE 1918 ARMISTICE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
E |
= |
5 |
- |
8 |
ELEVENTH |
91 |
37 |
1 |
H |
= |
8 |
- |
2 |
|
21 |
12 |
3 |
O |
= |
6 |
- |
2 |
|
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
E |
= |
5 |
- |
8 |
ELEVENTH |
91 |
37 |
1 |
D |
= |
4 |
- |
5 |
|
30 |
12 |
3 |
O |
= |
6 |
- |
2 |
|
21 |
12 |
4 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
E |
= |
5 |
- |
8 |
ELEVENTH |
91 |
37 |
3 |
M |
= |
4 |
- |
5 |
|
70 |
25 |
7 |
- |
- |
49 |
- |
49 |
- |
|
|
|
- |
|
4+9 |
|
4+9 |
|
5+7+6 |
2+4+3 |
4+5 |
- |
|
|
|
|
|
|
|
|
- |
|
1+3 |
|
1+3 |
|
1+8 |
|
|
- |
- |
7 |
- |
7 |
- |
|
|
|
N |
= |
5 |
- |
8 |
NINETEEN |
86 |
41 |
5 |
F |
= |
6 |
- |
8 |
FOURTEEN |
104 |
41 |
5 |
N |
= |
5 |
- |
8 |
NINETEEN |
86 |
41 |
5 |
E |
= |
5 |
- |
8 |
EIGHTEEN |
73 |
46 |
1 |
WAR RAW WAR
Armistice Day - Wikipedia, the free encyclopedia Armistice Day (also known as Remembrance Day) is on 11 November and ...
en.wikipedia.org/wiki/Armistice_Day
Armistice DayFrom Wikipedia, the free encyclopediaJump to: navigation, search
Armistice Day Celebrations in Toronto, Canada in 1918
Remember American soldier Gollhardt - 11 November 1918 at Meuse-Argonne American Cemetery and MemorialSee also: Remembrance Day
Armistice Day (also known as Remembrance Day) is on 11 November and commemorates the armistice signed between the Allies of World War I and Germany at Compiègne, France, for the cessation of hostilities on the Western Front, which took effect at eleven o'clock in the morning—the "eleventh hour of the eleventh day of the eleventh month" of 1918. While this official date to mark the end of the war reflects the cease fire on the Western Front, hostilities continued in other regions, especially across the former Russian Empire and in parts of the old Ottoman Empire.
The date was declared a national holiday in many allied nations, to commemorate those members of the armed forces who were killed during war. An exception is Italy, where the end of the war is commemorated on 4 November, the day of the Armistice of Villa Giusti.
After World War II, the name of the holiday was changed to Veterans Day in the United States and to Remembrance Day in countries of the British Commonwealth of Nations. Armistice Day remains an official holiday in France. It is also an official holiday in Belgium, known also as the Day of Peace in the Flanders Fields.
In many parts of the world, people take a two-minute moment of silence at 11:00 a.m. local time as a sign of respect for the roughly 20 million people who died in the war. This gesture of respect was suggested by Edward George Honey in a letter to a British newspaper, although Wellesley Tudor Pole had established two ceremonial periods of remembrance based on events in 1917.[1][2]
From the outset, many veterans in many countries also utilized Silence to pay homage to departed comrades. The toast of "Fallen" or "Absent Comrades" has always been honoured in silence at New Zealand veteran functions, while the news of a member’s death has similarly been observed in silence at meetings.
Similar ceremonies developed in other countries during the inter-war period. In South Africa, for example, the Memorable Order of Tin Hats had by the late 1920s had developed a ceremony whereby the toast of "Fallen Comrades" was observed not only in silence but darkness, all except for the "Light of Remembrance", with the ceremony ending with the Order’s anthem "Old Soldiers Never Die". In Australia, meanwhile, the South Australian State Branch of the Returned Sailors & Soldiers' Imperial League of Australia similarly developed during the interwar period a simple ceremony of silence for departed comrades at 9 p.m., presumably to coincide with the traditional 11 a.m. time for Armistice ceremonies taking place in Europe (due to the ten-hour time difference between Eastern Australia and Europe).
In the UK, beginning in 1939, the two-minute silence was moved to the Sunday nearest to 11 November in order not to interfere with wartime production should 11 November fall on a weekday. After the end of WWII, most Armistice Day events were moved to the nearest Sunday and began to commemorate both World Wars. The change was made in many Commonwealth countries, as well as the United Kingdom, and the new commemoration was named Remembrance Sunday or Remembrance Day. Both Armistice Day and Remembrance Sunday are now commemorated formally in the UK.
NINETEEN FOURTEEN NINETEEN EIGHTEEN
NINETEEN THIRTYNINE NINETEEN FORTYFIVE
The slaughter of farmed animals in the UK
In the UK, there are over 350 licenced slaughterhouses. Secrecy surrounds the killing business and individuals and animal welfare organisations are rarely permitted to visit slaughterhouses. Even the government's own advisory body, the Farm Animal Welfare Council, has been refused access to some of the larger plants. Viva! has been able to obtain video footage of stunning and killing and we have also reviewed the latest scientific research on slaughter. As a result, we have built up an extremely disturbing picture of the reality of Britain's killing factories.
How many animals are killed?
The total number of animals killed in British slaughterhouses in 2013 was over a billion.
This included 9.8 million pigs, nearly 15 million sheep, 18 million turkeys, 14 million ducks, over 945 million chickens and 2.6 million cattle. Add to that 4.5 billion fish and 2.6 billion shellfish you have a total of over 8 billion animals killed in the UK each year.
This equates to around 22 million animals slaughtered every day; 919,000 an hour; 15,000 per minute and 255 every second.
HALAL MAKES UP THE WORD ALLAH
THE COMPASSIONATE THE MERCIFUL
FIRST VERSE OF THE QURAN
WAR RAW WAR
EVOLVE LOVE EVOLVE
LOVES SOLVE LOVES
EVOLVE LOVE EVOLVE
WAR RAW WAR = 126 = WAR RAW WAR
WAR RAW WAR = 45 = WAR RAW WAR
WAR RAW WAR = 9 = WAR RAW WAR
|
|
|
|
|
RAW WAR |
|
|
|
|
|
|
|
|
|
|
|
|
R |
= |
9 |
|
3 |
|
42 |
15 |
|
W |
= |
5 |
|
3 |
|
42 |
15 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
|
3 |
|
43 |
7 |
|
I |
= |
9 |
|
2 |
|
29 |
11 |
|
F |
= |
6 |
|
3 |
|
39 |
21 |
|
T |
= |
2 |
4 |
4 |
|
56 |
20 |
|
T |
= |
2 |
|
3 |
|
33 |
15 |
|
C |
= |
3 |
|
4 |
|
41 |
14 |
|
G |
= |
7 |
|
4 |
|
53 |
26 |
|
T |
= |
2 |
8 |
4 |
|
45 |
9 |
|
|
|
|
- |
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
5+0 |
|
3+3 |
Add to Reduce |
1+8 |
- |
- |
|
|
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
2+6+1 |
1+1+7 |
3+6 |
- |
- |
5 |
- |
|
Essence of Number |
|
|
|
FIDELITY 122 FIDELITY
FIDELITY 41 FIDELITY
FIDELITY 5 FIDELITY
By Wilfred Owen
Move him into the sun—
Gently its touch awoke him once,
At home, whispering of fields unsown.
Always it woke him, even in France,
Until this morning and this snow.
If anything might rouse him now
The kind old sun will know.
Think how it wakes the seeds—
Woke, once, the clays of a cold star.
Are limbs so dear-achieved, are sides
Full-nerved,—still warm,—too hard to stir?
Was it for this the clay grew tall?
—O what made fatuous sunbeams toil
To break earth’s sleep at all?
This poem of 14 lines was written by Wilfred Owen in May 1918, when he was serving as an officer in the British army in World War I. It describes a reaction to seeing the body of a soldier lying on the ground. And it was written only six months before Owen himself was killed. So although he was only 25 at the time, this is a ‘late’ poem by Owen.
H |
= |
8 |
- |
7 |
HEARKEN |
62 |
35 |
8 |
S |
= |
1 |
- |
4 |
SUCH |
51 |
15 |
6 |
L |
= |
3 |
- |
8 |
LAUGHTER |
92 |
38 |
2 |
A |
= |
1 |
- |
6 |
AMIDST |
66 |
21 |
3 |
A |
= |
1 |
- |
3 |
ALL |
25 |
7 |
7 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
S |
= |
1 |
- |
9 |
SLAUGHTER |
111 |
39 |
3 |
D |
= |
4 |
- |
8 |
DAUGHTER |
84 |
39 |
3 |
S |
- |
13 |
|
42 |
Add to Reduce |
|
|
36 |
- |
- |
1+3 |
- |
4+2 |
Reduce to Deduce |
5+4+0 |
2+0+7 |
3+6 |
S |
- |
4 |
|
6 |
Essence of Number |
9 |
|
9 |
S |
= |
1 |
- |
5 |
SHOCK |
56 |
20 |
2 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
A |
= |
1 |
- |
3 |
AWE |
29 |
11 |
2 |
R |
= |
9 |
- |
3 |
RAW |
42 |
15 |
6 |
W |
= |
5 |
- |
3 |
WAR |
42 |
15 |
6 |
S |
- |
17 |
|
17 |
First |
|
|
|
- |
- |
1+7 |
-`` |
1+7 |
Add |
1+8+8 |
7+1 |
1+7 |
S |
- |
8 |
|
8 |
Reduce |
17 |
|
|
- |
- |
- |
- |
- |
Deduce |
1+7 |
- |
- |
S |
- |
8 |
|
8 |
Essence |
8 |
|
|
S |
= |
1 |
- |
5 |
SHOCK |
56 |
20 |
2 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
A |
= |
1 |
- |
3 |
AWE |
29 |
11 |
2 |
R |
= |
9 |
- |
3 |
RAW |
42 |
15 |
6 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
W |
= |
5 |
- |
3 |
WAR |
42 |
15 |
6 |
S |
- |
26 |
|
19 |
First |
|
|
|
- |
- |
2+6 |
-`` |
1+9 |
Add |
2+1+6 |
7+2 |
1+8 |
S |
- |
8 |
|
10 |
Reduce |
|
|
|
- |
- |
- |
-`` |
1+0 |
Deduce |
- |
- |
- |
S |
- |
8 |
|
1 |
Essence |
|
|
|
The slaughter of farmed animals in the UK | Viva!
www.viva.org.uk/what-we-do/slaughter/slaughter-farmed-animals-uk
In the UK, there are over 350 licenced slaughterhouses. Secrecy surrounds the killing business and individuals and animal welfare organisations are rarely ...
The slaughter of farmed animals in the UK
In the UK, there are over 350 licenced slaughterhouses. Secrecy surrounds the killing business and individuals and animal welfare organisations are rarely permitted to visit slaughterhouses. Even the government's own advisory body, the Farm Animal Welfare Council, has been refused access to some of the larger plants. Viva! has been able to obtain video footage of stunning and killing and we have also reviewed the latest scientific research on slaughter. As a result, we have built up an extremely disturbing picture of the reality of Britain's killing factories.
How many animals are killed?
The total number of animals killed in British slaughterhouses in 2013 was over a billion.
This included 9.8 million pigs, nearly 15 million sheep, 18 million turkeys, 14 million ducks, over 945 million chickens and 2.6 million cattle. Add to that 4.5 billion fish and 2.6 billion shellfish you have a total of over 8 billion animals killed in the UK each year.
This equates to around 22 million animals slaughtered every day; 919,000 an hour; 15,000 per minute and 255 every second.
List of wars by death toll - Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/List_of_wars_by_death_toll
This list of wars by death toll includes death toll estimates of all deaths that are either directly or indirectly caused by war. These numbers usually include both ...
Mongol invasions and conquests - An Lushan Rebellion - Dungan Revolt (1862–77)
.
List of wars by death toll - Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/List_of_wars_by_death_toll
This list of wars by death toll includes death toll estimates of all deaths that are either directly or indirectly caused by war. These numbers usually include both ...
Mongol invasions and conquests - An Lushan Rebellion - Dungan Revolt (1862–77)
List of wars by death toll with over 1,000,000 deaths[edit]
See also: List of genocides by death toll
This list of wars by death toll includes death toll estimates of all deaths that are either directly or indirectly caused by war. These numbers usually include both the deaths of military personnel which are the direct results of battle or other military wartime actions, as well as the wartime/war-related deaths of civilians, which are the results of war induced
See also: List of genocides by death toll
This list of wars by death toll includes death toll estimates of all deaths that are either directly or indirectly caused by war. These numbers usually include both the deaths of military personnel which are the direct results of battle or other military wartime actions, as well as the wartime/war-related deaths of civilians, which are the results of war induced epidemics, diseases, famines, atrocities, genocide etc.
War Deaths Date Notes
World War II 60,000,000–85,000,000 1939–1945 see World War II casualties
Mongol conquests 40,000,000–70,000,000 1206–1324 [1][2][3][4]
Three Kingdoms War 36,000,000–40,000,000 184–280 [5][6]
Qing dynasty conquest of Ming Dynasty 25,000,000 1616–1662 [7]
Taiping Rebellion 20,000,000 1850–1864 [8] – may be underestimated
Second Sino-Japanese War 20,000,000 1937–1945 [9] – Part of World War II
World War I/Great War 17,000,000 1914–1918 see World War I casualties
An Lushan Rebellion 13,000,000 755–763 [10] – may be underestimated
Chinese Civil War 7,500,000 1927–1949 [11]
Conquests of Tamerlane 7,000,000–20,000,000 1370–1405 [12][13]
Russian Civil War and Foreign Intervention 5,000,000–9,000,000 1917–1922 [14]
Dungan revolt 8,000,000–10,000,000 1862–1877
Napoleonic Wars 3,500,000–6,000,000 1803–1815 see Napoleonic Wars casualties
Thirty Years' War 3,000,000–11,500,000 1618–1648 [15]
Second Congo War/Great War of Africa 2,500,000–5,400,000 1998–2003 [16][17][18][19]
Goguryeo-Sui War 2,000,000 At Least 598–614 [20] – Korean(Goguryeo) and civilian casualties are not included.
French Wars of Religion 2,000,000–4,000,000 1562–1598 [21] – also known as Huguenot Wars
Shaka's conquests 2,000,000 1816–1828 [22]
Korean War 1,200,000 1950–1953 [23]
Conquests of Mehmed II 'the Conqueror' 873,000 1451–1481 [24] – may either be underestimated or overestimated
Vietnam War/Second Indochina War 800,000–3,800,000 1955–1975 [24] [25][26]
Mexican Revolution 1,000,000–2,000,000 1910–1920 [27]
Siege of Jerusalem 1,100,000 73
Iran–Iraq War/First Persian Gulf War 1,000,000 1980–1988 [28]
Japanese invasions of Korea 1,000,000 1592–1598 [29]
Biafra War 1,000,000 1967–1970
Soviet war in Afghanistan 957,865–1,622,865 1979–1989 [30][31][32]
Seven Years' War 868,000–1,400,000 1756–1763 [33][34]
List of wars by death toll with fewer than 1,000,000 deaths[edit]
876,000 – English Civil War (1642–1651)[35][36][37]
770,000 – Second Punic War (218–201 BC)[38]
618,000 – American Civil War (1861–1865)[39]
500,000–1,500,000 – Ethiopian Civil War[40]
500,000 – Spanish Civil War (1936–1939) [41]
400,000–1,000,000 – Gallic Wars (58–50 BC)
400,000+ – First Indochina War (1946–1954)
400,000 – Civil war in Afghanistan (1989–92), Civil war in Afghanistan (1992–96) and Civil war in Afghanistan (1996–2001) (1989–2001)[42]
400,000+ War of the Triple Alliance (1864–1870) [43]
350,000–1,500,000 – Algerian War of Independence (1954–1962)[44]
350,000 – Third Northern War (1700–1721)[45]
315,000–735,000 – Wars of the Three Kingdoms (1639–1651)[46]
300,000–3,000,000[47] – Bangladesh Liberation War (1971)
300,000 – Second Burundian Civil War (1993–2005)[48]
300,000 (TFG)–500,000+ (AFP) – Somali Civil War[49][50][51]
272,000–1,260,009 – War on Terror (2001–present)[52][53][54]
235,644–326,446 – Syrian Civil War (2011–present), see Casualties of the Syrian civil war
234,000 – Philippine–American War (1899–1912)[55]
220,000 – Colombian conflict (1964–present) (1964–present)[56]
200,000 – Indonesian occupation of East Timor (1975–1999)[57] [58]
200,000–1,000,000 – Albigensian Crusade (1208–1259)[59][60]
200,000–500,000 — Lord's Resistance Army insurgency (1987–present)[61]
200,000 – Algerian Civil War (1991–2002)[62][63]
185,250–3,000,000 – Hundred Years' War (1337–1453)[64]
178,258–461,520 – War in Darfur (2003–present)[65]
176,913–1,120,000 – Iraq War/Third Persian Gulf War (2003–2011), see Casualties of the Iraq War, part of the War on Terror[53][54][66]
138,800–320,100 – Iraqi–Kurdish conflict (1918–2003)[67][68]
120,000–384,000 – Great Turkish War (1683–1699) (see Ottoman-Habsburg wars)
120,000–150,000 – Lebanese Civil War (1975–1990) [69]
120,000 – Islamic insurgency in the Philippines (1969–present)[70]
115,311 – Arab–Israeli conflict (1920–present)[71]
106,800+ – Mexican Drug War (2006–present)[72][73]
100,000–10,000,000[74] – Indian Rebellion of 1857
100,000–400,000 – Western New Guinea (1984–) (see Genocide in West Papua)
100,000 – Insurgency in Laos (1975–2007)[75]
100,000 – German Peasants' War (1524–1525)[76]
97,000–107,000 – Aceh War (1873–1914)[77]
97,214–104,732 – Bosnian War (1991–1995) [78]
90,969 – Mahdist War (1881–1889)
90,000+ – Third conflict in the Goryeo–Khitan War (1018–1019)[79]
85,000–235,000 – 1991 uprisings in Iraq (1991)[80][81][82]
80,000–110,000, Kashmir Conflict – (1947 to present)
80,000–100,000 – Sri Lankan Civil War (1983–2009)[83]
63,500–88,500 – Mozambican War of Independence (1964–1974)[84]
60,000 – Ituri conflict (1999–2007)[85]
47,246–61,603 – War in Afghanistan (2001–present) (2001–present), part of the War on Terror[66]
45,852 – 78,946 – War in North-West Pakistan (2004–present), part of the War on Terror[66]
45,000 – Kurdish–Turkish conflict (1979–2013)[86]
34,000 – Iranian-Kurdish conflict (1918–present)[87]
34,000 – Ethnic conflict in Nagaland (1954–present)[88]
25,000 – Insurgency in Northeast India (1964–present)[89]
25,000 – Shia insurgency in Yemen (2004–present)[90]
20,000 – Ragamuffin War (1835–1845)[91]
18,069–20,069 – First Opium War (1839–1842)[92]
17,200 – First Anglo-Afghan War (1839–1842)[93]
16,765–17,065 – Balochistan conflict (1948–present)[94][95][96]
16,000 – War of the Pacific (1879–1883)
15,000 – Nigerian Sharia conflict (1953–present)[97][98][99]
13,929 – Republic of the Congo Civil War (1997–1999)[100]
13,812 – Naxalite-Maoist insurgency (1967–present)[101][102]
10,000+ – Malayan Emergency (1948–1960) [103]
8,136+ – Iraqi insurgency (post-U.S. withdrawal) (2011–present)[104]
5,641 – Sudanese nomadic conflicts (2009–present)[105][106]
5,469 – South Thailand insurgency (2004–present)[107]
5,000 – Casamance conflict[108]
5,000 – Chilean Civil War of 1891 (1891)[109]
4,000–10,000 Conflict in the Niger Delta (2004–present)[110]
3,699 – Al-Qaeda insurgency in Yemen (1992–present)[111]
3,529 – The Northern Ireland Troubles (1969–1998)[112]
3,000–6,000 – Negro Rebellion (1912)[113][114]
3,000 – Second Ivorian Civil War (2010–2011)[115]
2,781 – Iranian Revolution (1978–1979)[116]
2,751 – Third Anglo-Afghan War (1919)[117]
2,557 – Sudan internal conflict (2011–present) (2011–present)[118][119][120]
2,198 – Insurgency in the North Caucasus (2009–present)[121][122][123][124][125]
2,000 – Six-Day War (2000) (2000)[126]
2,000 – 2010 South Kyrgyzstan ethnic clashes (2010)[127][128][129]
1,643–2,237 – War of Transnistria (1992)[130][131][132][133]
1,554 – South Yemen insurgency (2009–present)[134][135]
1300+ – Allied Democratic Forces insurgency (1996–present)[136]
1,229 – Basque conflict (1959–2011)[137]
1,227–5,600 – Kargil War (1999)[138][139][140][141]
1,119 – Political violence in Egypt, 2013 (2013–present)[142]
1,000–1,500 – Cabinda conflict (1994–present)[143]
1,000 – 1991–92 South Ossetia War (1991–1992)[144]
846 – 2011 Egyptian revolution (2011)[145]
740 – Indonesia–Malaysia confrontation (1963–1966)[146][147]
659–2,496 – Russia–Georgia war (2008)[148][149][150][151][152]
391+ – M23 rebellion (2012–present)[153][154][155]
174–194 – United States occupation of Veracruz (1914)[156]
95 – 2013 Guinea clashes (2013)[157]
84–134 – Lahad Datu standoff (2013)[158][159]
https://www.youtube.com/watch?v=P2v6aUuxH7k
WHERE HAVE ALL THE FLOWERS GONE?
THEY’VE GONE TO GRAVEYARDS EVERY ONE.
wikipedia.org/wiki/Battle_of_Towton
The Battle of Towton was fought during the English Wars of the Roses on 29 March ... Richard of York was killed at the Battle of Wakefield and his titles, including
Bloodiest Wars in your Country's History - Historum - History
historum.com/war.../10856-bloodiest-wars-your-country-s-history.html
29 Jan 2010 - 10 posts - 3 authors
4th Napoleonic Wars 311,000 casualties (18 million population) - 1.7% of population died in the war. 5th Wars of the Roses 105,000 casualties ...
Ten facts about the Battle of the Somme - The Telegraph
telegraph.co.uk/news/0/ten-facts-about-the-battle-of-the-somme/
day ago - The Battle of the Somme, one of the bloodiest in our island's history, is often associated with the needless loss of young men. In all, for the si
The Battle of the Somme, one of the bloodiest in our island's history, is often associated with the needless loss of young men. In all, for the six miles that British soldiers advanced, they lost more than 400,000 while in all the battle saw 1.3 million casualties.
1. The first day of the Battle, July 1 1916, was also the bloodiest, and remains the worst in the British Army's history. Of Britain's first-day casualties, a staggering 19,240 died. Officers below Major died at a much higher rate on the Somme than private soldiers did, with 60% of British officers who were involved on the first day losing their lives
.2. Along a 15-mile front of northern France, 100,000 British troops attempted to advance. The battle lasted 141 days, from July 1 to November 18 1916. The official number of British dead, missing or wounded during that period is 419, 654. There were 72,000 British and Commonwealth soldiers who died at the Somme with no known graves and whose names are recorded on the British memorial at Thiepval.
3. The Somme is commonly thought of as a ground offensive - but it was conducted from the air too. The Royal Flying Corps, the air army of the British Army, lost 800 aircraft and 252 aircrew were killed.
4. On the first day of the battle, soldiers from the East Surrey Regiment kicked leather footballs across the Somme's no man's land as they advanced towards the German lines, which they believed would be empty after a week of shelling.
5. A lot of the British losses were down to a misconception over the effectiveness of their missiles. Soldiers on the Somme were told that sheer weight of artillery would destroy the Germans before they even got there. The battle was preceded by a seven day bombardment firing 1.7m shells, to little overall effect. The German lines were extremely deep and extremely well made, protecting them from artillery fire, which the Brits were either unaware of or ignored. Britain's shells were also not good enough and did not have enough high explosives - necessary for getting into bunkers.6. The average British infantryman had to carry 30kg of equipment along with him during the intial advance to the German lines
7. It was the battalion from the island of Newfoundland, now part of Canada, which suffered the heaviest losses with 90 per cent of their 2,000 men on the opening day of the battle. This was equivalent to one in ten people from the entire dominion - or one in five men
.Still from the film The Battle of the Somme showing a British soldier carrying a wounded comrade back from the front line. The scene is generally accepted as having been filmed on the first day of the battle. (image omitted)
8. Anne Frank's father Otto, Hitler, Wilfred Owen and JRR Tolkien all took part in the Battle of the Somme. It was in this war that Hitler sustained his leg injury, and the rumoured injury to his groin. JRR Tolkien contracted a fever in the trenches and was ruled out of fighting for much of the remainder of the battle.
The Battle of the Somme was initially meant to be led by the French, but the German army's attack on the French at Verdun in February made this impossible. The British then led the offensive to divert the Germans from the onslaught at Verdun.
10. Despite the devastating losses, the battle was ultimately a strategic victory. The original goal of the offensive had been to break the trench lines and return to mobile warfare. The Somme offensive began with the main objective of simply relieving the pressure on the French at Verdun. In this it succeeded. Moreover, it hurt the Germans badly and ultimately brought America into the war. Many people agree the battle was an important step towards Allied victory in 1918.
To mark the Centenary of the Battle of the Somme at 18:36 on 1 July 2016, a national commemorative event will be held at 12:00 (11:00 GMT) at the Commonwealth War Graves Commission Thiepval Memorial in Northern France.
Colonel Bagshot - Six Day War - YouTube
colonel bagshot - six day war
Six Day War / Colonel Bagshot
At the starting of the week At summit talks you'll hear them speak It's only Monday Negotiations breaking down See those leaders start to frown It's sword and gun day Tomorrow never comes until it's too late You could be sitting taking lunch The news will hit you like a punch It's only Tuesday You never thought we'd go to war After all the things we saw It's April Fools' day Tomorrow never comes until it's too late We'll all go running underground And we'll be listening for the sound It's only Wednesday In your shelter dimly lit Take some wool and learn to knit 'Cause it's a long day Tomorrow never comes until it's too late You'll hear a whistling overhead Are you alive or are you dead? It's only Thursday You feel a shaking of the ground A million candles burn around Is it your birthday? Tomorrow never comes until it's too late Though that shelter is your home The living space you have outgrown It's only Friday As you come out to the light Can your eyes behold the sight It must be doomsday Tomorrow never comes until it's too late Ain't it funny how men think They made the bomb, they are extinct It's only Saturday I think tomorrow's come, I think it's too late I think tomorrow's come, I think it's too late I think tomorrow's come, I think it's too late
Source: Musixmatch
Songwriters: Davis / Wes Farrell / Olivieri Six Day War lyrics
Daily Mail
Friday, June 4, 2021
ANSWERS TO CORRESPONDENTS
Compiled by Charles Legge
QUESTION Why were executions usually held at dawn?
THE phrase `shot at dawn' is not a legal term, but merely one of convenience.
In most cases, those found guilty of an offence that carried the death penalty, under the Army Act before and during 3 World War I, were not told they were to be executed by firing squad until the evening before. This allowed them time to meet with the padre and write home.
Sub Lieutenant Edwin Dyett of Cardiff was one of three officers to face the firing squad during World War I.
He had been convinced he Would be cleared. Late in the evening of January 4, 1917, he was playing cards with his fellow officers when he was handed a letter telling ing him he was to die the next morning. The six men who made up a firing squad
were selected just minutes before. Often they were shooting their friends.
The Shot At Dawn memorial in the military arboretum in Staffordshire commemorates the 306 British Army and Commonwealth soldiers executed during World War I. It is on the eastern boundary so the sun illuminates it before all of the other military monuments.
Robert King, author of Shot At Dawn,
Abergarwed, Neath
Macbeth, Act III, Scene 4 :|: Open Source Shakespeare
https://www.opensourceshakespeare.org/views/plays/play_view.php?...Act...
Lady Macbeth. Pronounce it for me, sir, to all our friends; ... But now I am cabin'd, cribb'd, confined, bound in 1300. To saucy .... By the worst means, the worst. For mine own good, All causes shall give way: I am in blood 1440. Stepp'd in so far ...
Macbeth. I hear it by the way; but I will send:
There's not a one of them but in his house
I keep a servant fee'd. I will to-morrow,
And betimes I will, to the weird sisters:
More shall they speak; for now I am bent to know,
By the worst means, the worst. For mine own good,
All causes shall give way: I am in blood
Stepp'd in so far that, should I wade no more,
Returning were as tedious as go o'er:
Strange things I have in head, that will to hand;
Which must be acted ere they may be scann'd.
BY THE WORST MEANS THE WORST FOR MINE OWN GOOD
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
|
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
5 |
|
95 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
5 |
|
52 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
5 |
|
95 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
3 |
|
39 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
2 |
|
41 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
3 |
|
52 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
4 |
|
41 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+3 |
|
3+7 |
Add to Reduce |
5+0+8 |
2+1+1 |
5+8 |
|
|
|
|
|
2+0 |
1+2 |
1+4 |
|
|
|
|
7 |
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
Reduce to Deduce |
1+3 |
1+3 |
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
ALL CAUSES SHALL GIVE WAY I AM IN BLOOD
STEPP'D IN SO FAR THAT SHOULD I WADE NO MORE
RETURNING WERE AS TEDIOUS AS GO O'ER
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
6 |
|
68 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
5 |
|
52 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
4 |
|
43 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
3 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
|
21 |
|
237 |
102 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
2 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
5 |
|
48 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
|
10 |
|
94 |
40 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
6 |
|
80 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
2 |
|
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
3 |
|
25 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
6 |
|
79 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
4 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
2 |
|
29 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
4 |
|
51 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
43 |
|
34 |
|
412 |
187 |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
9 |
|
126 |
54 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2` |
4 |
|
51 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
2 |
|
20 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
7 |
|
93 |
39 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
2 |
|
20 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
2 |
|
22 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
3 |
|
38 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
31 |
|
29 |
|
370 |
172 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1+2 |
|
9+4 |
Add to Reduce |
1+1+1+3 |
5+0+1 |
1+4+1 |
|
|
|
|
1+2 |
2+0 |
1+8 |
4+2 |
|
3+6 |
|
|
|
|
|
Second Total |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
Reduce to Deduce |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
ALL CAUSES SHALL GIVE WAY I AM IN BLOOD
STEPP'D IN SO FAR THAT SHOULD I WADE NO MORE
RETURNING WERE AS TEDIOUS AS GO O'ER
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
6 |
|
68 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
5 |
|
52 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
4 |
|
43 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
3 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
2 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
5 |
|
48 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
6 |
|
80 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
2 |
|
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
3 |
|
25 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
6 |
|
79 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
4 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
2 |
|
29 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
4 |
|
51 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
9 |
|
126 |
54 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2` |
4 |
|
51 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
2 |
|
20 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
7 |
|
93 |
39 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
2 |
|
20 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
2 |
|
22 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
3 |
|
38 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1+2 |
|
9+4 |
Add to Reduce |
1+1+1+3 |
5+0+1 |
1+4+1 |
|
|
|
|
1+2 |
2+0 |
1+8 |
4+2 |
|
3+6 |
|
|
|
|
|
Second Total |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
Reduce to Deduce |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
ALL CAUSES SHALL GIVE WAY I AM IN BLOOD
STEPP'D IN SO FAR THAT SHOULD I WADE NO MORE
RETURNING WERE AS TEDIOUS AS GO O'ER
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
2 |
|
29 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
2 |
|
20 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
2 |
|
20 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
3 |
|
38 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
5 |
|
48 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
7 |
|
93 |
39 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
3 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
2 |
|
22 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
6 |
|
68 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
2 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
4 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
4 |
|
51 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2` |
4 |
|
51 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
5 |
|
52 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
4 |
|
43 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
2 |
|
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
3 |
|
25 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
6 |
|
79 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
6 |
|
80 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
9 |
|
126 |
54 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1+2 |
|
9+4 |
Add to Reduce |
1+1+1+3 |
5+0+1 |
1+4+1 |
|
|
|
|
1+2 |
2+0 |
1+8 |
4+2 |
|
3+6 |
|
|
|
|
|
Second Total |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
Reduce to Deduce |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
ALL CAUSES SHALL GIVE WAY I AM IN BLOOD
STEPP'D IN SO FAR THAT SHOULD I WADE NO MORE
RETURNING WERE AS TEDIOUS AS GO O'ER
- |
- |
- |
- |
11 |
HUMAN STUPIDITY |
- |
- |
- |
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
S |
= |
1 |
- |
9 |
STUPIDITY |
143 |
44 |
8 |
- |
- |
9 |
- |
14 |
HUMAN STUPIDITY |
|
|
|
- |
- |
- |
- |
1+4 |
- |
2+0+0 |
6+5 |
1+1 |
- |
- |
9 |
- |
5 |
HUMAN STUPIDITY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
1+1 |
- |
- |
- |
9 |
- |
5 |
HUMAN STUPIDITY |
|
|
|
HUMAN RIGHTS HUMAN
- |
- |
- |
- |
11 |
HUMAN STUPIDITY |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
9 |
STUPIDITY |
143 |
44 |
8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
- |
14 |
HUMAN STUPIDITY |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
1 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
2 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
3 |
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
4 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
5 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
HUMAN STUPIDITY |
33 |
15 |
15 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
6 |
1 |
S |
19 |
10 |
1 |
- |
|
|
|
|
|
|
|
|
- |
T |
= |
2 |
7 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
|
|
|
|
|
|
- |
|
= |
3 |
8 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
10 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
11 |
1 |
|
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
12 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
13 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
|
|
|
|
|
|
- |
|
|
|
14 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
44 |
- |
9 |
HUMAN STUPIDITY |
143 |
53 |
44 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
9 |
STUPIDITY |
143 |
44 |
8 |
|
|
|
|
|
|
|
1+4 |
|
1+8 |
- |
- |
9 |
- |
14 |
HUMAN STUPIDITY |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+4 |
- |
2+0+0 |
6+5 |
1+1 |
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
- |
5 |
HUMAN STUPIDITY |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
1+1 |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
- |
5 |
HUMAN STUPIDITY |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
11 |
HUMAN STUPIDITY |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
9 |
STUPIDITY |
143 |
44 |
8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
- |
14 |
HUMAN STUPIDITY |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
1 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
3 |
2 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
4 |
3 |
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
1 |
4 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
5 |
5 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
6 |
|
|
|
S |
= |
1 |
6 |
1 |
S |
19 |
10 |
1 |
- |
|
|
|
|
|
6 |
|
|
- |
T |
= |
2 |
7 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
|
|
|
6 |
|
|
- |
|
= |
3 |
8 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
6 |
|
|
|
|
|
|
9 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
10 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
4 |
11 |
1 |
|
4 |
4 |
4 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
9 |
12 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
6 |
|
|
|
T |
= |
2 |
13 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
|
|
|
|
|
|
- |
|
|
|
14 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
9 |
HUMAN STUPIDITY |
|
|
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
9 |
STUPIDITY |
143 |
44 |
8 |
|
|
|
|
|
|
|
1+4 |
|
1+8 |
- |
- |
9 |
- |
14 |
HUMAN STUPIDITY |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+4 |
- |
2+0+0 |
6+5 |
1+1 |
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
- |
5 |
HUMAN STUPIDITY |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
1+1 |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
- |
5 |
HUMAN STUPIDITY |
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
- |
- |
- |
- |
11 |
HUMAN STUPIDITY |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
9 |
STUPIDITY |
143 |
44 |
8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
- |
14 |
HUMAN STUPIDITY |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
4 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
6 |
|
|
|
S |
= |
1 |
6 |
1 |
S |
19 |
10 |
1 |
- |
|
|
|
|
|
6 |
|
|
- |
T |
= |
2 |
7 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
|
|
|
6 |
|
|
- |
T |
= |
2 |
13 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
|
|
|
|
|
|
- |
|
= |
3 |
2 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
3 |
8 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
4 |
3 |
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
4 |
11 |
1 |
|
4 |
4 |
4 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
5 |
5 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
6 |
|
|
|
|
|
|
9 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
6 |
|
|
|
|
= |
8 |
1 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
9 |
10 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
6 |
|
|
|
|
= |
9 |
12 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
9 |
HUMAN STUPIDITY |
|
|
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
9 |
STUPIDITY |
143 |
44 |
8 |
|
|
|
|
|
|
|
1+4 |
|
1+8 |
- |
- |
9 |
- |
14 |
HUMAN STUPIDITY |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+4 |
- |
2+0+0 |
6+5 |
1+1 |
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
- |
5 |
HUMAN STUPIDITY |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
1+1 |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
- |
5 |
HUMAN STUPIDITY |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
THE LAST JUDGEMENT |
- |
- |
- |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
L |
= |
3 |
- |
4 |
LAST |
52 |
16 |
7 |
J |
= |
1 |
- |
9 |
JUDGEMENT |
99 |
45 |
9 |
- |
- |
6 |
- |
16 |
THE LAST JUDGEMENT |
|
|
|
- |
- |
- |
- |
1+6 |
- |
1+8+4 |
7+6 |
2+2 |
- |
- |
6 |
|
7 |
THE LAST JUDGEMENT |
|
|
|
- |
- |
- |
- |
- |
- |
1+3 |
1+3 |
- |
- |
- |
6 |
|
7 |
THE LAST JUDGEMENT |
|
|
|
THIRTEEN = 99 = THIRTEEN
- |
- |
- |
- |
- |
THE LAST JUDGEMENT |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LAST |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
J |
= |
1 |
- |
9 |
JUDGEMENT |
99 |
45 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
- |
16 |
THE LAST JUDGEMENT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
3 |
THE LAST JUDGEMENT |
33 |
15 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
4 |
THE LAST JUDGEMENT |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
32 |
|
9 |
THE LAST SUPPER |
99 |
45 |
45 |
|
|
|
|
|
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+0 |
|
|
|
|
- |
- |
- |
- |
- |
THE LAST JUDGEMENT |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LAST |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
J |
= |
1 |
- |
9 |
JUDGEMENT |
99 |
45 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
- |
16 |
THE LAST JUDGEMENT |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+6 |
- |
1+8+4 |
7+6 |
2+2 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
|
7 |
THE LAST JUDGEMENT |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
1+3 |
1+3 |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
|
7 |
THE LAST JUDGEMENT |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
THE LAST JUDGEMENT |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LAST |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
J |
= |
1 |
- |
9 |
JUDGEMENT |
99 |
45 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
- |
16 |
THE LAST JUDGEMENT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE LAST SUPPER |
|
|
|
|
|
|
|
|
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+0 |
|
|
|
|
- |
- |
- |
- |
- |
THE LAST JUDGEMENT |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LAST |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
J |
= |
1 |
- |
9 |
JUDGEMENT |
99 |
45 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
- |
16 |
THE LAST JUDGEMENT |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+6 |
- |
1+8+4 |
7+6 |
2+2 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
|
7 |
THE LAST JUDGEMENT |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
1+3 |
1+3 |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
|
7 |
THE LAST JUDGEMENT |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
THE LAST JUDGEMENT |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LAST |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
J |
= |
1 |
- |
9 |
JUDGEMENT |
99 |
45 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
- |
16 |
THE LAST JUDGEMENT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE LAST SUPPER |
|
|
|
|
|
|
|
|
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+0 |
|
|
|
|
- |
- |
- |
- |
- |
THE LAST JUDGEMENT |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LAST |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
J |
= |
1 |
- |
9 |
JUDGEMENT |
99 |
45 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
- |
16 |
THE LAST JUDGEMENT |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+6 |
- |
1+8+4 |
7+6 |
2+2 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
|
7 |
THE LAST JUDGEMENT |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
1+3 |
1+3 |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
|
7 |
THE LAST JUDGEMENT |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
THE LAST JUDGEMENT |
- |
- |
- |
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LAST |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
J |
= |
1 |
- |
9 |
JUDGEMENT |
99 |
45 |
9 |
|
|
|
|
|
|
|
|
- |
- |
6 |
- |
16 |
THE LAST JUDGEMENT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE LAST SUPPER |
|
|
|
|
|
|
|
|
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+0 |
|
|
- |
- |
- |
- |
- |
THE LAST JUDGEMENT |
- |
- |
- |
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LAST |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
J |
= |
1 |
- |
9 |
JUDGEMENT |
99 |
45 |
9 |
|
|
|
|
|
|
|
|
- |
- |
6 |
- |
16 |
THE LAST JUDGEMENT |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+6 |
- |
1+8+4 |
7+6 |
2+2 |
|
|
|
|
|
|
|
|
- |
- |
6 |
|
7 |
THE LAST JUDGEMENT |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
1+3 |
1+3 |
- |
|
|
|
|
|
|
|
|
- |
- |
6 |
|
7 |
THE LAST JUDGEMENT |
|
|
|
|
|
|
|
|
|
|
|
THE HOLY BIBLE
SAINT JOHN
Scofield References
Page 1117
C 3 V 3
JESUS ANSWERED AND SAID UNTO HIM
VERILY VERILY I SAY UNTO YOU
UNLESS A MAN BE BORN AGAIN HE CANNOT SEE THE KINGDOM OF GOD
6
THAT WHICH IS BORN OF THE FLESH IS FLESH AND THAT WHICH IS BORN OF THE SPIRIT IS SPIRIT
7
MARVEL NOT THAT I SAID UNTO THEE YE MUST BE BORN AGAIN
8
THE WIND BLOWETH WHERE IT LISTETH AND THOU HEAREST THE SOUNDS THEREOF
BUT CANST NOT TELL WHENCE IT COMETH AND WHITHER IT GOETH
SO IS EVERYONE BORN OF THE SPIRIT
THE SCULPTURE OF VIBRATIONS 1971
PEACE GODS PEACE
WE ARE THE DEAD SHORT TIME AGO WE LIVED SAW DAWN FELT SUNSET GLOW
LOVED AND WERE LOVED AND NOW
?
GOD IS MAAT IS
- |
- |
3 |
- |
- |
GOD IS MAAT IS |
- |
- |
- |
G |
= |
7 |
- |
3 |
GOD |
|
|
|
I |
= |
9 |
- |
2 |
IS |
|
|
|
M |
= |
4 |
- |
4 |
MAAT |
|
|
|
I |
= |
9 |
- |
2 |
IS |
|
|
|
- |
- |
|
- |
|
|
|
|
|
- |
- |
1+1 |
- |
1+1 |
- |
1+1+7 |
4+5 |
1+8 |
- |
- |
|
- |
|
GOD IS MAAT IS |
|
|
|
GOD IS MAAT IS
....
THE KINGDOM OF GOD
- |
- |
- |
- |
- |
THE KINGDOM OF GOD |
- |
- |
- |
T |
= |
2 |
- |
3 |
THE |
|
|
|
K |
= |
2 |
- |
7 |
KINGDOM |
|
|
|
O |
= |
4 |
- |
2 |
OF |
|
|
|
G |
= |
7 |
- |
3 |
GOD |
|
|
|
- |
- |
|
- |
|
|
|
|
|
- |
- |
1+5 |
- |
1+5 |
- |
1+5+3 |
4+5 |
1+8 |
- |
- |
|
- |
|
THE KINGDOM OF GOD |
|
|
|
THE KINGDOM OF GOD
WAKEFIELD CENOTAPH WAKEFIELD
WHEN YOU GO HOME TELL THEM OF US
AND SAY FOR YOUR TOMORROWS WE GAVE OUR TODAY
AT THE GOING DOWN OF THE SUN AND IN THE MORNING WE WILL REMEMBER THEM
en.wikipedia.org/wiki/Ode_of_Remembrance
A stone plaque was erected at the spot in 2001 to commemorate the fact. The plaque bears the ... At the going down of the sun and in the morning, We will ...
Musical settings - "Condemn" or "contemn"? - Popular culture - References
The "Ode of Remembrance" is an ode taken from Laurence Binyon's poem, "For the Fallen", which was first published in The Times in September 1914.
'For The Fallen' plaque with The Rumps promontory beyond
The poet wrote For the Fallen, which has seven stanzas, while sitting on the cliffs between Pentire Point and The Rumps in north Cornwall, UK. A stone plaque was erected at the spot in 2001 to commemorate the fact. The plaque bears the inscription:
For the FallenComposed on these cliffs 1914
There is also a plaque on the beehive monument on the East Cliff above Portreath in central North Cornwall which cites that as the place where Binyon composed the poem. A plaque on a statue dedicated to the fallen in Valleta, Malta is also inscribed with these words.
The poem honoured the World War I British war dead of that time, and in particular the British Expeditionary Force, which by then already had high casualty rates on the developing Western Front. The poem was published when the Battle of the Marne was foremost in people's minds.
War memorial in ChristChurch Cathedral, Christchurch, NZ
Over time, the third and fourth stanzas of the poem (although often just the fourth)[1] were claimed as a tribute to all casualties of war, regardless of state.
They went with songs to the battle, they were young.
Straight of limb, true of eye, steady and aglow.
They were staunch to the end against odds uncounted,
They fell with their faces to the foe.
They shall grow not old, as we that are left grow old:
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning,
We will remember them.
They mingle not with their laughing comrades again;
They sit no more at familiar tables of home;
They have no lot in our labour of the day-time;
They sleep beyond England's foam
The phrase Lest we forget is often added as a final line at the end of the ode and repeated in response by those listening, especially in Australia. In the United Kingdom, Australia, New Zealand and Singapore, the final line of the ode, "We will remember them", is repeated in response. In Canada, the second stanza of the above extract has become known as the Act of Remembrance, and the final line is also repeated.
The second line of the fourth stanza, 'Age shall not weary them, nor the years condemn', draws upon Enobarbus' description of Cleopatra in Antony and Cleopatra: 'Age cannot wither her, nor custom stale'.[2]
The "Ode of Remembrance" is regularly recited at memorial services held on days commemorating World War I, such as ANZAC Day, Remembrance Day, and Remembrance Sunday. In Australia's Returned and Services Leagues, and in New Zealand's numerous RSA's, it is read out nightly at 7 p.m., followed by a minute's silence. In Australia and New Zealand it is also part of the Dawn service at 6 a.m. Recitations of the "Ode of Remembrance" are often followed by a playing of the "Last Post". In Canadian remembrance services, a French translation[3] is often used along with or instead of the English ode.
The second stanza is also read at the Menin Gate, every evening at 8 p.m., after the first part of the "Last Post". It is mostly read by a British serviceman. The recital is followed by a minute of silence.
AT THE GOING DOWN OF THE SUN AND IN THE MORNING WE WILL REMEMBER THEM
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2 |
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21 |
3 |
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3 |
|
33 |
15 |
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5 |
|
52 |
34 |
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|
|
|
|
4 |
|
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
|
54 |
18 |
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|
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|
|
23 |
|
22 |
|
270 |
117 |
36 |
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3 |
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19 |
10 |
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|
|
|
|
2 |
|
23 |
14 |
|
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|
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|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
90 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
4 |
|
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
8 |
|
79 |
43 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
46 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
37 |
|
33 |
|
374 |
176 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+7 |
|
5+5 |
Add to Reduce |
6+4+4 |
2+9+3 |
6+8 |
|
|
|
|
|
|
1+8 |
1+4 |
|
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
1+0 |
Reduce to Deduce |
1+4 |
1+4 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
HOMAGE
TO
THE UNKNOWN GOD
13 |
THE UNKNOWN GOD |
- |
- |
- |
|
THE |
33 |
15 |
|
|
UNKNOWN |
112 |
31 |
|
|
GOD |
26 |
17 |
|
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
1+3 |
- |
1+7+1 |
6+3 |
1+8 |
4 |
THE UNKNOWN GOD |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
G |
|
D |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
8 |
|
|
|
5 |
|
5 |
6 |
|
5 |
- |
|
6 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
8 |
|
|
|
14 |
|
14 |
15 |
|
14 |
- |
|
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
G |
|
D |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
2 |
|
5 |
|
3 |
|
2 |
|
|
5 |
|
- |
7 |
|
4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
20 |
|
5 |
|
21 |
|
11 |
|
|
23 |
|
- |
7 |
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
G |
|
D |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
20 |
8 |
5 |
|
21 |
14 |
11 |
14 |
15 |
23 |
14 |
- |
7 |
15 |
4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
2 |
8 |
5 |
|
3 |
5 |
2 |
5 |
6 |
5 |
5 |
- |
7 |
6 |
4 |
|
|
|
|
|
|
|
|
|
|
|
13 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
2 |
- |
- |
|
|
|
|
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|
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|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
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|
|
- |
- |
- |
|
|
|
|
|
|
|
|
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|
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|
occurs |
x |
|
= |
3 |
= |
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
|
- |
- |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
25 |
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
- |
8 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
- |
- |
- |
|
|
|
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|
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|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
1+3 |
- |
- |
5 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
3+5 |
|
|
1+3 |
|
6+3 |
|
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
8 |
5 |
|
3 |
5 |
2 |
5 |
6 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
G |
|
D |
|
|
|
|
|
|
|
- |
- |
|
- |
|
8 |
|
|
|
5 |
|
5 |
6 |
|
5 |
- |
|
6 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
8 |
|
|
|
14 |
|
14 |
15 |
|
14 |
- |
|
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
G |
|
D |
|
|
|
|
|
|
|
- |
- |
|
- |
2 |
|
5 |
|
3 |
|
2 |
|
|
5 |
|
- |
7 |
|
4 |
|
|
|
|
|
|
|
|
|
|
- |
20 |
|
5 |
|
21 |
|
11 |
|
|
23 |
|
- |
7 |
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
G |
|
D |
|
|
|
|
|
|
|
- |
- |
|
- |
20 |
8 |
5 |
|
21 |
14 |
11 |
14 |
15 |
23 |
14 |
- |
7 |
15 |
4 |
|
|
|
|
|
|
|
|
|
|
- |
2 |
8 |
5 |
|
3 |
5 |
2 |
5 |
6 |
5 |
5 |
- |
7 |
6 |
4 |
|
|
|
|
|
|
|
|
|
|
13 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
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|
|
- |
- |
|
|
2 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
= |
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
- |
- |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
25 |
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
occurs |
x |
|
= |
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
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|
|
- |
8 |
- |
|
|
|
|
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|
occurs |
x |
|
= |
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|
|
|
|
|
|
- |
|
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|
|
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|
|
|
|
|
|
1+3 |
- |
- |
5 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
3+5 |
|
|
1+3 |
|
6+3 |
|
3+6 |
|
|
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|
|
|
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|
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|
|
- |
|
|
|
|
|
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|
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|
|
2 |
8 |
5 |
|
3 |
5 |
2 |
5 |
6 |
5 |
5 |
- |
|
|
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|
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|
|
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- |
- |
|
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- |
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|
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|
|
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|
G |
|
D |
|
|
|
|
|
|
|
- |
- |
|
- |
|
8 |
|
|
5 |
|
5 |
6 |
|
5 |
|
6 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
8 |
|
|
14 |
|
14 |
15 |
|
14 |
|
15 |
|
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|
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|
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G |
|
D |
|
|
|
|
|
|
|
- |
- |
|
- |
2 |
|
5 |
3 |
|
2 |
|
|
5 |
|
7 |
|
4 |
|
|
|
|
|
|
|
|
|
|
- |
20 |
|
5 |
21 |
|
11 |
|
|
23 |
|
7 |
|
4 |
|
|
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|
|
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|
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|
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|
G |
|
D |
|
|
|
|
|
|
|
- |
- |
|
- |
20 |
8 |
5 |
21 |
14 |
11 |
14 |
15 |
23 |
14 |
7 |
15 |
4 |
|
|
|
|
|
|
|
|
|
|
- |
2 |
8 |
5 |
3 |
5 |
2 |
5 |
6 |
5 |
5 |
7 |
6 |
4 |
|
|
|
|
|
|
|
|
|
|
13 |
|
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|
- |
- |
|
|
2 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
= |
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
- |
- |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
25 |
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
- |
8 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
- |
- |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
|
|
1+3 |
|
6+3 |
|
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
8 |
5 |
3 |
5 |
2 |
5 |
6 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
TO THE UNKNOWN GOD |
- |
- |
- |
|
TO |
35 |
8 |
|
|
THE |
33 |
15 |
|
|
UNKNOWN |
112 |
31 |
|
|
GOD |
26 |
17 |
|
15 |
TO THE UNKNOWN GOD |
206 |
71 |
26 |
1+5 |
- |
2+0+6 |
7+1 |
2+6 |
6 |
TO THE UNKNOWN GOD |
8 |
8 |
8 |
13 |
THE UNKNOWN GOD |
- |
- |
- |
|
THE |
33 |
15 |
|
|
UNKNOWN |
112 |
31 |
|
|
GOD |
26 |
17 |
|
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
1+3 |
- |
1+7+1 |
6+3 |
1+8 |
4 |
TO THE UNKNOWN GOD |
9 |
9 |
9 |
3 |
THE |
33 |
15 |
6 |
7 |
UNKNOWN |
112 |
31 |
4 |
7 |
SOLDIER |
82 |
37 |
1 |
17 |
First Total |
|
|
|
|
Add to Reduce |
2+2+7 |
8+3 |
1+1 |
8 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+1 |
1+1 |
- |
8 |
Essence of Number |
|
|
|
4 |
TOMB |
50 |
14 |
5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
|
35 |
8 |
|
3 |
|
33 |
15 |
|
7 |
UNKNOWN |
112 |
31 |
4 |
7 |
SOLDIER |
82 |
37 |
1 |
19 |
First Total |
|
|
|
|
Add to Reduce |
2+6+2 |
9+1 |
1+9 |
10 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
1 |
Essence of Number |
|
|
|
A |
= |
1 |
6 |
AUTUMN |
90 |
18 |
9 |
S |
= |
1 |
6 |
SUMMER |
89 |
26 |
8 |
W |
= |
5 |
6 |
WINTER |
89 |
35 |
8 |
S |
= |
1 |
6 |
SPRING |
83 |
38 |
2 |
- |
- |
8 |
24 |
Add to Reduce |
|
|
|
- |
- |
- |
|
Reduce to Deduce |
3+5+1 |
1+1+7 |
2+7 |
- |
- |
8 |
6 |
Essence of Number |
|
|
|
en.wikipedia.org/wiki/John_Maxwell_Edmonds
"When you go home tell them of us and say: for your tomorrow we gave our today" ... The second of these was used as a theme for the 1942 war movie Went the ...
John Maxwell Edmonds (21 January 1875 – 18 March 1958) was an English classicist, poet, and dramatist who is notable as the creator of celebrated epitaphs.Edmonds is credited with authorship of a famous epitaph in the Kohima Allied war cemetery.
When you go home, tell them of us and say For their tomorrow, we gave our today.
He was the author of an item in The Times, 6 February 1918, page 7, headed "Four Epitaphs" composed for graves and memorials to those fallen in battle – each covering different situations of death. The second of these was used as a theme for the 1942 war movie Went the Day Well?:
Went the day well?We died and never knew.But, well or ill,Freedom, we died for you.
That epitaph was regularly quoted when The Times notified deaths of those who fell during the First World War, and was also regularly used during the Second World War. It appeared on many village and town war memorials.
There has been some confusion between 'Went the day well' and Edmonds’ other famous epitaph published in the same 1919 edition of inscriptions:[2]
When you go home, tell them of us and say,For your tomorrows these gave their today.
This epitaph was inspired by an epigram of the Greek poet Simonides of Ceos to the fallen at the Battle of Thermopylae, and was later used (with a misquote) for the memorial for those who fell at the Battle of Kohima. Some resources incorrectly give Went the day well? as being the translation of the Simonides epigram.
"When you go home tell them of us and say: for your tomorrow we gave our today"
WHEN YOU GO HOME TELL THEM OF US
AND SAY FOR YOUR TOMORROW WE GAVE OUR TODAY
|
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|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
4 |
|
50 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
61 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
22 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
41 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
46 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
2 |
|
40 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
40 |
|
25 |
|
330 |
132 |
33 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
39 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
79 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
137 |
47 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
4 |
|
35 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
54 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
65 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
37 |
|
35 |
|
501 |
186 |
42 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+7 |
|
6+0 |
Add to Reduce |
8+3+1 |
3+1+8 |
7+5 |
|
|
|
|
1+2 |
1+0 |
|
1+4 |
|
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
Reduce to Deduce |
1+2 |
1+2 |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
"When you go home tell them of us and say: for your tomorrow we gave our today"
WAKEFIELD CENOTAPH WAKEFIELD
READS
WHEN YOU GO HOME TELL THEM OF US
AND SAY FOR YOUR TOMORROWS WE GAVE OUR TODAY
M |
= |
4 |
- |
6 |
MUTUAL |
88 |
16 |
7 |
A |
= |
1 |
- |
7 |
ASSURED |
87 |
24 |
6 |
D |
= |
4 |
- |
11 |
DESTRUCTION |
148 |
49 |
4 |
- |
- |
9 |
|
23 |
First Total |
|
|
|
- |
- |
- |
- |
2+3 |
Add to Reduce |
3+2+3 |
8+9 |
1+7 |
- |
- |
9 |
- |
5 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+7 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
M |
= |
4 |
- |
8 |
MUTUALLY |
125 |
26 |
8 |
A |
= |
1 |
- |
7 |
ASSURED |
87 |
24 |
6 |
D |
= |
4 |
- |
11 |
DESTRUCTION |
148 |
49 |
4 |
- |
- |
9 |
|
25 |
First Total |
|
|
|
- |
- |
- |
- |
2+5 |
Add to Reduce |
3+6+0 |
9+9 |
1+8 |
- |
- |
9 |
- |
7 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+8 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
Did Spacemen Colonise the Earth?
Robin Collyns 1974
Page 206
"FINIS"
THE MAGIC MOUNTAIN
Thomas Mann 1924
THE THUNDERBOLT
Page 715
"There is our friend, there is Hans Castorp! We recognize him at a distance, by the little beard he assumed 'while sitting at the " bad" Russian table. Like all the others, he is wet through and glowing. He is running, his feet heavy with mould, the bayonet swinging in his, hand. Look! He treads on the hand of a fallen comrade; with his hobnailed boot he treads the hand deep into the slimy, branch-strewn ground. But it is he. What, singing? As one sings, unaware, staring stark ahead, yes, thus. he spends his hurrying breath, to sing half soundlessly:
"And loving words I've carven
Upon its branches fair-"
He stumbles, No, he has flung himself down, a hell-hound is coming howling, a huge explosive shell, a disgusting sugar-loaf from the infernal regions. He lies with his face in the cool mire, legs. sprawled out, feet twisted, heels turned down. The product of a perverted science, laden with death, slopes earthward thirty paces in front of him and buries its nose in the ground; explodes inside there, with hideous expense of power, and raises up a fountain high as a house, of mud, fire, iron, molten metal, scattered fragments of humanity. Where it fell, two youths had lain, friends who in their need flung themselves down together - now they are scattered, commingled and gone.
Shame of our shadow-safety! Away! No more!-But our friend? Was he hit? He thought so, for the moment. A great clod of earth struck him on the shin, it hurt, but he smiles at it. Up he gets, and staggers on, limping on his earth-bound feet, all unconsciously singing:
"Its waving branches whiispered
A message in my ear -"
and thus, in the tumult, in the rain, in the dusk, vanishes out of our sight.
Farewell, honest Hans Castorp, farewell, Life's delicate child!
Your tale is told. We have told it to the end, and it was neither short nor long, but hermetic. We have told it for its own sake, not for yours, for you were simple. But after all, it was your story, it befell you, you must have more in you than we thought; we will not disclaim the pedagogic weakness we conceived for / Page 716 / you in the telling; which could even lead us to press a finger delicately to our eyes at the thought that we shall see you no more, hear you no more for ever.
Farewell - and if thou livest or diest! Thy prospects are poor. The desperate dance, in which thy fortunes are caught up, will last yet many a sinful year; we should not care to set a high stake on thy life by the time it ends. We even confess that it is without great concern we leave the question open. Adventures of the flesh and in the spirit, while enhancing thy simplicity, granted thee to know in the spirit what in the flesh thou scarcely couldst have done. Moments there were, when out of death, and the rebellion of the flesh, there came to thee, as thou tookest stock of thyself, a dream of love. Out of this universal feast of death, out of this extremity of fever, kindling. the rain-washed evening sky to a fiery glow, may it be that Love one day shall mount?
FINIS OPERIS
- |
|
|
|
|
|
S |
- |
|
|
|
|
|
S |
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
5 |
9 |
1 |
- |
|
|
|
|
9 |
1 |
|
|
|
4+0 |
= |
|
= |
|
= |
|
- |
|
|
|
14 |
9 |
19 |
|
|
|
|
|
9 |
19 |
+ |
= |
|
9+4 |
= |
|
1+3 |
|
= |
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
6 |
|
|
|
|
- |
|
7 |
5 |
9 |
|
|
|
|
|
2+7 |
= |
|
= |
|
= |
|
- |
|
6 |
|
|
|
|
- |
|
16 |
5 |
18 |
|
|
|
|
|
4+5 |
= |
|
= |
|
= |
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
6 |
9 |
14 |
9 |
- |
- |
15 |
17 |
5 |
18 |
9 |
|
|
|
|
1+3+9 |
= |
|
1+3 |
|
= |
|
- |
|
6 |
9 |
5 |
9 |
- |
- |
6 |
8 |
5 |
9 |
9 |
|
|
|
|
6+7 |
= |
|
1+3 |
|
= |
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
- |
|
|
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
- |
|
|
- |
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
- |
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
- |
|
|
- |
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
- |
5 |
|
- |
- |
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
|
1+0 |
|
|
|
|
- |
|
|
- |
- |
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
|
1+2 |
|
|
|
|
- |
|
|
- |
- |
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
- |
|
|
- |
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
|
3+6 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+7 |
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+8 |
- |
- |
1+1 |
- |
6+7 |
- |
2+2 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
5 |
|
|
|
6 |
8 |
5 |
|
|
|
|
|
1+0 |
- |
- |
|
- |
1+2 |
- |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
- |
|
|
|
|
|
S |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
5 |
9 |
1 |
- |
|
|
|
|
9 |
1 |
|
|
|
4+0 |
= |
|
= |
|
= |
|
|
|
|
14 |
9 |
19 |
|
|
|
|
|
9 |
19 |
+ |
= |
|
9+4 |
= |
|
1+3 |
|
= |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
6 |
|
|
|
|
- |
|
7 |
5 |
9 |
|
|
|
|
|
2+7 |
= |
|
= |
|
= |
|
|
6 |
|
|
|
|
- |
|
16 |
5 |
18 |
|
|
|
|
|
4+5 |
= |
|
= |
|
= |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
6 |
9 |
14 |
9 |
- |
- |
15 |
17 |
5 |
18 |
9 |
|
|
|
|
1+3+9 |
= |
|
1+3 |
|
= |
|
|
6 |
9 |
5 |
9 |
- |
- |
6 |
8 |
5 |
9 |
9 |
|
|
|
|
6+7 |
= |
|
1+3 |
|
= |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
|
|
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
- |
5 |
|
- |
- |
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
|
1+0 |
|
|
|
- |
|
|
- |
- |
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
|
1+2 |
|
|
|
- |
|
|
- |
- |
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
|
3+6 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+8 |
- |
- |
1+1 |
- |
6+7 |
- |
2+2 |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
5 |
|
|
|
6 |
8 |
5 |
|
|
|
|
|
1+0 |
- |
- |
|
- |
1+2 |
- |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
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|
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|
|
|
|
|
|
THE
NINETIETH ANNIVERSARY
OF
THE
ARMISTICE
AMEN THE NAME
1918
THE ELEVENTH HOUR OF THE ELEVENTH DAY OF THE ELEVENTH MONTH
9 |
ARMISTICE |
67 |
13 |
4 |
|
A |
1 |
1 |
|
|
R |
18 |
9 |
|
|
M |
13 |
4 |
|
|
I |
9 |
9 |
|
|
S+T |
39 |
21 |
|
|
I |
9 |
9 |
|
|
C+E |
8 |
8 |
|
9 |
ARMISTICE |
97 |
61 |
43 |
- |
- |
9+7 |
6+1 |
4+3 |
9 |
ARMISTICE |
16 |
7 |
7 |
- |
- |
1+6 |
- |
- |
9 |
ARMISTICE |
7 |
7 |
7 |
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
- |
|
- |
|
9 |
1 |
|
9 |
|
|
|
|
|
1+9 |
|
|
1+0 |
|
|
|
- |
- |
|
- |
|
9 |
19 |
|
9 |
|
|
|
|
|
3+7 |
|
|
1+0 |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
- |
- |
1 |
|
4 |
|
|
2 |
|
3 |
5 |
|
|
|
2+4 |
|
|
|
|
|
|
- |
- |
1 |
|
13 |
|
|
20 |
|
3 |
5 |
|
|
|
6+0 |
|
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
- |
- |
1 |
18 |
13 |
9 |
19 |
20 |
9 |
3 |
5 |
|
|
|
9+7 |
|
|
1+6 |
|
= |
|
- |
- |
1 |
9 |
4 |
9 |
1 |
2 |
9 |
3 |
5 |
|
|
|
4+3 |
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
- |
|
- |
|
|
- |
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
- |
- |
|
- |
|
- |
|
|
- |
3 |
|
|
|
|
occurs |
x |
|
= |
3 |
= |
3 |
|
|
- |
- |
4 |
- |
- |
- |
- |
|
|
- |
- |
|
occurs |
x |
|
= |
4 |
= |
4 |
- |
- |
|
|
|
|
|
|
|
|
5 |
|
|
|
occurs |
x |
|
= |
5 |
= |
5 |
6 |
|
- |
- |
|
- |
- |
- |
- |
|
|
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
7 |
|
- |
- |
|
- |
- |
- |
- |
|
|
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
8 |
|
- |
- |
|
- |
- |
- |
- |
|
|
- |
- |
8 |
- |
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
27 |
2+7 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+1 |
- |
|
|
|
|
|
|
|
|
|
|
|
2+4 |
|
|
- |
|
4+3 |
|
2+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
|
4 |
|
1 |
2 |
|
3 |
5 |
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
- |
|
9 |
1 |
|
9 |
|
|
|
|
|
1+9 |
|
|
1+0 |
|
|
|
- |
|
- |
|
9 |
19 |
|
9 |
|
|
|
|
|
3+7 |
|
|
1+0 |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
- |
1 |
|
4 |
|
|
2 |
|
3 |
5 |
|
|
|
2+4 |
|
|
|
|
|
|
- |
1 |
|
13 |
|
|
20 |
|
3 |
5 |
|
|
|
6+0 |
|
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
- |
1 |
18 |
13 |
9 |
19 |
20 |
9 |
3 |
5 |
|
|
|
9+7 |
|
|
1+6 |
|
= |
|
- |
1 |
9 |
4 |
9 |
1 |
2 |
9 |
3 |
5 |
|
|
|
4+3 |
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
- |
|
- |
|
|
- |
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
- |
|
- |
|
|
- |
3 |
|
|
|
|
occurs |
x |
|
= |
3 |
= |
3 |
- |
- |
- |
4 |
- |
- |
- |
- |
|
|
- |
- |
|
occurs |
x |
|
= |
4 |
= |
4 |
|
|
|
|
|
|
|
|
|
5 |
|
|
|
occurs |
x |
|
= |
5 |
= |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
27 |
2+7 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
2+4 |
|
|
- |
|
4+3 |
|
2+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
4 |
|
1 |
2 |
|
3 |
5 |
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
9 |
|
97 |
43 |
|
|
- |
|
|
|
|
THIRTEEN |
|
|
|
On June 1, 1865, Senator Charles Sumner commented on what is now considered the most famous speech by PresidentAbraham Lincoln. In his eulogy on the slain ... showcase.netins.net/web/creative/lincoln/speeches/gettysburg.htm - 9k
THE GETTYSBURG ADDRESS
Abraham Lincoln
The Gettysburg Address Gettysburg, Pennsylvania
November 19, 1863
On June 1, 1865, Senator Charles Sumner commented on what is now considered the most famous speech by President Abraham Lincoln. In his eulogy on the slain president, he called it a "monumental act." He said Lincoln was mistaken that "The world will little note, nor long remember what we say here." Rather, the Bostonian remarked, "The world noted at once what he said, and will never cease to remember it. The battle itself was less important than the speech."
Four score and seven years ago our fathers brought forth on this continent a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal.
Now we are engaged in a great civil war, testing whether that nation, or any nation, so conceived and so dedicated, can long endure. We are met on a great battle-field of that war. We have come to dedicate a portion of that field, as a final resting place for those who here gave their lives that that nation might live. It is altogether fitting and proper that we should do this.
But, in a larger sense, we can not dedicate—we can not consecrate—we can not hallow—this ground. The brave men, living and dead, who struggled here, have consecrated it, far above our poor power to add or detract. The world will little note, nor long remember what we say here, but it can never forget what they did here. It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us—that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion—that we here highly resolve that these dead shall not have died in vain—that this nation, under God, shall have a new birth of freedom—and that government of the people, by the people, for the people, shall not perish from the earth.
Source: Collected Works of Abraham Lincoln, edited by Roy P. Basler. The text above is from the so-called "Bliss Copy," one of several versions which Lincoln wrote, and believed to be the final version. For additional versions, you may search The Collected Works of Abraham Lincoln through the courtesy of the Abraham Lincoln Association.
"The Gettysburg Address is a speech by U.S. President Abraham Lincoln and one of the most quoted speeches in United States history.[1][2][3] It was delivered at the dedication of the Soldiers' National Cemetery in Gettysburg, Pennsylvania, on the afternoon of Thursday, November 19, 1863, during the American Civil War, four and a half months after the Union armies defeated those of the Confederacy at the decisive Battle of Gettysburg.
Abraham Lincoln's carefully crafted address, secondary to other presentations that day, came to be regarded as one of the greatest speeches in American history. In just over two minutes, Lincoln invoked the principles of human equality espoused by the Declaration of Independence and redefined the Civil War as a struggle not merely for the Union, but as "a new birth of freedom" that would bring true equality to all of its citizens, and that would also create a unified nation in which states' rights were no longer dominant.
Beginning with the now-iconic phrase "Four score and seven years ago...", Lincoln referred to the events of the Civil War and described the ceremony at Gettysburg as an opportunity not only to consecrate the grounds of a cemetery, but also to dedicate the living to the struggle to ensure that "government of the people, by the people, for the people, shall not perish from the earth"."
"Despite the speech's prominent place in the history and popular culture of the United States, the exact wording of the speech is disputed. The five known manuscripts of the Gettysburg Address differ in a number of details and also differ from contemporary newspaper reprints of the speech."
"Four score and seven years ago our fathers brought forth on this continent a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal.
Now we are engaged in a great civil war, testing whether that nation, or any nation, so conceived and so dedicated, can long endure. We are met on a great battle-field of that war. We have come to dedicate a portion of that field, as a final resting place for those who here gave their lives that that nation might live. It is altogether fitting and proper that we should do this.
But, in a larger sense, we can not dedicate—we can not consecrate—we can not hallow—this ground. The brave men, living and dead, who struggled here, have consecrated it, far above our poor power to add or detract. The world will little note, nor long remember what we say here, but it can never forget what they did here. It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us—that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion—that we here highly resolve that these dead shall not have died in vain—that this nation, under God, shall have a new birth of freedom—and that government of the people, by the people, for the people, shall not perish from the earth."
The Gettysburg Address is a speech by U.S. President Abraham Lincoln and one of the most quoted speeches in United States history. ... en.wikipedia.org/wiki/Gettysburg_Address
THAT THIS NATION UNDER GOD SHALL HAVE A NEW BIRTH OF FREEDOM
AND THAT GOVERNMENT OF THE PEOPLE
BY THE PEOPLE FOR THE PEOPLE
SHALL NOT PERISH FROM THE EARTH
THAT THIS NATION UNDER GOD SHALL HAVE A NEW BIRTH OF FREEDOM
|
|
|
|
4 |
|
49 |
13 |
|
|
|
|
|
4 |
|
56 |
20 |
|
|
|
|
|
6 |
|
73 |
28 |
|
|
|
|
|
5 |
UNDER |
62 |
26 |
8 |
|
|
|
|
3 |
GOD |
26 |
15 |
6 |
|
|
|
|
5 |
SHALL |
52 |
16 |
7 |
|
|
|
|
4 |
|
36 |
18 |
|
|
|
|
|
1 |
A |
1 |
1 |
1 |
|
|
|
|
3 |
NEW |
42 |
15 |
6 |
|
|
|
|
5 |
BIRTH |
33 |
15 |
6 |
|
|
|
|
2 |
OF |
21 |
12 |
3 |
|
|
|
|
7 |
FREEDOM |
66 |
39 |
3 |
|
|
|
|
|
First Total |
|
|
|
|
|
4+8 |
|
4+9 |
Add to Reduce |
5+4+1 |
2+3+5 |
5+5 |
|
|
|
|
|
Second Total |
|
|
|
|
|
1+2 |
|
1+2 |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
Essence of Number |
|
|
|
AND THAT GOVERNMENT OF THE PEOPLE
|
|
|
|
3 |
|
19 |
10 |
|
|
|
|
|
4 |
|
49 |
13 |
|
|
|
|
|
10 |
GOVERNMENT |
133 |
52 |
7 |
|
|
|
|
2 |
OF |
21 |
12 |
3 |
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
6 |
PEOPLE |
69 |
33 |
6 |
|
|
|
|
|
First Total |
|
|
|
|
|
2+5 |
|
2+8 |
Add to Reduce |
3+2+4 |
1+3+5 |
2+7 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
1+0 |
Reduce to Deduce |
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
BY THE PEOPLE FOR THE PEOPLE
|
|
|
|
2 |
BY |
27 |
9 |
9 |
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
6 |
PEOPLE |
69 |
33 |
6 |
|
|
|
|
3 |
|
39 |
21 |
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
6 |
PEOPLE |
69 |
33 |
6 |
|
|
|
|
|
Add to Reduce |
|
|
|
|
|
2+6 |
|
2+3 |
Reduce to Deduce |
3+2+4 |
1+2+6 |
3+6 |
|
|
|
|
|
Essence of Number |
|
|
|
SHALL NOT PERISH FROM THE EARTH
|
|
|
|
5 |
SHALL |
52 |
16 |
7 |
|
|
|
|
3 |
NOT |
49 |
13 |
4 |
|
|
|
|
6 |
PERISH |
75 |
39 |
3 |
|
|
|
|
4 |
|
52 |
25 |
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
5 |
EARTH |
52 |
25 |
7 |
|
|
|
|
|
Add to Reduce |
|
|
|
|
|
2+6 |
|
2+6 |
Reduce to Deduce |
3+1+3 |
1+3+3 |
3+4 |
|
|
|
|
|
Essence of Number |
|
|
|
A
NEW BIRTH OF FREEDOM AND THAT GOVERNMENT
OF
THE PEOPLE BY THE PEOPLE FOR THE PEOPLE
SHALL NOT PERISH FROM THE EARTH
|
|
|
|
1 |
A |
1 |
1 |
1 |
|
|
|
|
3 |
NEW |
42 |
15 |
6 |
|
|
|
|
5 |
BIRTH |
33 |
15 |
6 |
|
|
|
|
2 |
OF |
21 |
12 |
3 |
|
|
|
|
7 |
FREEDOM |
66 |
39 |
3 |
|
|
|
|
3 |
|
19 |
10 |
|
|
|
|
|
4 |
|
49 |
13 |
|
|
|
|
|
10 |
GOVERNMENT |
133 |
52 |
7 |
|
|
|
|
2 |
OF |
21 |
12 |
3 |
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
6 |
PEOPLE |
69 |
33 |
6 |
|
|
|
|
2 |
BY |
27 |
9 |
9 |
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
6 |
PEOPLE |
69 |
33 |
6 |
|
|
|
|
3 |
|
39 |
21 |
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
6 |
PEOPLE |
69 |
33 |
6 |
|
|
|
|
5 |
SHALL |
52 |
16 |
7 |
|
|
|
|
3 |
NOT |
49 |
13 |
4 |
|
|
|
|
6 |
PERISH |
75 |
39 |
3 |
|
|
|
|
4 |
|
52 |
25 |
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
5 |
EARTH |
52 |
25 |
7 |
|
|
|
|
|
First Total |
|
|
|
|
|
9+7 |
|
9+5 |
Add to Reduce |
1+0+9+4 |
4+9+1 |
1+1+3 |
|
|
|
|
|
Second Total |
|
|
|
|
|
1+6 |
|
1+4 |
Reduce to Deduce |
1+4 |
1+4 |
|
|
|
|
|
|
Essence of Number |
|
|
|
I
SAW A NEW HEAVEN AND A NEW EARTH
IN
REMEMBRANCE
OF
GODS
CREATORS DIVINE CREATORS
DIE I DIE 999 DIE I DIE
SHOCK AND AWE RAW WAR SHOCK AND AWE AWFUL WAR
MICRO AND MACRO LIFE FORM I FORM LIFE MACRO AND MICRO
- |
- |
- |
- |
11 |
HUMAN RIGHTS |
- |
- |
- |
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
R |
= |
9 |
- |
6 |
RIGHTS |
81 |
45 |
9 |
- |
- |
17 |
- |
11 |
HUMAN RIGHTS |
|
|
|
- |
- |
1+7 |
- |
1+1 |
- |
1+3+8 |
6+6 |
1+2 |
- |
- |
8 |
- |
2 |
HUMAN RIGHTS |
|
|
|
- |
- |
- |
- |
- |
- |
1+2 |
1+2 |
- |
- |
- |
8 |
- |
2 |
HUMAN RIGHTS |
|
|
|
HUMAN RIGHTS HUMAN
WAR RAW WAR = 126 = WAR RAW WAR
WAR RAW WAR = 45 = WAR RAW WAR
WAR RAW WAR = 9 = WAR RAW WAR
|
|
|
|
|
RAW WAR |
|
|
|
|
|
|
|
|
|
|
|
|
R |
= |
9 |
|
3 |
|
42 |
15 |
|
W |
= |
5 |
|
3 |
|
42 |
15 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
|
3 |
|
43 |
7 |
|
I |
= |
9 |
|
2 |
|
29 |
11 |
|
F |
= |
6 |
|
3 |
|
39 |
21 |
|
T |
= |
2 |
4 |
4 |
|
56 |
20 |
|
T |
= |
2 |
|
3 |
|
33 |
15 |
|
C |
= |
3 |
|
4 |
|
41 |
14 |
|
G |
= |
7 |
|
4 |
|
53 |
26 |
|
T |
= |
2 |
8 |
4 |
|
45 |
9 |
|
|
|
|
- |
|
- |
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|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
5+0 |
|
3+3 |
Add to Reduce |
1+8 |
- |
- |
|
|
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
2+6+1 |
1+1+7 |
3+6 |
- |
- |
5 |
- |
|
Essence of Number |
|
|
|
FIDELITY 122 FIDELITY
FIDELITY 41 FIDELITY
FIDELITY 5 FIDELITY
By Wilfred Owen
Move him into the sun—
Gently its touch awoke him once,
At home, whispering of fields unsown.
Always it woke him, even in France,
Until this morning and this snow.
If anything might rouse him now
The kind old sun will know.
Think how it wakes the seeds—
Woke, once, the clays of a cold star.
Are limbs so dear-achieved, are sides
Full-nerved,—still warm,—too hard to stir?
Was it for this the clay grew tall?
—O what made fatuous sunbeams toil
To break earth’s sleep at all?
This poem of 14 lines was written by Wilfred Owen in May 1918, when he was serving as an officer in the British army in World War I. It describes a reaction to seeing the body of a soldier lying on the ground. And it was written only six months before Owen himself was killed. So although he was only 25 at the time, this is a ‘late’ poem by Owen.
H |
= |
8 |
- |
7 |
HEARKEN |
62 |
35 |
8 |
S |
= |
1 |
- |
4 |
SUCH |
51 |
15 |
6 |
L |
= |
3 |
- |
8 |
LAUGHTER |
92 |
38 |
2 |
A |
= |
1 |
- |
6 |
AMIDST |
66 |
21 |
3 |
A |
= |
1 |
- |
3 |
ALL |
25 |
7 |
7 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
S |
= |
1 |
- |
9 |
SLAUGHTER |
111 |
39 |
3 |
D |
= |
4 |
- |
8 |
DAUGHTER |
84 |
39 |
3 |
S |
- |
13 |
|
42 |
Add to Reduce |
|
|
36 |
- |
- |
1+3 |
- |
4+2 |
Reduce to Deduce |
5+4+0 |
2+0+7 |
3+6 |
S |
- |
4 |
|
6 |
Essence of Number |
9 |
|
9 |
ALL WE ARE SAYING IS GIVE PEACE A CHANCE
A |
= |
1 |
|
3 |
|
25 |
7 |
|
W |
= |
5 |
|
2 |
|
28 |
10 |
|
A |
= |
1 |
|
3 |
|
24 |
15 |
|
S |
= |
1 |
4 |
6 |
|
75 |
30 |
|
I |
= |
9 |
|
2 |
|
28 |
10 |
|
G |
= |
7 |
|
4 |
|
43 |
25 |
|
P |
= |
7 |
|
5 |
|
30 |
21 |
|
A |
= |
1 |
|
1 |
|
1 |
1 |
|
C |
= |
3 |
|
6 |
|
34 |
25 |
|
|
|
|
|
|
First Total |
|
|
|
|
|
3+5 |
|
3+2 |
Add to Reduce |
2+8+8 |
1+4+4 |
3+6 |
|
|
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
1+1+7 |
- |
- |
- |
8 |
- |
|
Essence of Number |
|
|
|
Give Peace a Chance
Song by John Lennon and Plastic Ono Band
5 |
WORLD |
72 |
27 |
9 |
5 |
PEACE |
30 |
21 |
3 |
10 |
First Total |
|
|
|
1+0 |
Add to Reduce |
1+0+2 |
4+8 |
1+2 |
|
Second Total |
|
|
|
- |
Reduce to Deduce |
- |
1+2 |
- |
1 |
Essence of Number |
3 |
|
3 |
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
WORLD |
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
PEACE |
30 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
12 |
|
10 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
1 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
15 |
6 |
|
|
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|
|
3 |
|
|
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|
4 |
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
|
|
|
72 |
27 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
|
|
|
30 |
21 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
WORLD |
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
PEACE |
30 |
21 |
3 |
|
|
|
|
|
1+5 |
|
|
|
|
|
|
12 |
|
10 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+0 |
Add to Reduce |
1+0+2 |
4+8 |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
Reduce to Deduce |
- |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
1 |
Essence of Number |
3 |
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
WORLD |
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
PEACE |
30 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
12 |
|
10 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
WORLD |
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
PEACE |
30 |
21 |
3 |
|
|
|
|
|
1+5 |
|
|
|
|
|
|
12 |
|
10 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+0 |
Add to Reduce |
1+0+2 |
4+8 |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
Reduce to Deduce |
- |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
1 |
Essence of Number |
3 |
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
WORLD |
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
PEACE |
30 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
12 |
|
10 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
WORLD |
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
PEACE |
30 |
21 |
3 |
|
|
|
|
|
1+5 |
|
|
|
|
|
|
12 |
|
10 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+0 |
Add to Reduce |
1+0+2 |
4+8 |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
Reduce to Deduce |
- |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
1 |
Essence of Number |
3 |
|
3 |
|
|
|
|
|
|
|
|
|
|
LETTERS RE-ARRANGED NUMERICALLY
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
WORLD |
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
5 |
PEACE |
30 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
12 |
|
10 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
WORLD |
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
5 |
PEACE |
30 |
21 |
3 |
|
|
|
|
1+5 |
|
|
|
|
|
12 |
|
10 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+0 |
Add to Reduce |
1+0+2 |
4+8 |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
Reduce to Deduce |
- |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
3 |
|
1 |
Essence of Number |
3 |
|
3 |
|
|
|
|
|
|
|
|
I
THAT AM THAT
THAT THAT THAT
ISISIS
HEAREST THAT THAT THAT HEAREST
THAT THOU OF THEE THEE OF THAT THOU
ART
OF WISDOM UNIVERSAL WISDOM OF
GODS GODS
AS YE DO SO SHALL YE RECEIVE RECEIVE YE SHALL SO DO YE AS
MAAT ISISIS ISISIS MAAT
UNIVERSAL IS THAT LAW OF CREATIVE GODS GODS CREATIVE OF LAW THAT IS UNIVERSAL
AZ YE SOW HA HA HA SO SHALL YE REAP HA HA HA REAP YE SHALL SO HA HA HA SOW YE AZ
HEARKEN
THEE ALL THIS LAUGHTER AMIDST ALL THIS SLAUGHTER
WE ARE THE DEAD SHORT TIME AGO WE LIVED SAW DAWN FELT SUNSETS GLOW
LIVED AND WERE LOVED AND NOW
?HEAREST ME READEST ME DEAREST DREAMER DREAMER DEAREST ME READEST ME
O
HE AZIN SHE THAT IS THEE I ME I THEE IS THAT SHE AZIN HE
THIS IS THE SUMMONS IN THE OMEN OF THE MOMENT
I
ME
ZEN I ZEN
I
I ME DISMEMBER TO REMEMBER REMEMBER TO DISMEMBER ME I
ALWAYS IN THE INSIDE OUT OF THE OUTSIDE IN ALWAYS
THE RIGHTSIDE UP OF THE LEFTSIDE DOWN
DROWNING ALWAYS I ME I ALWAYS DROWNING
THAT THAT THAT
ALWAYS IS THAT IS THAT IS ALWAYS
BALANCING NEGATIVE + POSITIVE ALWAYS POSITIVE + NEGATIVE BALANCING
ALL DIVINE CREATORS CREATORS DIVINE ALL
GODS BALANCING BALANCING GODS
THAT THAT THAT ISISIS THAT THAT THAT
ISISIS DIVINE THOUGHT ISISISTHAT THAT THAT ISISIS THOUGHT DIVINE ISISIS
GODS CREATIVE LAW OF MAATIS ISMAAT OF LAW CREATIVE GODS
PERFECTION PERSONIFIED GODS PERSONIFIED PERFECTION
THAT THAT THATISISIS ISISIS ISISIS THAT THAT THAT
CREATIVE PERFECTION GODS PERFECTION CREATIVE
THE CYCLE OF THE CIRCLE OF THE CIRCLE OF THE CYCLE
FROM AND TO I AND ME AND I TO AND FROM
HEAREST THEE THAT ME THAT I AM I AM I THAT ME THAT THEE HEAREST ME
THAT I ME THAT I AM I THAT ME I THAT
MEANWHILE MEANTIME SOMEWHERE ANYWHERE SOMEWHERE MEANTIME MEANWHILE
ME AND TIME I THAT I AM EMIT TIME I TIME EMIT AM I THAT I TIME AND ME
TIME PRESENT TIME PAST TIME FUTURE TIME PAST TIME PRESENT TIME
HOURS OF HORUS ARRIVES SO ARRIVES HORUS OF HOURS
I YOU ME BE AWARE BEWARE I ME I BEWARE AWARE BE ME YOU I
MESSAGE LUCK GOOD GODDESS GODS GODDESS GOOD LUCK MESSAGE
MESSAGE LOVE EVOLVE LOVE LOVE LOVE EVOLVE LOVE MESSAGE
GO DO GOOD GOD GOOD DO GO
GOD DESS GOOD NESS GOOD NESS GOD DESS
GODGODDESS GODDESSGOD
I ME EGO CONSCIENCE DIVINE CONSCIENCE GODS
GODS CONSCIENCE DIVINE CONSCIENCE EGO ME I
I ME EGO EGO CENTRIC CONSCIENCE CENTRIC EGO EGO ME I
DIVINE CONSCIENCE GODS GODS CONSCIENCE DIVINE CONSCIENCE EGO ME I
I
ME
TARGET THAT THAT TARGET
THAT
STARGATE CONSCIOUSNESS GODS CONSCIOUSNESS STARGATE
LIFE DEATH DEATH LIFE DEATH LIFE LIFE DEATH LIFE DEATH DEATH LIFE
KARMAS GODS KARMAS
THE
CIRCLE OF THE CYCLE OF THE CYCLE OF THE CIRCLE
Freiheit - Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ...
www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html
Tonight the rain is falling
Full of memories of people and places
And while the past is calling
In my fantasy I remember their faces
The hopes we had were much too high
Way out of reach but we have to try
The game will never be over
Because we're keeping the dream alive
I hear myself recalling
Things you said to me
The night it all started
And still the rain is falling
Makes me feel the way
I felt when we parted
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive
I need you
I love you
The game will never be over
Because we're keeping the dream alive
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive
The game will never be over
Because we're keeping the dream alive
The game will never be over
Mmm mmm mmm mmm mmm mmm mmm mmm mmm.
|
BECAUSE |
56 |
20 |
|
|
WE'RE |
51 |
24 |
|
|
KEEPING |
67 |
40 |
|
|
THE |
33 |
15 |
|
|
DREAM |
41 |
23 |
|
|
ALIVE |
49 |
22 |
|
|
First Total |
|
|
|
3+1 |
Add to Reduce |
2+9+7 |
1+4+4 |
7+2 |
|
Second Total |
|
|
|
- |
Reduce to Deduce |
2+9+7 |
- |
- |
|
Essence of Number |
|
|
|
THE HOPES WE HAD WE'RE MUCH TWO HIGH WAY OUT OF REACH BUT WE HAVE TO TRY
NO NEED TO HIDE NO NEED TO RUN 'CAUSE ALL THE ANSWERS COME ONE BY ONE
THE DAY WILL NEVER BE OVER BECAUSE WE 'RE KEEPING THE DREAM ALIVE
THE DEATH OF STEVE BIKO
IN
MEMORIAM
12 September 1977
THE ART OF MEMORY
FRANCIS A. YATES 1979
THE OCCULT PHILOSOPHY IN THE ELIZABETHAN AGE
Page 135 (number omitted)
"No study of Shakespeare can begin without some reference to Marlowe, the predecessor, and his mighty line."
"Marlowe's famous play, Docter Faustus is closely based on the English translation of the German Faust-Buch (1587)"
"Page 139
He turns to ask / Page 140 / Mephistopheles about divine astrology, about the elements, and the spheres of the planets. He still has scholarly instincts, and can hear echoes of the universal harmony, although damned.
Awaiting damnation he calls on Christ, and there comes the famous line
" See see where Christs bloud streames in the firmament.11"
SEE SEE WHERE CHRISTS BLOUD STREAMES IN THE FIRMAMENT
155 155 58595 3899121 23634 12951451 95 285 699414552
IS 9 IS
9
IS 9 IS
155 155 58595 3899121 23634 12951451 95 285 699414552
SEE SEE WHERE CHRISTS BLOUD STREAMES IN THE FIRMAMENT
S |
|
1 |
|
3 |
SEE |
29 |
11 |
2 |
S |
|
1 |
|
3 |
SEE |
29 |
11 |
2 |
W |
|
5 |
|
5 |
WHERE |
59 |
32 |
5 |
C |
= |
3 |
- |
7 |
CHRISTS |
96 |
33 |
6 |
B |
= |
2 |
- |
5 |
BLOUD |
54 |
18 |
9 |
S |
= |
1 |
- |
8 |
STREAMES |
100 |
28 |
1 |
I |
= |
9 |
|
2 |
IN |
23 |
14 |
5 |
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
F |
= |
6 |
|
9 |
FIRMAMENT |
99 |
45 |
9 |
|
|
33 |
|
45 |
|
|
|
|
|
|
3+3 |
|
4+5 |
|
5+2+2 |
2+0+7 |
4+5 |
|
|
6 |
|
|
|
|
|
|
I
THAT AM THAT AM THAT
I'M MORTAL IMMORTAL MORTAL I'M
IMMORTAL
AM
I
IS LIFE FOREVER ? FOREVER IS LIFE
GODIS O ISGOD
LIFE IS EVERLASTINGNESS IS LIFE
....
WHO R U ? U R WHO
THOU ART ME I ME ART THOU
I
THAT AM GODS UNIVERSAL MIND AM I AM MIND UNIVERSAL GODS AM THAT
I
THAT AM THAT
LOVE EVOLVE LOVE
EVOLVE LOVE EVOLVE
I LOVE ORDER I ORDER LOVE I
GODS DIVINE MINDS I MINDS DIVINE GODS
THE
WORLD GOVERNMENT OF PLANET EARTH
379-154-37-10-1
T |
= |
2 |
|
|
THE |
|
|
|
W |
= |
5 |
- |
5 |
WORLD |
72 |
27 |
9 |
G |
= |
7 |
- |
10 |
GOVERNMENT |
133 |
52 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
P |
= |
7 |
|
|
PLANET |
|
|
|
E |
= |
5 |
- |
5 |
EARTH |
52 |
25 |
7 |
|
|
|
|
|
First Total |
|
|
|
- |
- |
3+2 |
- |
3+0 |
Add to Reduce |
3+7+9 |
1+5+4 |
3+7 |
|
|
5 |
|
3 |
Second Total |
|
10 |
10 |
- |
- |
- |
- |
- |
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
|
|
5 |
|
3 |
Third Total |
10 |
1 |
1 |
- |
- |
- |
- |
- |
Reduce to Deduce |
1+0 |
- |
- |
|
|
5 |
|
3 |
Essence of Number |
1 |
1 |
1 |
PLANET PLANT E PLANT PLANET
PLANET PLANT 5 PLANT PLANET
PLANET PLANT E PLANT PLANET
"THE LORD REIGNETH"
INCIDENTS IN THE GREAT WAR
By
DR. Ellsworth Helms Circa 1918
"Some trust in chariots, and some in horses: BUT we will remember the NAME of the LORD OUR GOD." Psalm 20:7.
Page 1
"LORD GOD OF HOSTS, WHOSE ALMIGHTY HAND
DOMINION HOLDS ON SEA AND LAND,
IN PEACE AND WAR THY WILL WE SEE
SHAPING THE LARGER LIBERTY.
NATIONS MAY RISE AND NATIONS FALL,
THY CHANGELESS PURPOSE RULES THEM ALL."
Page 12
"THE FOOL HATH SAID 'NO GOD!"
7. "Those that the gods would destroy they first make mad."
HUMAN EXISTENCE
- |
- |
- |
- |
- |
HUMAN EXISTENCE |
- |
- |
- |
H |
= |
|
- |
5 |
HUMAN |
57 |
21 |
3 |
E |
= |
|
- |
9 |
EXISTENCE |
104 |
50 |
5 |
- |
- |
13 |
- |
|
HUMAN EXISTENCE |
|
|
|
- |
- |
1+3 |
- |
1+4 |
- |
1+6+1 |
7+1 |
|
- |
- |
4 |
- |
|
HUMAN EXISTENCE |
|
|
|
- |
- |
- |
- |
- |
HUMAN EXISTENCE |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
H |
= |
|
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
E |
= |
|
- |
9 |
EXISTENCE |
104 |
50 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
|
HUMAN EXISTENCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
1 |
1 |
H |
8 |
8 |
8 |
- |
|
|
|
|
|
- |
- |
|
|
|
|
|
2 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
|
|
- |
|
|
- |
- |
- |
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
|
5 |
HUMAN |
57 |
21 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
EXISTENCE |
|
|
|
- |
- |
|
|
- |
|
|
- |
- |
- |
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
X |
= |
6 |
7 |
1 |
X |
24 |
6 |
6 |
- |
|
|
- |
|
|
|
- |
- |
|
I |
= |
9 |
8 |
1 |
I |
9 |
9 |
9 |
- |
|
|
- |
|
|
- |
- |
- |
|
S |
= |
1 |
9 |
1 |
S |
19 |
10 |
1 |
- |
|
|
- |
|
|
- |
- |
- |
|
T |
= |
2 |
10 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
- |
|
|
- |
- |
- |
|
|
|
|
11 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
41 |
|
9 |
EXISTENCE |
104 |
50 |
41 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
HUMAN EXISTENCE |
- |
- |
- |
|
|
|
|
|
2+5 |
|
|
|
|
H |
= |
|
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
E |
= |
|
- |
9 |
EXISTENCE |
104 |
50 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
|
HUMAN EXISTENCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+3 |
- |
1+4 |
- |
1+6+1 |
7+1 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
- |
|
HUMAN EXISTENCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
HUMAN EXISTENCE |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
H |
= |
|
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
E |
= |
|
- |
9 |
EXISTENCE |
104 |
50 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
|
HUMAN EXISTENCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
1 |
1 |
H |
8 |
8 |
8 |
- |
|
|
|
|
|
- |
7 |
|
|
|
|
|
2 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
3 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
|
|
- |
|
|
- |
|
- |
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
X |
= |
6 |
7 |
1 |
X |
24 |
6 |
6 |
- |
|
|
- |
|
|
|
|
- |
|
I |
= |
9 |
8 |
1 |
I |
9 |
9 |
9 |
- |
|
|
- |
|
|
- |
|
- |
|
S |
= |
1 |
9 |
1 |
S |
19 |
10 |
1 |
- |
|
|
- |
|
|
- |
7 |
- |
|
T |
= |
2 |
10 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
- |
|
|
- |
7 |
- |
|
|
|
|
11 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
EXISTENCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
HUMAN EXISTENCE |
- |
- |
- |
|
|
|
|
|
2+5 |
|
|
|
|
H |
= |
|
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
E |
= |
|
- |
9 |
EXISTENCE |
104 |
50 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
|
HUMAN EXISTENCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+3 |
- |
1+4 |
- |
1+6+1 |
7+1 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
- |
|
HUMAN EXISTENCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 5 = 25
"The most common letter in the English alphabet is E."
- |
- |
- |
- |
- |
HUMAN EXISTENCE |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
H |
= |
|
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
E |
= |
|
- |
9 |
EXISTENCE |
104 |
50 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
|
HUMAN EXISTENCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
|
|
- |
|
|
- |
|
- |
|
S |
= |
1 |
9 |
1 |
S |
19 |
10 |
1 |
- |
|
|
- |
|
|
- |
7 |
- |
|
T |
= |
2 |
10 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
- |
|
|
- |
7 |
- |
|
|
|
|
2 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
13 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
13 |
4 |
|
|
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|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
X |
= |
6 |
7 |
1 |
X |
24 |
6 |
6 |
- |
|
|
- |
|
|
|
|
- |
|
H |
= |
8 |
1 |
1 |
H |
8 |
8 |
8 |
- |
|
|
|
|
|
- |
7 |
|
|
I |
= |
9 |
8 |
1 |
I |
9 |
9 |
9 |
- |
|
|
- |
|
|
- |
|
- |
|
|
|
|
|
9 |
EXISTENCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
HUMAN EXISTENCE |
- |
- |
- |
|
|
|
|
|
2+5 |
|
|
|
|
H |
= |
|
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
E |
= |
|
- |
9 |
EXISTENCE |
104 |
50 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
|
HUMAN EXISTENCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+3 |
- |
1+4 |
- |
1+6+1 |
7+1 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
- |
|
HUMAN EXISTENCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
HUMAN EXTINCTION
- |
- |
- |
- |
- |
HUMAN EXTINCTION |
- |
- |
- |
H |
= |
|
- |
5 |
HUMAN |
57 |
21 |
3 |
E |
= |
|
- |
10 |
EXTINCTION |
133 |
52 |
7 |
- |
- |
13 |
- |
|
HUMAN EXTINCTION |
|
|
10 |
- |
- |
1+3 |
- |
1+5 |
- |
1+9+0 |
7+3 |
1+0 |
- |
- |
4 |
- |
|
HUMAN EXTINCTION |
|
|
|
- |
- |
- |
- |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
4 |
- |
|
HUMAN EXTINCTION |
|
|
|
- |
- |
- |
- |
- |
HUMAN EXTINCTION |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
H |
= |
|
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
E |
= |
|
- |
10 |
EXTINCTION |
133 |
52 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
|
HUMAN EXTINCTION |
|
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
1 |
1 |
H |
8 |
8 |
8 |
- |
|
|
|
|
|
- |
- |
|
|
|
|
|
2 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
|
|
- |
|
|
- |
- |
- |
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
|
5 |
HUMAN |
57 |
21 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
EXTINCTION |
|
|
|
- |
- |
|
|
- |
|
|
- |
- |
- |
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
X |
= |
6 |
7 |
1 |
X |
24 |
6 |
6 |
- |
|
|
- |
|
|
|
- |
- |
|
T |
= |
2 |
8 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
- |
|
|
- |
- |
- |
|
I |
= |
9 |
9 |
1 |
I |
9 |
9 |
9 |
- |
|
|
- |
|
|
- |
- |
- |
|
|
|
|
10 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
12 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
- |
|
|
- |
- |
- |
|
I |
= |
9 |
13 |
1 |
I |
9 |
9 |
9 |
- |
|
|
- |
|
|
- |
- |
- |
|
O |
= |
6 |
14 |
1 |
O |
15 |
6 |
6 |
- |
|
|
- |
|
|
|
- |
- |
|
|
|
|
15 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
51 |
|
|
EXTINCTION |
133 |
52 |
52 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
HUMAN EXTINCTION |
- |
- |
- |
|
|
|
|
|
2+0 |
1+2 |
|
|
1+8 |
H |
= |
|
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
E |
= |
|
- |
10 |
EXTINCTION |
133 |
52 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
|
HUMAN EXTINCTION |
|
|
10 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+3 |
- |
1+5 |
- |
1+9+0 |
7+3 |
1+0 |
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
- |
|
HUMAN EXTINCTION |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
- |
|
HUMAN EXTINCTION |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
HUMAN EXTINCTION |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
H |
= |
|
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
E |
= |
|
- |
10 |
EXTINCTION |
133 |
52 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
|
HUMAN EXTINCTION |
|
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
1 |
1 |
H |
8 |
8 |
8 |
- |
|
|
|
|
|
- |
7 |
|
|
|
|
|
2 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
|
|
- |
|
|
- |
7 |
- |
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
X |
= |
6 |
7 |
1 |
X |
24 |
6 |
6 |
- |
|
|
- |
|
|
|
7 |
- |
|
T |
= |
2 |
8 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
- |
|
|
- |
7 |
- |
|
I |
= |
9 |
9 |
1 |
I |
9 |
9 |
9 |
- |
|
|
- |
|
|
- |
7 |
- |
|
|
|
|
10 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
7 |
|
|
T |
= |
2 |
12 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
- |
|
|
- |
|
- |
|
I |
= |
9 |
13 |
1 |
I |
9 |
9 |
9 |
- |
|
|
- |
|
|
- |
|
- |
|
O |
= |
6 |
14 |
1 |
O |
15 |
6 |
6 |
- |
|
|
- |
|
|
|
7 |
- |
|
|
|
|
15 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
EXTINCTION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
HUMAN EXTINCTION |
- |
- |
- |
|
|
|
|
|
2+0 |
1+2 |
|
|
1+8 |
H |
= |
|
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
E |
= |
|
- |
10 |
EXTINCTION |
133 |
52 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
|
HUMAN EXTINCTION |
|
|
10 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+3 |
- |
1+5 |
- |
1+9+0 |
7+3 |
1+0 |
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
- |
|
HUMAN EXTINCTION |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
- |
|
HUMAN EXTINCTION |
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 4 = 20
"The most common letter in the English alphabet is E."
- |
- |
- |
- |
- |
HUMAN EXTINCTION |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
H |
= |
|
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
E |
= |
|
- |
10 |
EXTINCTION |
133 |
52 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
|
HUMAN EXTINCTION |
|
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
|
|
- |
|
|
- |
7 |
- |
|
T |
= |
2 |
8 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
- |
|
|
- |
7 |
- |
|
T |
= |
2 |
12 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
- |
|
|
- |
|
- |
|
|
|
|
2 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
3 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
7 |
|
|
X |
= |
6 |
7 |
1 |
X |
24 |
6 |
6 |
- |
|
|
- |
|
|
|
7 |
- |
|
O |
= |
6 |
14 |
1 |
O |
15 |
6 |
6 |
- |
|
|
- |
|
|
|
7 |
- |
|
H |
= |
8 |
1 |
1 |
H |
8 |
8 |
8 |
- |
|
|
|
|
|
- |
7 |
|
|
I |
= |
9 |
13 |
1 |
I |
9 |
9 |
9 |
- |
|
|
- |
|
|
- |
|
- |
|
I |
= |
9 |
9 |
1 |
I |
9 |
9 |
9 |
- |
|
|
- |
|
|
- |
7 |
- |
|
|
|
|
|
|
EXTINCTION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
HUMAN EXTINCTION |
- |
- |
- |
|
|
|
|
|
2+0 |
1+2 |
|
|
1+8 |
H |
= |
|
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
E |
= |
|
- |
10 |
EXTINCTION |
133 |
52 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
|
HUMAN EXTINCTION |
|
|
10 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+3 |
- |
1+5 |
- |
1+9+0 |
7+3 |
1+0 |
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
- |
|
HUMAN EXTINCTION |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
- |
|
HUMAN EXTINCTION |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
HUMAN EXTINCTION |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
H |
= |
|
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
E |
= |
|
- |
10 |
EXTINCTION |
133 |
52 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
|
HUMAN EXTINCTION |
|
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
4 |
1 |
A |
1 |
1 |
1 |
- |
|
|
- |
|
|
- |
7 |
- |
|
T |
= |
2 |
8 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
- |
|
|
- |
7 |
- |
|
T |
= |
2 |
12 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
- |
|
|
- |
|
- |
|
|
|
|
2 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
3 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
7 |
|
|
X |
= |
6 |
7 |
1 |
X |
24 |
6 |
6 |
- |
|
|
- |
|
|
|
7 |
- |
|
O |
= |
6 |
14 |
1 |
O |
15 |
6 |
6 |
- |
|
|
- |
|
|
|
7 |
- |
|
H |
= |
8 |
1 |
1 |
H |
8 |
8 |
8 |
- |
|
|
|
|
|
- |
7 |
|
|
I |
= |
9 |
13 |
1 |
I |
9 |
9 |
9 |
- |
|
|
- |
|
|
- |
|
- |
|
I |
= |
9 |
9 |
1 |
I |
9 |
9 |
9 |
- |
|
|
- |
|
|
- |
7 |
- |
|
|
|
|
|
|
EXTINCTION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
HUMAN EXTINCTION |
- |
- |
- |
|
|
|
|
|
2+0 |
1+2 |
|
|
1+8 |
H |
= |
|
- |
5 |
HUMAN |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
E |
= |
|
- |
10 |
EXTINCTION |
133 |
52 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
|
HUMAN EXTINCTION |
|
|
10 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+3 |
- |
1+5 |
- |
1+9+0 |
7+3 |
1+0 |
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
- |
|
HUMAN EXTINCTION |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
- |
|
HUMAN EXTINCTION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
THE |
33 |
15 |
6 |
|
- |
- |
|
|
|
|
|
|
|
- |
- |
|
2 |
|
9 |
9 |
|
|
- |
- |
|
1 |
|
12 |
3 |
|
|
- |
- |
|
1 |
|
9 |
9 |
|
|
- |
- |
|
2 |
|
27 |
9 |
|
|
- |
- |
|
1 |
|
18 |
9 |
|
|
- |
- |
|
1 |
|
5 |
5 |
|
|
- |
- |
|
1 |
|
18 |
9 |
|
|
|
|
|
9 |
DELIVERER |
98 |
44 |
44 |
|
- |
- |
|
|
- |
|
- |
- |
|
- |
|
|
15 |
First Total |
131 |
59 |
50 |
|
- |
- |
|
1+5 |
Add to Reduce |
1+3+1 |
5+9 |
5+0 |
|
- |
|
|
6 |
Second Total |
5 |
14 |
5 |
|
- |
- |
- |
|
Reduce to Deduce |
- |
1+4 |
- |
|
- |
|
|
6 |
Essence of Number |
|
5 |
|
THE UNIVERSAL SOLDIER 1971